L'hôpital

I had never paid much attention to this flick until I learned that Paddy Chayefsky - author of the brilliant "Network" - was the scriptwriter. His work there had instructed me as to his genius, so when 'Hospital' appeared on TMC, I was anxious to see it. I was not disappointed. Looking at both this film and "Network" it would seem that his big theme is the absurdity, inanity, and sheer viciousness of large human enterprises (e.g., hospitals, networks) against the sanctity of individual experience and the human spirit, and all of it delivered with a knife-edge sense of utterly black humor. "Hospital" is as black of a comedy as "Network" is, and the excellent cast, led by the incomparable Scott, does his work full justice. This is a keeper; definitely not to miss.

Certainly the highlight of this film is it's cast.

Diana Rigg, George C. Scott, Bernard Hughes to mention a few.

I have accumulated more time in hospitals and with doctors over the years than I care to think about.

This comedy attacks the pomp and pretension in all aspects of our society, through the setting of one of it's "Most Haughty" institutions... the Medical profession.

The idea that such goings on could be possible, might be a shock to some, but is a delight to anyone with the perspective of experience.

Dr Brock (Scott) undergoes a mid-life crisis of monumental proportions before our eyes as we, and he, become enamored with the prospect of his involvement with Miss Drummond (Rigg).

The thread of the absurd is woven into this wonderful mix in the form of the irony that the Hospital appears to be killing it's own workers as they mismanage their affairs in it.

The climax is unpredictable (unless you've seen it) and made even more hilarious if you happen to guess.

It's not everyone's brand of humor, to be sure, and has uproariously funny "Dark Moments" if you're open to them.

I loved every minute, and was delighted to see it out on DVD.

The Hospital's one big flaw is lack of decision. It tries to hit too much and fails at most. At its best, The Hospital is a fantastic character study; George C. Scott is fantastic, giving one of the best performances of his celebrated career, and he creates a complex, flawed, believable character over the course of the film. The supporting cast is fine too - Barnard Hughes is hammy but terrific, and the others do well too. The film has some fantastic character establishing dialogs that are the heart of the story.

The problem is that it isn't satisfied with being a character driven drama. The Hospital also dips into black comedy, social satire, murder mystery and romance, and when it goes anywhere near any of those, it becomes disappointingly bland and predictable. Unfortunately, those scenes take up over half of the film.

On a side note, I do recommend The Hospital to anyone with an obsession for medical dramas - It's more realistic and better researched than most such movies made before ER.

A hospital chief deals with a crisis while battling his own demons. This satire exaggerates situations to drive home its points, but it's a worthwhile black comedy. As with most of his films, Cheyefsky seems more interested in hitting his targets and pontificating than in telling a good story. The Scott character is similar to the William Holden character in "Network," a man with a failing marriage and suffering from menopause who has a chance to rekindle his manhood with a younger woman. Scott is quite good in conveying the middle-aged weariness and bitterness. Rigg is also fine as a hippie, but their instant love affair is not believable.

George Scott gave the performance of a lifetime in Paddy Chayefsky's THE HOSPITAL, a very dark drama about an aging big city hospital and a middle-aged physician on the verge of suicide. Along comes Diana Rigg as a free spirit determined to save him from himself. Their dialog crackles, and it is clear they are made for each other from the outset. But will she save him? Their one sex scene is both graphic and memorable for its passion and fury. Meanwhile, the hospital is under siege by a group of agitators who don't want it to turn a condemned building into a cancer center. And a serial killer is loose in the hospital, specializing in doctors and nurses. A good part of the movie, though, is squarely focused on Scott. As it should be. What a difference a few years made back when this movie was made. 1962 had given us THE INTERNS, a hokey, old-fashioned reworking of DR. KILDARE with terrible acting and a cardboard script. Along came 1971 and THE HOSPITAL. Less than 10 years later. Hollywood did something right for a change. Watching THE HOSPITAL today is a reminder of how much medical shows like ST. ELSEWHERE and SCRUBS owe to this enduring classic. And if THE HOSPITAL reminds you of NETWORK, it should. Same scripter.