Fureur apache

Character actor Joaquin Martinez plays the title role in this pursuit-Western, a story of a fierce Apache war chief who flees a reservation with his comrades, determined to institute a reign of terror. A wet-behind-the-ears Cavalry officer, Lt. DeBuin (Bruce Davison), is put in charge of the pursuit, and while he will have the final say in military matters, he will also need to defer to the judgment of McIntosh (Burt Lancaster), the veteran Indian scout who will be used for tracking. Also along for the ride is an Indian named Ke-Ni-Tay (Jorge Luke), and DeBuin will have his doubts as to where Ke-Ni-Tays' loyalty lies.

Filmed against some beautiful countryside, this is an overlooked item on the resume of accomplished filmmaker Robert Aldrich, better known for such films as "Kiss Me Deadly", "What Ever Happened to Baby Jane?", and "The Dirty Dozen". Some viewers may take exception to the portrayal of Indians in this narrative, as most of them are true savages, but director Robert Aldrich and screenwriter Alan Sharp ("Night Moves") make sure to drive home the point that there will be atrocities committed by both sides. The two parties are not really that different. Lending his expert advise and wisdom is McIntosh, who always has something interesting to say to the impassioned but somewhat naive DeBuin. Aldrich and Sharp pull no punches in terms of violence, which would cause them to lose some more audience members. And yet everything plays out with a refreshing lack of sentimentality. The Cavalry endures in their mission, despite the fact that these particular opponents always seem to be more than one step ahead of them.

The performances are first-rate, with Lancaster scoring in one of his most matter-of-fact, low key portrayals. Davison is just right in his part. Luke has some scene-stealing moments, especially when he says, "His wife, ugly. My wife, not so ugly." As played by Martinez, Ulzana remains something of an enigma; the character has few major scenes and not much dialogue to utter. Richard Jaeckel, Lloyd Bochner, Karl Swenson, John Pearce, and Richard Bull comprise an excellent supporting cast; among the Cavalrymen are Ted Markland, Nick Cravat, and Richard Farnsworth.

Designed as a Vietnam war allegory, the picture does have a clearly stated message warning against demonizing ones' opponents, and plays out in a reasonably realistic fashion. Recommended.

Seven out of 10.

Offbeat Western concerning about an aging scout named McIntosh (Burt Lancaster)and an idealist Cavalry Lt. (Bruce Davison)commanding a group of soldiers , booth of them join forces on their way to track down an Apache Chiricaua leader named Ulzana(Joaquin Martinez) escaped from reservation of San Carlos. The veteran along with an Apache scout (Jorge Luke) agree to help them to chase vicious Indians but learn that the rebel Apache chieftain is hunting them down.

This outlandish Western is based on mixture of modern violence and brooding dialog, is of real note. Lancaster plays perfectly a ready to retire veteran explorer trying to lead cavalry against marauding and cruel Indians. The last images when Lancaster-McIntosh stays below a cart being surrounded by brave Indians bear remarkable resemblance to frames regarding Gregory Peck from ¨Billy two hats¨ also by the same screenwriter Alan Sharp. Prestigious supporting cast as Lloyd Bochner as captain, Karl Swenson as tortured farmer and Richard Jaeckel as upright sergeant. Among some cavalry troopers appear secondaries as Jerry Gatlin, Richard Farnsworth and 'Nick Cravat' , Lancaster's usual partner. This gritty Western is ravishingly photographed in color by Joseph Biroc . Splendidly filmed on location in Nogales, Arizona and lands of : Coronado National Forest, Bureau of land of Management, State of Nevada, Department of Conservation and Resources, Division of the State Parks. It contains stirring musical score with Indian and military sounds by Frank DeVol , Aldrich's ordinary's musician. The talent for this vigorous Western that Aldrich shows is based on his powerful film-making that sustains interest and compels by careful concentration on the acting of Burt Lancaster. Robert Aldrich is a specialist on dramatic Western as ¨Veracruz¨, ¨Apache¨, ¨The last sunset¨ but also on Western with humor as ¨Four for Texas¨and ¨The Frisco kid¨. Rating : Very good, better than average and well worth seeing. This unusual Western enjoys recently elevated critical re-evaluation, though previously was considered as anti-Indian because they're brutally portrayed and being originally directed by Aldrich, a great expert in violent drama.

The only reason I have not given this movie a "10" is that I might find something wrong with it on subsequent viewings. If anybody knows of this film being available widescreen, unedited, and not bootlegged, let me know where. My high definition TV does not forgive picture flaws. Otherwise I will be patient for a remaster. As someone who is an amateur historian of the Indian wars, I can tell you this is the most accurate dramatization of the campaign against the Apaches ever filmed. Accurate history is presented in the fact that the Apaches were the dominant tribe of the southwest {the Comanches in Texas might have been their rival}. Ask the Puebloes, who actually welcomed the white man, as a buffer against the Apache. The Apache dominated the southwest long before the Spanish ever showed up. Their spiritual philosophy of "taking a man's power" was shared by other warlike Indian tribes all the way to the east coast {see "Last of the Mohicans", Mann's version}. The film manages to also be great western drama as well as a history lesson.There is no moral judgment, only the way it was. The cast is superb.Lancaster, Davidson, The Hispanic Indian actors. Richard Jaeckel, and Karl Swenson {two workhorse character actors, who turned in performances of a lifetime}. All these guys plus director Aldrich and the writers knew they were working on something special. Even the PC edited version is worth seeing. A great Cavalry/Indian western, maybe the best!

Seeing Ulzana's Raid now, almost thirty years later, makes one realize how much things have changed. More than a western, the film was commenting on much of what was happening at the time. I refer of course to the Vietnam war. The innocence of the lieutenant, the sympathy for the Apaches and their different culture, the conflicts among the whites and among the Apaches, all reverberated more at the time. Few movies today seem to deal with any content, much less political. American movies exist for thrills and business. The late sixties and early seventies were a great time for American movies: they allowed us to look at ourselves and engage in a larger debate. One can talk about Ulzana's Raid in ways that Exit Wounds or even Hannibal can't even approach. American films today are self-reverential. They are about movies, not about the world around them. I say this because I am afraid many people who see this film now won't appreciate the richness Aldrich and screenwriter Sharp bring to the film.

This is one of those movies that seems to have a lot more action than it does. It follows a young cavalry lieutenant, sent to bring a renegade Apache back to the reservation. Ulzana, reminiscent of Geronimo, leads a small band of Indians on a bloody raid of settlers homes. This is one of those rare movies that has a very methodical plot and very few illusions. Lancaster is pretty good as the tired veteran, and Bruce Davidson turns in a pretty good performance as an idealistic soldier whose views of the world are deeply shaken by what he sees.

Even more surprising is the portrayal of the Apaches. They're not menacingly evil subhumans as in some early westerns, but neither are they the always humane and sensitive pseudo flower children caricatures as in "Little Big Man" or "Dances With Wolves". They're extremely violent, ruthless, and cruel--however the movie doesn't set them up as necessarily the bad guys. They're just the adversary.

At one point Lancaster's character says "Hating the Apache is like hating the desert because there isn't any water in it." (Or something similar.) That line really sums up the movie in my view.

There isn't much black or white here, just two groups of men--and it is a masculine movie--using their stamina, wiles, and tactics in a game of cat and mouse. There are some violent scenes, but never gratuitous; the scenes can be unsettling, but its not really gruesome.

Well done.