Somber and reflective view of the French resistance
ARMY IN THE SHADOWS (Jean-Pierre Melville - France/Italy 1969).
Jean-Pierre Melville's work features basically two themes: the world of crime and the French resistance. In Melville's eyes, these two worlds are very much the same. The gangster codes he adopted for many of his films were based largely on the codes of the French resistance and his own experiences during the German occupation (not the other way round as some people suggested).
Melville must be the most celebrated French director at this point in the U.S, after the re-release of "Army in the Shadows" in 2006, that was almost universally applauded by the critics as a work of genius or a forgotten masterpiece. Now, in many ways this is a good film, but something is missing, and I can't really put my finger on it. Perhaps it's the clinically almost surreal interaction between the characters, that worked so well in Melvile's gangsters film, but here he is depicting (admittedly his own ) reality and very much his personal take on French resistance, where "real life" plays a much greater part than in the surreal settings of many of his gangster films, but it doesn't feel that way when watching this. The film is languidly paced with a slow build-up, but never really catches fire. With Melville's characteristically cold - almost clinical - direction, it's partly captivating in parts, but perhaps the tone is a little too detached for my taste. He certainly takes his time to tell the story, but the acting is first class with Lino Ventura and Simone Signouret giving memorable performances among a first-rate cast.
Camera Obscura --- 7/10
Jean-Pierre Melville's work features basically two themes: the world of crime and the French resistance. In Melville's eyes, these two worlds are very much the same. The gangster codes he adopted for many of his films were based largely on the codes of the French resistance and his own experiences during the German occupation (not the other way round as some people suggested).
Melville must be the most celebrated French director at this point in the U.S, after the re-release of "Army in the Shadows" in 2006, that was almost universally applauded by the critics as a work of genius or a forgotten masterpiece. Now, in many ways this is a good film, but something is missing, and I can't really put my finger on it. Perhaps it's the clinically almost surreal interaction between the characters, that worked so well in Melvile's gangsters film, but here he is depicting (admittedly his own ) reality and very much his personal take on French resistance, where "real life" plays a much greater part than in the surreal settings of many of his gangster films, but it doesn't feel that way when watching this. The film is languidly paced with a slow build-up, but never really catches fire. With Melville's characteristically cold - almost clinical - direction, it's partly captivating in parts, but perhaps the tone is a little too detached for my taste. He certainly takes his time to tell the story, but the acting is first class with Lino Ventura and Simone Signouret giving memorable performances among a first-rate cast.
Camera Obscura --- 7/10
- Camera-Obscura
- 5 janv. 2007