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Please Believe Me

  • 1950
  • Approved
  • 1h 27m
ÉVALUATION IMDb
5,7/10
688
MA NOTE
Deborah Kerr, Peter Lawford, Mark Stevens, and Robert Walker in Please Believe Me (1950)
An English woman, inherits a Texas Ranch and heads to America. A gambler in debt pursues her, so does a bachelor on the hunt, who is traveling with his lawyer, to whom Kirbe is most attracted. Unfortunately, he thinks she's running a scam.
Liretrailer2:04
1 vidéo
29 photos
ComédieMystèreRomance

Ajouter une intrigue dans votre langueAn English woman, inherits a Texas Ranch and heads to America. A gambler in debt pursues her, so does a bachelor on the hunt, who is traveling with his lawyer, to whom Kirbe is most attracte... Tout lireAn English woman, inherits a Texas Ranch and heads to America. A gambler in debt pursues her, so does a bachelor on the hunt, who is traveling with his lawyer, to whom Kirbe is most attracted. Unfortunately, he thinks she's running a scam.An English woman, inherits a Texas Ranch and heads to America. A gambler in debt pursues her, so does a bachelor on the hunt, who is traveling with his lawyer, to whom Kirbe is most attracted. Unfortunately, he thinks she's running a scam.

  • Director
    • Norman Taurog
  • Writer
    • Nathaniel Curtis
  • Stars
    • Deborah Kerr
    • Robert Walker
    • Mark Stevens
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    5,7/10
    688
    MA NOTE
    • Director
      • Norman Taurog
    • Writer
      • Nathaniel Curtis
    • Stars
      • Deborah Kerr
      • Robert Walker
      • Mark Stevens
    • 14Commentaires d'utilisateurs
    • 6Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Vidéos1

    Trailer
    Trailer 2:04
    Trailer

    Photos29

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    Rôles principaux99+

    Modifier
    Deborah Kerr
    Deborah Kerr
    • Alison Kirbe
    Robert Walker
    Robert Walker
    • Terence Keath
    Mark Stevens
    Mark Stevens
    • Matthew Kinston
    Peter Lawford
    Peter Lawford
    • Jeremy Taylor
    James Whitmore
    James Whitmore
    • Vincent Maran
    J. Carrol Naish
    J. Carrol Naish
    • Lucky Reilly
    Spring Byington
    Spring Byington
    • Mrs. Milwright
    Carol Savage
    Carol Savage
    • Sylvia Rumley
    Doreen Mary English
    • Beryl Robinson
    • (as Drue Mallory)
    George Cleveland
    George Cleveland
    • Mr. Cooper
    Ian Wolfe
    Ian Wolfe
    • Edward Warrender
    Bridget Carr
    Bridget Carr
    • Lily Milwright
    Henri Letondal
    Henri Letondal
    • Jacques Carnet
    Gaby André
    Gaby André
    • Mme. Carnet
    • (as Gaby Andre)
    Leon Belasco
    Leon Belasco
    • The Croupier
    Geoffrey Alan
    • George Williams
    • (uncredited)
    Don Anderson
    Don Anderson
    • Ship Passenger
    • (uncredited)
    Jimmy Aubrey
    Jimmy Aubrey
    • Undetermined Role
    • (uncredited)
    • Director
      • Norman Taurog
    • Writer
      • Nathaniel Curtis
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs14

    5,7688
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    Avis en vedette

    6SnoopyStyle

    a little fun

    In London, Alison Kirbe (Deborah Kerr) receives news that she has inherited a gigantic cattle ranch in Texas from old Hank whom she befriended during the war. The newspaper proclaims her to be a new heiress. In reality, Hank was prown to tall tales and his will is no exception. Alison boards a ship to American and is followed by some men with an eye for her. Terence Keath is an indebted gambler looking to steal her fortune. Vincent Maran (James Whitmore) is watching over him for his boss Lucky Reilly who owns Terence's papers. Rich bachelor Jeremy Tayler is traveling with his lawyer Matthew Kinston who is suspicious of Alison.

    The funniest scene is probably the group of old men reading old Hank's will. I love the donkey. The whole section is deadpan hilarity. The rest of the movie is a bit bland. I don't know if Kerr has any comedic chops. She shows a bit of it here or there but she needs to be so much more wackier. The writing doesn't give her enough telephone poles to help her get there. The guys do have some fun at times. Whitmore comes the closest with his constant frustration. It's light. It's harmless. It's nearly funny.
    8jjnxn-1

    Miss Kerr gets the big rush on the high seas

    Silly bauble put over by expert comic players. This was early in Deborah Kerr's Hollywood career before From Here to Eternity moved her to the front ranks and Metro was still trying to figure out what to do with her. Here her English reserve is put to good use as the three men put the big rush on her and she slowly loosens up but always manages to keep them at bay by her brains and dignity. She always was a quite charming comedienne able to elevate material like this.

    The film also has several other excellent comic actors who similarly buoy the script with their charm. Peter Lawford wasn't much of a dramatic actor but for suave sophistication with a light touch, which is needed here, few were better. Two wonderful all around actors, Robert Walker and James Whitmore, are paired as a devious couple of wannabe swindlers who seem too goodhearted to be very successful at their work. The weak link, if he can be called that, is Mark Stevens, he's not bad but he lacks the breezy skill and screen presence of his fellow actors.

    The film is a minor credit on all the performers resume and one of the endless trifles churned out by MGM at its peak but on that basis it's a very pleasant diversion
    dougdoepke

    Spotty, But Has Its Moments

    Zippy little comedy that never bogs down thanks to both director Taurog's pacing skills and writer Curtis's snappy dialogue, though plot developments don't make much sense. But then, this is a comedy. There's more amusement than hilarity even though the ensemble cast doesn't meld that well. The plot's something about the guys trying to romance Kerr out of her big Texas ranch. But get a load of that big inheritance ranch that none of plotters nor even Kerr have seen. It's a hundred miles of nothing, so someone's in for a big surprise. Meanwhile the guys shuffle in and out of Kerr's life whether on shipboard or in hotel rooms, while she slowly succumbs.

    Kerr does well enough as the lady-like mark, though I don't think she looks comfortable. However, Mark Stevens comes across as something of a bland dead spot among Kerr's prospective suitors. Fortunately, he later found his strength as a successful director and producer. The surprise is tough guy Whitmore who shows a spirited comedic side that viewers of the Asphalt Jungle or Battleground might never suspect. And who would think horror meister Val Lewton-- Cat People, I Walked With A Zombie--- would act as producer of a comedy like this one.

    Overall, it's a fairly pleasant little diversion if you're not expecting too much. Plus, I can't help thinking the filming would have been better done in Technicolor rather than the bland b&w that flattens what should be livelier visuals.
    4moonspinner55

    It may be horror producer Val Lewton's only romantic comedy...

    Deborah Kerr plays no-nonsense British lass who inherits a ranch from her Texas pen-pal and sails for the States; aboard ship, she is wooed by three bachelors: a lawyer, a millionaire playboy, and a con-artist. Sleek, genteel comedy plays like a blue-haired drawing-room farce. Kerr chirps along happily, but there's really no character here for her--just the outline of one (we can't even be sure what she did for a living back in London). Although there are no big laughs, amiable second-banana James Whitmore steals all his scenes with little effort. Extremely minor offering, one of the very last from famed producer Val Lewton, and perhaps just glossy enough to engage Kerr's fans. ** from ****
    10greenfrog

    Grifter farce with twists galore

    What superb direction -- and please, hard as it is, believe this is the same Norman Taurog that basted more Elvis Presley turkeys than any other director. Here, Taurog is the star, slowed down only by an uneven cast and a script that creaked in a couple of places as it flexed its plot. Deborah Kerr is supreme, though, as the sentimental English poppy who is tricked up and down until she buckles on her sound, common sense English ingenuity and carries the day. And she had some carrying to do: co-star Mark Stevens is pure avoirdupois with no sense of the camera. Nice jackets, though. Peter Lawford is perfect as the rich guy with a sense of fun, flaunting his sleek biceps and slim waist in a swimming pool scene he steals with aplomb. The script is a beaut, too, but the way Taurog fills each scene with exposition and shtick is a joy to behold. The lighting is highly skilled 40s workmanship. And check the roulette scene for b/w colour play. But the scene that is all Seven Wonders of Hollywood script- writing rolled into one is the showdown in gangster Quinn's office. Unbeatable for its half a dozen plot twists inside three minutes. Believe me.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This was Robert Walker's inauspicious comeback after two years of inactivity, much of which was spent in a sanitarium following his nervous breakdown in response to his ex-wife Jennifer Jones' remarriage to David O. Selznick.
    • Gaffes
      The law books in Kinston's office are printed in a set of volumes, and the titles on the spines should all line up, but it appears the set decorator just threw the books onto the shelves randomly.
    • Citations

      Vincent Maran: Kid, fortune hunting is just like any other business. You gotta work at it!

    • Connexions
      Featured in Val Lewton: The Man in the Shadows (2007)

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    FAQ15

    • How long is Please Believe Me?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 12 mai 1950 (United States)
    • Pays d’origine
      • United States
    • Langues
      • English
      • French
    • Aussi connu sous le nom de
      • Drei Männer für Alison
    • Lieux de tournage
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Californie, États-Unis
    • société de production
      • Metro-Goldwyn-Mayer (MGM)
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 055 000 $ US (estimation)
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 27m(87 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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