The Sea Shall Not Have Them

The Sea Shall Not Have Them (1954) -

This wasn't the film that I thought it was going to be, especially not based on the synopsis that the TV had provided. I was expecting to hear all the stories of the various individuals depicted as they waited to be rescued or to rescue. Reminiscences of days gone by and confessions of naughty things, because they thought that death was coming for them, but it was much more basic than that.

And it had a lot of similarities to 'In Which We Serve' (1942), which I thought was actually the better of the two films overall.

The whole thing was quite drawn out, but oddly, I couldn't see where it could be altered to give it a better pace. Although, having said that, the editing and film quality in general was poor and that was a shame because it really wasn't that bad a story, if a bit of a repetition of others available, with it's theme of being stranded in a lifeboat and dangerously close to the enemy, whilst aircraft strafed the water around them with bullets.

There were moments and characters that stuck out more than others.

For instance, I was surprised by Air Craftsman Milliken and the fact that he wasn't in prison for being a blatant homosexual, but I suppose during the war they took all the willing help that they could get and I'm all for diversity in the forces, I just couldn't believe how obvious they were making it with his character in this film from 1954, way before the change in the law in 1967.

I liked Michael Redgrave as Waltby, but had to wonder if Birk Dogarde always played such a wet weekend? His role of MacKay was hot and cold, sometimes literally, I couldn't work out if he was a brave airman or a craven whiner.

And unlike the equivalent American films, where they are all so tough and determined to survive or to go down fighting, this bunch seemed to be happy to give up easily, bar the odd few with a bit more gumption (Redgrave) and most of the rest of them didn't even want to be there in the first place.

So in some ways I thought that it didn't represent the Brits as well as they had hoped it would.

All in all it was a fair piece of work, but I didn't think that it was wholly realistic or delivered with the best production values.

434.22/1000.

I watched this film from a muddy looking print currently on YouTube. I hope there are better quality copies out there.

This movie is about an air-sea rescue crew in action during WWII. A plane is shot down over the North Sea. What makes this one particularly important is that an agent on board is carrying super- important secrets about the German rocket program. Because of this, an all-out search is conducted by the Brits. The film bounces back and forth between the downed crew on a life raft as well as folks in the Royal Air Force and Royal Navy as they try to locate them despite lousy weather and a HUGE search area.

This film is probably not one with wide commercial appeal. While it excels at realism, this also makes for a relatively dull film. Despite this, the film has nice production values and some very nice acting (including the likes of Dirk Bogarde and Michael Redgrave). Probably of most interest to war film buffs. Regardless, though the pacing and style is a bit dull, it does, fortunately, end with more energy and emotion.

Survivors from a crashed aircraft including a commodore holding top secret information (Redgrave) are adrift in the North Sea in a small dinghy. There only hope is the Air Sea Rescue service and Anthony Steele and his crew of likely British character actors set out to find them.

Enjoyable enough adventure which is at its best when focussing on the crew of the rescue boat, whilst the more intense dinghy, will they, won't they scenes are a little dull and repetitive. It's a solid British cast of familiar faces all nicely type cast as frightfully stiff upper lip upper or 'cor blimey guvnor' lower classes facing every conceivable mishap on the way, helped especially by Nigel Patrick, spot on as the tough but likeable flight sergeant and Anthony Steele as the man in charge.

As far as i am aware there are really only 2 British films about Air-Sea rescue ,this film and For Those In Peril.I believe that the earlier film is superior not just because it stars David Farrar who is far better than Anthony Steel,but it has a far more realistic feel.This film is hurt by its inept process work.Nearly every scene featuring Anthony Steel and most of those in the dinghy are clearly shot either on a sound stage or the studio tank and in my view this severely detracts from the realistic feel the film needs to impart.Also at the climax we have the rather strange effect of the boat being shrouded in fog and then in a blazing sun.Quite odd.We have all the usual banter of the lower ranks with some fine performances from a great cast.Incidentally Bonar Cellano who plays an airman and Michael Balfour ,an engineer,were great friends in real life.Alas they had a car crash,Balfour survived but Cellano did not/A real loss to the British cinema as he had made his home here.

During the Second World War, an RAF transport is shot down over the North Sea. Four men are on a dinghy, hoping for rescue as they drift closer to occupied Holland. Back at headquarters of the RAF Search and Rescue Force, the work is being coordinated. Meanwhile, one of the launches taking part in the search has mechanical problems.

That rarely happens under ordinary circumstances in the movies, right? Things work until the actual battle begins, and then the engineer - invariably Scottish - puts things together with string and old cutlery. This is not that sort of movie. It's pacing is odd. It's crisis and routine, and nothing gets done, until the last minute, just like in real life. People talk oddly. Dirk Bogarde, one of the downed fliers, is shrill.

Unfortunately, this ambitious way of telling a story doesn't really work to maintain interest. The characters are either blanks, like Michael Redgrave, who holds the Maguffin, or unappealing. It's an interesting experiment, but like many of them, it doesn't prove its worth.

Good cast, though.