ÉVALUATION IMDb
7,3/10
21 k
MA NOTE
Monsieur Hulot arrive dans un hôtel en bord de mer pour des vacances où il provoque accidentellement (mais avec bonhomie) des dégâts.Monsieur Hulot arrive dans un hôtel en bord de mer pour des vacances où il provoque accidentellement (mais avec bonhomie) des dégâts.Monsieur Hulot arrive dans un hôtel en bord de mer pour des vacances où il provoque accidentellement (mais avec bonhomie) des dégâts.
- Nommé pour 1 oscar
- 2 victoires et 3 nominations au total
Micheline Rolla
- The Aunt
- (as Michèle Rolla)
Lucien Frégis
- Hotel Proprietor
- (as Lucien Fregis)
Georges Adlin
- South American
- (uncredited)
Pierre Aubert
- The Young Intellectual
- (uncredited)
César Baldaccini
- Bearded Camper
- (uncredited)
Michèle Brabo
- Holidaymaker
- (uncredited)
Pierre Clauzel
- Holidaymaker on Beach
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesJacques Tati recounted later in life that he had been heavily criticized for perceived weak dialogue when this film came out. Tati claimed that his intention was to make the dialogue as realistic as possible (thus, simple or boring) to capture the banality of real vacationers.
- GaffesWhen Hulot first enters the hotel and closes the door behind himself, his cap is on his head when he bends to pick up his suitcase; when he straightens, the cap is in his hand with the suitcase.
- Citations
Opening Titles: Mr. Hulot is off for a week by the sea. Take a seat behind his camera, and you can spend it with him. Don't look for a plot, for a holiday is meant purely for fun, and if you look for it, you will find more fun in ordinary life than in fiction.
- Générique farfeluPrologue to restored film (part1/2): "Mr. Hulot's Holiday, Jacques Tati's second feature film, was released in Paris on February 27th, 1953. On that day, Mr. Hulot was born. First in 1962, and later on in 1978, Tati worked on his film again. He re-edited it, cut some shots out, lengthened a few others, re-orchestrated the score and remixed the sound. Thus, over a period of 25 years, he continued to create the world of his main character. The film was released around the world. The original elements were damaged and weakened by the repeated re-editing process, as well as by numerous changes performed by the director."
- Autres versionsOriginal French version is ca. 18 minutes longer than the US version.
- ConnexionsFeatured in Omnibus: Monsieur Hulot's Work (1976)
Commentaire en vedette
A French classic every bit as funny as "Monty Python and the Holy Grail."
Except for missing the wonderfully amusing sound effects, this nearly silent film could be viewed with the sound on mute. Its plethora of homages to the great films of the silent era, meticulously executed slapstick and sight gags make me grin, smile broadly and laugh out loud every time I watch this Gallic masterpiece.
On a visual level alone, this movie works. Kids too young to understand anything about how movies are supposed to work laugh at the kayak, the fireworks, the tennis, at M. Hulot's gawky awkwardness, etc, etc.
It takes a bit more maturity, or perhaps immersion in Gallic sensibilities, to get all the underlying humor.
Whereas Monty Python takes more obvious pokes at the French, Tati's Hulot takes subtle swipes at the Brits and the Americans. It's 1953. The English speaking world has saved France from the Germans, but the French are losing the cultural battle not only to their liberator's language, but to their mechanized world. Hulot, the old French owl (note Tati's birdlike mannerisms), has become the awkward outsider in his own seaside resort. In that context, much of what might appear disjointed, takes on an appealing continuity. Ferreting it all out is like peeling an onion, layer by layer. Each viewing finds something new.
A film which improves with age and frequent viewing.
Except for missing the wonderfully amusing sound effects, this nearly silent film could be viewed with the sound on mute. Its plethora of homages to the great films of the silent era, meticulously executed slapstick and sight gags make me grin, smile broadly and laugh out loud every time I watch this Gallic masterpiece.
On a visual level alone, this movie works. Kids too young to understand anything about how movies are supposed to work laugh at the kayak, the fireworks, the tennis, at M. Hulot's gawky awkwardness, etc, etc.
It takes a bit more maturity, or perhaps immersion in Gallic sensibilities, to get all the underlying humor.
Whereas Monty Python takes more obvious pokes at the French, Tati's Hulot takes subtle swipes at the Brits and the Americans. It's 1953. The English speaking world has saved France from the Germans, but the French are losing the cultural battle not only to their liberator's language, but to their mechanized world. Hulot, the old French owl (note Tati's birdlike mannerisms), has become the awkward outsider in his own seaside resort. In that context, much of what might appear disjointed, takes on an appealing continuity. Ferreting it all out is like peeling an onion, layer by layer. Each viewing finds something new.
A film which improves with age and frequent viewing.
- maryfisk
- 4 mars 2004
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Monsieur Hulot's Holiday
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 257 006 $ US
- Durée1 heure 54 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Les vacances de Monsieur Hulot (1953) officially released in India in English?
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