La tunique

There seems to be little interest in this movie today but when originally released in 1953, it created a sensation and threatened, for a while, to replace "Gone With the Wind" as the highest-grossing film in history. And it was the first movie in CinemaScope -- "The Modern Entertainment Miracle You See Without the Use of Glasses!" Its opening half still plays well, even some 50 years later, but the second half tries to convincingly present the religious conversion of Marcellus -- a tricky proposition since it deals with an internal process -- and the result plays like a well-intentioned but rather simplistic Sunday sermon. Richard Burton was Oscar-nominated for his work but is clearly outshone by, of all people, Victor Mature as the slave, Demetrius. The scene of a sweaty, nearly naked Demetrius groaning and writhing under torture in a Roman dungeon helped establish Mature as "the back that launched a thousand whips." (The book "Lash! The Hundred Great Scenes of Men Being Whipped in the Movies" is dedicated to him.) Mature played Demetrius again in one of the rare big-budget sequels of the 1950s, "Demetrius and the Gladiators," which wasn't very good but which was livelier and more "fun" than its pious predecessor.

It's the 18th year of Roman emperor Tiberius which would make this 32AD. Rome is a land of slaves. Marcellus Gallio (Richard Burton) is a Roman military tribune and a Senator's son. He is entranced by Diana (Jean Simmons) while walking the slave market. It's been 12 years since the childhood friends last met and she is pledged to regent Caligula. In a public spat against Caligula, he outbids the regent to buy slave Demetrius (Victor Mature) from Corinth. Later, he crucifies a religious zealot named Jesus of Nazareth.

It's an old fashion biblical epic. It's early CinemaScope process. It did win Art Direction and Costume but fail to win three bigger Oscars. This is not quite as recognized today as other biblical epics. There are big sets and lots of costumes but it doesn't have the big action sequences. It does show the conversion story pretty well, but that's more character work than thrilling. In a way, this is a more humble Christian film and less flashy Hollywood.

This is a dignified portrayal about Ancient Rome from best-selling novel by Lloyd C Douglas adapted by Philip Dunne and Albert Matz's literate screenplay , it deals with dissolute Marcellus Gallio (Richard Burton) , a tribune in the time of Christ and son of a notorious senator (Torin Thacher) , as he's sent to Palestine . There he is in charge of the group that is assigned to crucify Jesus . From his official duties , drunken Marcellus wins Jesus' homespun robe in a dice-game after the crucifixion . He is tormented by delusion and nightmares after the tragic deeds . Hoping to find out a manner to live with what he has done , and still not believing in Jesus, he goes back to Palestine to learn what he can do of the mysterious man he murdered . Later on , he returns Rome and frees the holy-robe-carrying slave named Demetrius (Beefcake Victor Mature) . After that , Caligula (Jay Robinson) takes him prisoner , but his sweetheart (Jean Simmons) takes time out to visit in a dungeon .

This religious mammoth epic focuses a moving Roman pageant dealing with a sponger tribune , following his stirring career , spiritual awakening and reaches an exciting peak at the ending . It has marvelous images , spectacular scenes , enjoyable performances as well as the adequate cast of thousands . Richard Burton and Jean Simmons are both good , though Burton sometimes is a little wooden . Michael Rennie as Peter and Jeff Morrow as Paulus give sensible acting , though brief , which adds more to the reality than anything else . The best acting comes , indeed , from Jay Robinson , the best portrayal of his career , who gives a hammy acting as nasty Caligula . Colorful cinematography by Leon Shamroy and being the first film to be shot in glamorous CinemaScope . Sensitive and lyric musical score by the classic Alfred Newman . The film deservedly won 1953 Academy Award for Art Direction , Set Decoration, Color and Costume Design.

The motion picture is brilliantly directed by Henry Koster , an expert on super-productions and epic biographies , such as he proved in ¨Desiree¨, ¨The Virgin Queen¨, ¨A man called Peter¨, The story of Ruth¨ , ¨The Naked Maja¨ and of course ¨The Robe¨. It's followed by a sequel (1954) titled ¨Demetrius and the gladiators¨ by Delmer Daves with Debra Paget , William Marshall, Richard Egan , Susan Hayward as the trampy empress Messalina and in which the Marcellus's slave , Victor Mature , makes again a surprisingly good acting and reprised diverse characters as Jay Robinson as Caligula and Michael Wilding as apostle Peter.

The film opens in Rome in the 18th year of the emperor Tiberius (Ernest Thesiger). Rome's legions stand guard on the boundaries of civilization from the foggy coasts of the northern seas to the ancient rivers of Babylon…

Today the slave market is crowded because the emperor's heir and regent, the young Caligula (Jay Robinson) is coming to buy gladiators… He probably will not be pleased to see Tribune Marcellus Gallio…

Marcellus (Richard Burton) forgot the promise he made to Diana (Jean Simmons) to marry her when they grew up… They were friends many years ago when they were children… Now, since her father death, Diana has been the ward of the emperor and his wife… Empress Julia (Rosalind Ivan) thinks she could be good for Caligula…

At the auction, Caligula leaves the place very angry… Marcellus buys a rebellious Greek with the name of Demetrius (Victor Mature) to be his personal attendant…

Few hours later, Marcellus pays the consequences for humiliating Caligula, and is ordered to the garrison at Jerusalem, the worst pest-hole in the empire where the people are always on the verge of rebellion… Caligula hoped by this order to give Marcellus his death sentence… Senator Gallio (Torin Thatcher) asks his son Marcellus to be above all a Roman and a man of honor…

On the deck before the galley set sail to Palestine, Diana appears to tell Marcellus that she's going back to Capri to ask the emperor to intercede for him… Marcellus didn't believe that a girl of 11 could fall in love and stay in love all these years…

All the spirit of the age is present in Koster's epic: The wilderness of the land of Galilee; the massage relaxing area; the terrifying meeting of Demetrius with one of Jesus' disciples; the Roman procurator of Judea asking to wash his hands more than once; the tribune's first battle trophy, for victory over the king of the Jews; the spectacular sword fight between two officers of the empire; and a lost robe in the hands of a runaway slave...

Richard Burton is the brave Tribune who renews his pledge of loyalty to his emperor and to Rome; Jean Simmons is lovely as the exquisite maiden who stands firmly besides her love; Victor Mature is brave and spirited as the Greek slave; Michael Rennie is serious and profound in thoughts and manners as Simon the Galilean; Jay Robinson is terrific as the vicious, treacherous young Caligula drunk with power; Dean Jagger is full of devotion and reverence as the humble and honest Justus; Ernest Thesiger is efficient enough as the austere Tiberius; Betta St. John is so sweet as the disabled believer Miriam; and Torin Thatcher is too helpless as the proud Senator…

It is notable that Jesus of Nazareth is seen from far away riding a white donkey with all the people around carrying palms and as a tortured figure, impossible to discern lying beneath the heavy cross... Henry Koster restraints with dignity the recreation of the execution carried out at Calvary, outside Jerusalem...

This film has much that makes it stand out among the cross and sandals epics of the fifties and sixties. based on the best selling novel by Lloyd C. Douglas, helmed by Hollywood first rank director Henry Koster, the work has a string of memorable performances. Richard Burton, admittedly not a favorite actor of mine does a credible turn in the lead role of Marcellus, while the lovely Jean Simmons is incredible as the young woman he loves, Diana. Michael Rennie is a quiet but forceful Peter, while Jay Robinson steals the picture as the depraved Emperor Caligula. The minor roles are also well acted. The cinematography is magnificent, while the film is tied together beautifully by the eerie and haunting musical score of Alfred Newman, a prim film composer of his day. Altogether a very watchable movie that even the most fundamental Christian could not find fault with.

If there is one failing with the story, and it is a minor one, Emperor Tiberias is presented as an honorable ruler and not as the depraved lecher he really was. He only comes off looking as well in history as he was because his grandson Caligula was so much worse.