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Ain't She Tweet

  • 1952
  • Approved
  • 7m
ÉVALUATION IMDb
7,3/10
739
MA NOTE
Ain't She Tweet (1952)
ComédieFamilleAnimationCourte

Ajouter une intrigue dans votre langueSylvester Cat discovers Tweety Bird in a pet store window. Tweety is taken to be delivered by truck to a new owner - Granny. Sylvester chases the delivery truck to Granny's home, where Grann... Tout lireSylvester Cat discovers Tweety Bird in a pet store window. Tweety is taken to be delivered by truck to a new owner - Granny. Sylvester chases the delivery truck to Granny's home, where Granny has a huge, fenced-in area for her army of bulldogs. Sylvester makes several unsuccessfu... Tout lireSylvester Cat discovers Tweety Bird in a pet store window. Tweety is taken to be delivered by truck to a new owner - Granny. Sylvester chases the delivery truck to Granny's home, where Granny has a huge, fenced-in area for her army of bulldogs. Sylvester makes several unsuccessful attempts to pass the dogs and reach Tweety inside Granny's house.

  • Director
    • Friz Freleng
  • Writer
    • Warren Foster
  • Stars
    • Mel Blanc
    • Bea Benaderet
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,3/10
    739
    MA NOTE
    • Director
      • Friz Freleng
    • Writer
      • Warren Foster
    • Stars
      • Mel Blanc
      • Bea Benaderet
    • 11Commentaires d'utilisateurs
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos10

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    Rôles principaux2

    Modifier
    Mel Blanc
    Mel Blanc
    • Sylvester
    • (voice)
    • …
    Bea Benaderet
    Bea Benaderet
    • Granny
    • (voice)
    • (uncredited)
    • Director
      • Friz Freleng
    • Writer
      • Warren Foster
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs11

    7,3739
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    Avis en vedette

    8utgard14

    "Dat puddy tat sure is going to a lot of twouble to get into twouble."

    Funny Sylvester and Tweety short, directed by Friz Freleng, that has Sylvester trying to get at Tweety in the pet store and later at Granny's house. It's fairly routine plotwise but the gags of Sylvester failing in multiple ways to reach his prey are pretty funny. Great voice work from Mel Blanc and Bea Benaderet. Carl Stalling's music is, as always, excellent. The animation is wonderful, with lovely colors and some well-done action sequences. A couple of the better gags are Sylvester using stilts to try and cross a yard full of bulldogs and Sylvester hiding in a package meant to be meat for the dogs. It's a fun cartoon that most fans of the series will love. I think it works well as a companion piece to 1954's Dog Pounded.
    7lee_eisenberg

    Is this Sylvester's eternal doom?!

    While most of the Sylvester/Tweety pairings would feature just one bulldog (I seem to recall that his name is Hector) to counter Sylvester's actions, "Ain't She Tweet" features a whole garden of dogs. When Granny brings Tweety home from the pet store* - where Sylvester had already tried to go after him but had to abort his plan - Sylvester can't seem to get past the canine ocean. Why must he always suffer so?! Obviously, his mishaps form part of the cartoon's plot line, sort of like what befalls Wile E. Coyote when he tries to trap Road Runner. But no matter how you look at it, this is still a funny cartoon. Little more than a way to pass time, but worth your while.

    *I noticed that the shop next to the pet store said I. Wyner. No doubt that was an in-joke referring to background artist Irv Wyner.
    10ccthemovieman-1

    Gtranny Goes To The Dogs, And Sylvester Pays The Price

    Tweety and a little mouse are in cages at a pet shop, right in the front window. Sylvester is just outside the window and is licking his chops. Obviously, he has to figure out how to get these "meals."

    Right from the first gag, in which the cat throws a brick at the window, is spotted by a cop and races to stop the brick before it hits the glass, this has a lot of the usual hilarious scenes.

    Tweety is "sold" and delivered to Granny's house where the real fun now occurs, as Sylvester follows the truck and is in for the shock of his life.

    In this Tweety episode, instead of Granny owning one big bulldog, she has an entire backyard full of them! What a shock when Sylvester discovers this! There are some fantastic scenes involving Sylvester and all those dogs as he has to get by all of them to get to Tweety. The bit with Sylvester on stilts was extremely clever.
    8nealklein

    Brutal fun

    Sylvester never gets a break in this cartoon. The repeated attempts are so clever, and they should work if not for Tweety's quick thinking and unforgiving nature.

    Another winner from Fritz Freleng.
    9TheLittleSongbird

    With the exception of Tweety's final line Ain't She Tweet is a sheer delight

    Ain't She Tweet is a delightful cartoon and among the best of the Sylvester/Tweety series(which I do enjoy on the most part). Those who likes the series will find plenty to love, and Ain't She Tweet is also a Sylvester/Tweety cartoons that even non-Tweety fans will enjoy. The animation is bright and colourful with lots of fluid movement and you do have to love how Sylvester's facial expressions are animated. All the characters look fine though. The music with the lush and characterful orchestration and very driven rhythms is great and enhances the action wonderfully. The dialogue is nearly always witty and amusing but it's in the visual gags where the funniest stuff is, the entire stuff with the rocket and Sylvester-on-stilts are hilarious as is all the parts and interactions between Sylvester and the funny and very brutal bull-dogs. But I do completely agree about Sylvester making his way to the front door, thinking his plan working, and finding the bull-dogs inside. That is a masterclass in how to make something potentially predictable actually unexpected, okay you kind of know the outcome but the build-up and the execution of this scene, with some great suspense and some fun animation for Sylvester, ensures that the scene manages to surprise us. The story is crisply paced and is not repetitive, sure it is basically Sylvester thinking of ways to get to Tweety without getting attacked by bull-dogs but the ways he uses are actually very clever and don't repeat themselves. The characters are great, Tweety doesn't have much to do but he is not an annoyance and while not as anarchic as Bob Clampett made him he's not too cutesy. Granny has even less to do but she's hardly pointless. But the stars of the show are the bull-dogs and especially Sylvester. The dogs are funny and brutal, while Sylvester is one of those characters who provides the laughs brilliantly when the material is strong(like it is here) yet you do feel a fair amount of pity for him. Mel Blanc is spot-on as usual as well as remarkably consistent and Bea Benaderet is good despite having little. The only thing that isn't so good is Tweety's lame and unfunny final line, Ain't She Tweet on the whole though is delightful, not just for Sylvester and Tweety but generally as well. 9/10 Bethany Cox

    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      All of Granny's dogs are bulldogs, one of Sylvester's most persistent foes. He would face them again in the 1954 short "Dog Pounded."
    • Gaffes
      The positioning of the "Beware of Dogs" sign changes between scenes. On at least one occasion, the sign does not appear at all.
    • Connexions
      Edited into Dog Pounded (1954)
    • Bandes originales
      Fiddle Dee Dee
      (uncredited)

      Music by Jule Styne

      Lyrics by Sammy Cahn

      Sung by Tweety

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    FAQ

    • Which series is this from: Looney Tunes or Merrie Melodies?

    Détails

    Modifier
    • Date de sortie
      • 21 juin 1952 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Schlafende Hunde soll man nicht wecken
    • société de production
      • Warner Bros. Cartoon Studios
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      7 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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