Ajouter une intrigue dans votre langueWoman swears revenge against an Inspector who was responsible for her father's death.Woman swears revenge against an Inspector who was responsible for her father's death.Woman swears revenge against an Inspector who was responsible for her father's death.
- Director
- Writers
- Stars
Robert Emmett O'Connor
- Police Sergeant Schultze
- (as Robert Emmet O'Connor)
Eddie Kane
- Headwaiter
- (uncredited)
Joel McCrea
- Waiter
- (uncredited)
Frank Mills
- Frank - Waiter
- (uncredited)
Dorothy Vernon
- Mrs. Potter - Cleaning Woman
- (uncredited)
Avis en vedette
The cop's son, as correctly identified in the cast list, is played by Regis Toomey, not by "a very young William Holden" as stated by another viewer.
William Holden (I) (1918-1981) did not enter films until 1938.
The William Holden (II) in this film (1862-1932) is a much older character actor, who plays Inspector McArthur, and who is no relation to his better known latter day namesake.
Considering the six year gap between their two careers, there is really no reason to confuse the two actors.
For further information on Regis Toomey, consult his webpage.
William Holden (I) (1918-1981) did not enter films until 1938.
The William Holden (II) in this film (1862-1932) is a much older character actor, who plays Inspector McArthur, and who is no relation to his better known latter day namesake.
Considering the six year gap between their two careers, there is really no reason to confuse the two actors.
For further information on Regis Toomey, consult his webpage.
Rose Manning (Evelyn Brent) loses her criminal father in a police shootout. She is interrogated by police inspector Butch McArthur and she vows revenge. Five years later, she is the hostess in a casino owned by bootlegger Chuck Gaines (Ralf Harolde) who has his eyes on her. She falls for Jimmy McArthur (Regis Toomey) before knowing that his father is the man she hates.
This is a pre-Code crime drama. I really like the premise and Evelyn Brent has ballsy energy. The longtime actress was able to make the transition from silent to talkie. I'm not completely in love with this relationship. It's a bit bland. Mostly, he's a bit bland. I wouldn't mind a few more scenes with Chuck doing violent crimes. That would elevate the tension. All in all, this is good enough.
This is a pre-Code crime drama. I really like the premise and Evelyn Brent has ballsy energy. The longtime actress was able to make the transition from silent to talkie. I'm not completely in love with this relationship. It's a bit bland. Mostly, he's a bit bland. I wouldn't mind a few more scenes with Chuck doing violent crimes. That would elevate the tension. All in all, this is good enough.
Creaky, but Sometimes Clever, this Early Talkie was Headlined by Evelyn Brent, Hardly a Household Name. But Her Acting Ability, Especially Making the Transition from the Silents, is Obvious and She Shines in this Male Oriented Gangster Film.
Regis Toomey, in an Early Role, is Underused and Bland, but as Brent Carries the Film it Plods Along with the Expected Datedness that Plagued the Era from 1927-to about 1933. Hollywood's Transition from Silents to Talkies was, Like All Births, Painful at Times.
This One Fares Pretty Good, but Cannot Escapes the Confines of its Playdate. Worth a Watch to See the Unknown Brent and as a Bridge Roughly Traveled as Filmdom was Finding its Feet with New Technology. The Opening and Closing are Stylistic and Connected, the Middle Meanders a bit, but Manages to be Entertaining Enough to Recommend.
Note...There is very little Pre-Code Inclusions worth noting and the Film would have passed the Censors with no problem.
Regis Toomey, in an Early Role, is Underused and Bland, but as Brent Carries the Film it Plods Along with the Expected Datedness that Plagued the Era from 1927-to about 1933. Hollywood's Transition from Silents to Talkies was, Like All Births, Painful at Times.
This One Fares Pretty Good, but Cannot Escapes the Confines of its Playdate. Worth a Watch to See the Unknown Brent and as a Bridge Roughly Traveled as Filmdom was Finding its Feet with New Technology. The Opening and Closing are Stylistic and Connected, the Middle Meanders a bit, but Manages to be Entertaining Enough to Recommend.
Note...There is very little Pre-Code Inclusions worth noting and the Film would have passed the Censors with no problem.
The career of Evelyn Brent probably peaked in the end of the silent era. She made three pics with von Sternberg (Underworld; Last Command; and The Dragnet) and a solid effort with William Wellman (Woman Trap) and did make the jump to talkies, but none of HER pics were successful. This one is mostly straight revenge, taking out her emotions through the cop's son, played by a very young William Holden. Brent has an undisputable presence, and an intriguing nose, and her gowns and dresses are frequently revealing...one or two are cut so low in the back that they would be fashionable and mildly daring today. Fans of early talkies will love this!
I am really shocked that "Framed" is not a more famous film. I am also surprised that it's somehow lapsed into the public domain--an inglorious ending to a terrific gangster film.
Evelyn Brent plays Rose Manning--one of the hardest dames you could ever see in Pre-Code gangster films. Shortly after the film begins, Rose learns that the one person in life she cared about, her father, has been killed in a shootout with the cops. She blames Inspector McArthur (William Holden--NOT the one you're thinking about, but an older actor of the same name) and wants her revenge. However, she's a smart cookie and her revenge will be slow in coming. In the meantime, she becomes pals with a hood named Bing (the aptly named Maurice Black) and they open a classy gambling hall named after her.
Time passes and finally you learn of Rose's plan. She has seduced Inspector McArthur's very naive son, Jimmy (Regis Toomey) and she knows this will drive the Inspector nuts! How did she do it? She convinced the young dummy that she is an innocent lady who truly loves him! Not surprisingly, when Jimmy tells his father, there is a HUGE blowup between them and Jimmy won't believe that his fiancée is a criminal. However, Bing is NOT a subtle sort of guy. Despite Rose's plan, he decides the best thing to do is just kill Jimmy. But when Rose learns of this, you see that this hard-hearted dame MIGHT just have fallen for the squirt. What's next? See this film.
This film has so much going for it. Most importantly, at the time this film was made, Radio Pictures was doing a great job with sound pictures. I have seen several of their films from 1929-1930 and the sound is VERY clear and the actors don't tend to stand around hidden microphones--a serious problem with many of the early talkies. Additionally, the film, while a tad sentimental at the end, is great because the bad people really are awful and the film avoids pulling its punches. I'd stack this crime film up along side the best of the genre of the day ("Little Caesar", "Scarface" and "The Public Enemy")--due to wonderful writing, acting and a professional production all around. Well worth seeing--and available for free download at archive.org.
Evelyn Brent plays Rose Manning--one of the hardest dames you could ever see in Pre-Code gangster films. Shortly after the film begins, Rose learns that the one person in life she cared about, her father, has been killed in a shootout with the cops. She blames Inspector McArthur (William Holden--NOT the one you're thinking about, but an older actor of the same name) and wants her revenge. However, she's a smart cookie and her revenge will be slow in coming. In the meantime, she becomes pals with a hood named Bing (the aptly named Maurice Black) and they open a classy gambling hall named after her.
Time passes and finally you learn of Rose's plan. She has seduced Inspector McArthur's very naive son, Jimmy (Regis Toomey) and she knows this will drive the Inspector nuts! How did she do it? She convinced the young dummy that she is an innocent lady who truly loves him! Not surprisingly, when Jimmy tells his father, there is a HUGE blowup between them and Jimmy won't believe that his fiancée is a criminal. However, Bing is NOT a subtle sort of guy. Despite Rose's plan, he decides the best thing to do is just kill Jimmy. But when Rose learns of this, you see that this hard-hearted dame MIGHT just have fallen for the squirt. What's next? See this film.
This film has so much going for it. Most importantly, at the time this film was made, Radio Pictures was doing a great job with sound pictures. I have seen several of their films from 1929-1930 and the sound is VERY clear and the actors don't tend to stand around hidden microphones--a serious problem with many of the early talkies. Additionally, the film, while a tad sentimental at the end, is great because the bad people really are awful and the film avoids pulling its punches. I'd stack this crime film up along side the best of the genre of the day ("Little Caesar", "Scarface" and "The Public Enemy")--due to wonderful writing, acting and a professional production all around. Well worth seeing--and available for free download at archive.org.
Le saviez-vous
- AnecdotesJoel McCrea appears @ 0:07:00, in the waiter's dressing room at the Casino Club, sitting at a table and engaging in a bit of dialogue with Frank Mills. Soon afterwards, he would work again under the direction of George Archainbaud, freshly promoted to leading man status, once again opposite Evelyn Brent, in The Silver Horde (1930).
- Citations
Rose Manning: He always said, let me see, eh, he always said, "Rosie, my girl, never give a sucker an even break."
- ConnexionsEdited into Mobster Theater: Framed (2022)
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is Framed?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Vår natt - din och min
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 5 minutes
- Couleur
- Rapport de forme
- 1.20 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant