[go: up one dir, main page]

    Calendrier de lancementsLes 250 meilleurs filmsFilms les plus populairesParcourir les films par genreEn tête du box-officeHoraire des présentations et billetsActualités du cinémaFilms indiens en vedette
    À l'affiche à la télévision et en diffusion en temps réelLes 250 meilleures séries téléSéries télé les plus populairesParcourir les séries TV par genreActualités TV
    À regarderDernières bandes-annoncesIMDb OriginalsChoix IMDbIMDb en vedetteFamily Entertainment GuideBalados IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthPrix STARmeterCentre des prixCentre du festivalTous les événements
    Personnes nées aujourd'huiLes célébrités les plus populairesNouvelles des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de visionnement
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'application
  • Distribution et équipe technique
  • Commentaires des utilisateurs
  • Anecdotes
IMDbPro

You're Darn Tootin'

  • 1928
  • Passed
  • 20m
ÉVALUATION IMDb
6,6/10
1,3 k
MA NOTE
Oliver Hardy and Stan Laurel in You're Darn Tootin' (1928)
ComedyMusicShort

Ajouter une intrigue dans votre langueStan and Ollie are musicians whose antics at a band concert end in their employment being terminated, and they must turn to busking to make ends meet. However, playing on street corners prov... Tout lireStan and Ollie are musicians whose antics at a band concert end in their employment being terminated, and they must turn to busking to make ends meet. However, playing on street corners proves to be more perilous than they had imagined.Stan and Ollie are musicians whose antics at a band concert end in their employment being terminated, and they must turn to busking to make ends meet. However, playing on street corners proves to be more perilous than they had imagined.

  • Director
    • Edgar Kennedy
  • Writer
    • H.M. Walker
  • Stars
    • Stan Laurel
    • Oliver Hardy
    • Wilson Benge
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,6/10
    1,3 k
    MA NOTE
    • Director
      • Edgar Kennedy
    • Writer
      • H.M. Walker
    • Stars
      • Stan Laurel
      • Oliver Hardy
      • Wilson Benge
    • 25Commentaires d'utilisateurs
    • 8Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos34

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    + 28
    Voir l’affiche

    Rôles principaux19

    Modifier
    Stan Laurel
    Stan Laurel
    • Stanley - Clarinet Player
    Oliver Hardy
    Oliver Hardy
    • Ollie - French Horn Player
    Wilson Benge
    Wilson Benge
    • Musician
    Chet Brandenburg
    Chet Brandenburg
    • Manhole Worker
    Christian J. Frank
    Christian J. Frank
    • Policeman
    Dick Gilbert
    Dick Gilbert
    • Boarder
    Charlie Hall
    Charlie Hall
    • Musician
    William Irving
    William Irving
    • Musician
    Ham Kinsey
    Ham Kinsey
    • Musician
    Otto Lederer
    Otto Lederer
    • Bandleader
    Sam Lufkin
    Sam Lufkin
    • Man in Restaurant
    George Rowe
    George Rowe
    • Pedestrian
    Frank Saputo
    Rolfe Sedan
    Rolfe Sedan
    • Drunk
    Agnes Steele
    Agnes Steele
    • Landlady
    Bob Minford
    • Kicking Victim
    • (uncredited)
    Clarence Moorehouse
    • Musician
    • (uncredited)
    • …
    John M. O'Brien
    John M. O'Brien
    • Street Combatant
    • (uncredited)
    • Director
      • Edgar Kennedy
    • Writer
      • H.M. Walker
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs25

    6,61.3K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis en vedette

    8Better_Sith_Than_Sorry

    Chaos Theory

    This is a highly entertaining Laurel and Hardy short from the silent era.

    Plot In a Nutshell: Two unemployed and recently homeless musicians turn to panhandling, with disastrous results.

    Why I rated it an '8': Simply put, it had me laughing or at least smiling throughout the entire 20 minutes. I don't know if any moment reaches the heights of their absolute best work, but there are plenty of funny moments here. From the band stand to the lodging house to the city streets, Laurel and Hardy bring their "A" game to this loose collection of sketches woven into a story. The highlight is unquestionably the finale, where no less than 15-20 men engage in a pants-ripping melee that will leave you in stitches. I sure was!

    8/10. Would I watch again (Y/N)?: Yes, absolutely. Good stuff!
    6JoeytheBrit

    You're Darn Tootin' review

    More of a collection of loosely linked sketches than a plot, You're Darn Tootin' builds to a crescendo which finds a dozen men doing battle in the street without their trousers.
    10redryan64

    Reaching the Summit of "Everest"

    WITH THE RELEASE of this 1928 silent, the LAUREL & HARDY team was established, complete and the L & H that we all know and have loved all of our lives. The only element missing is a soundtrack; and that may well have been an additional amenity.

    MANY HAVE THEORIZED that YOU'RE DARN TOOTIN' may well have planned as a sound picture. If not a true "Talkie", it probably would have had the benefit of music and sound effects. It surely is an intriguing notion and there is plenty of 'circumstantial evidence' to support this notion.

    BUT, SOUNDTRACK OR not, the 2 reeler marks a very important place in the history of Laurel & Hardy; as well as the direction that was taken by the HAL ROACH STUDIO. In it we find a well meshed Stan & Ollie, fully outfitted in their trademark bowlers (that's another name for derbies, Schultz), bow tie (Laurel) and necktie (Hardy). By this time, Stan Laurel had even adopted that scraggly, high topped hairdo.

    THE OVERALL LOOK of this picture is both bright and realistically staged; with the vast portion of the filming being done out of doors. It is done mainly in the streets of Culver City in suburban LA. It was there that the HAL ROACH STUDIO was situated.

    AS WAS THE case in all of the Roach product at that time (and for some years before),the titles were written by H.M. Walker. It was his wit and mastery of the King's English that added a real class to the silent films of L & H, Charley Chase, early Harold Lloyd, Snub Pollard and so many other series. Mr. Walker continued on the job after the ascent of the talkies, writing dialogue as well as those great title starters that typically were characteristic of L & H sound shorts.

    ANOTHER ASPECT OF the title cards utilized at this juncture was an abandonment of those which consistently relied on humor which was unrelated to the story on the screen. These included both references to the habits of the characters, as well as giving them purposely outlandish sounding names. This was a regular over at Roach's good friend as well as his rival, Mack Sennett at KEYSTONE COMEDIES.

    IN ADDITION TO opting for a more subtle and clever type of title, Roach and associates moved to do things much more s-l-o-w-l-y. Instead of rapid fire stacking the gags, one on top of the other, the writers and directors would exploit the gag situationals from every different angle. Their favourite ploy of presenting physical conflicts was dubbed "Reciprocal Destruction" by Roach Studio's supervising Director, Leo McCarey.

    IN IT THE combatants would alternate in doing harm to each other or to the property of the other; all the while there was no attempt by either side to prevent any of the mayhem.

    IT WAS LARGELY the efforts of Mr. McCarey and Stan Laurel that established this slow, deliberate style. It was also the principal that brought Stan Laurel's screen persona that we all are so familiar with. (Just you screen a Stan Laurel comedy from before the teaming with "Babe"-as Oliver Hardy was known to his friends).

    SO THAT BRINGS us to the movie itself. We have already stated our opinion that YOU'RE DARN TOOTIN' was the zenith of the L & H series and established what was basically the 'finished product.' It is non-pretentious, smoothly conceived and truly funny. Its cleverly rendered pacing along with the chain-reaction like building of the final sequence all make it a primer for doing a comedy, short or not.

    AND IT IS this finale that does its best to comply with the primary rule of comedy. That being: "Always Leave 'Em Laughing" *

    NOTE: * The ending of Robert Youngson's compilation tribute film LAUREL & HARDY'S LAUGHING 20s (1965) uses this comic windup for its own ending.
    Snow Leopard

    Amusing & Clever

    This amusing, clever short feature is a pretty good example of the way that Laurel & Hardy, at their best, could get a lot of mileage out of a few simple ideas. While many of the gags have been done before, frequently by Stan and Ollie themselves, the material works and provides good laughs thanks to their expert timing, funny mannerisms, and creative use of props. The wild sidewalk fracas is probably the best-remembered part of "You're Darn Tootin'", but perhaps the wittiest sequence is the opening scene on the bandstand, which packs quite a few laughs into a short time. Any Laurel & Hardy fan should enjoy this one.
    8TheLittleSongbird

    Striking up the band

    Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

    While not classic Laurel and Hardy, later films, short and feature, had stronger chemistry when fully formed and used their considerable talents better, 'You're Darn Tootin' is a lot of fun. Before, Laurel was much funnier and more interesting while Hardy in most of the previous outings had too little to do. 'You're Darn Tootin' is very good, to me it's easily one of their best at this point of their careers and one of the first, along with the two mentioned above, to feel like a Laurel and Hardy short rather than a short featuring them.

    'You're Darn Tootin' is flimsy in story, and doesn't feel quite enough for the short's length.

    A few gags are a bit repetitive and old-fashioned.

    Laurel however is very funny, and sometimes hilarious. It is wonderful seeing Hardy having more to do and he is on Laurel's level and actually even funnier. The chemistry is certainly much more here than in previous outings of theirs, namely because there's more of them together and it was starting to feel like a partnership. Support is nice.

    Both Laurel and Hardy have great moments, especially the orchestral presentation in the park sequence which is sheer hilarity.

    A good deal of the humour is well timed, hugely energetic and very funny if not always hilarious, with everything going at a lively pace and there is a lot of charm and good nature to keep one going. 'You're Darn Tootin' looks quite good still with some interesting shots.

    In summary, a lot of fun. 8/10 Bethany Cox

    Plus de résultats de ce genre

    Should Married Men Go Home?
    6,7
    Should Married Men Go Home?
    From Soup to Nuts
    6,7
    From Soup to Nuts
    The Finishing Touch
    7,2
    The Finishing Touch
    Their Purple Moment
    6,6
    Their Purple Moment
    Leave 'em Laughing
    6,7
    Leave 'em Laughing
    We Faw Down
    6,8
    We Faw Down
    Early to Bed
    6,3
    Early to Bed
    Habeas Corpus
    6,6
    Habeas Corpus
    Unaccustomed As We Are
    7,0
    Unaccustomed As We Are
    That's My Wife
    6,8
    That's My Wife
    The Battle of the Century
    7,1
    The Battle of the Century
    The Second 100 Years
    6,7
    The Second 100 Years

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Filmed at the start of 1928, Stan's and Ollie's characters had now come into their own, and story ideas began flowing. Early in January, one of the gag men had seen some musicians performing in a park bandstand and mentioned it to Stan, and soon they were filming what was called 'The Music Blasters'; this title was changed just before its release. It was filmed almost in sequence in 10 days with the shin kicking and pants tearing sequence taking 2 days. Due to an existing still, it's known that one gag was filmed and then dropped. This featured an elderly lady about to give some money to the Boys who are street musicians but pulls a face at hearing their 'music' and turns away. The gag where Stan loosens the top of the salt and pepper shakers was reused in The Hoose-Gow (1929) a year later. Ham Kinsey, who was billed as a musician, was also Stan's stand in.
    • Gaffes
      In the course of the escalating tiff on the street between Stan and Ollie, there are multiple instances of Ollie punching Stan in the stomach, followed by Stan kicking Ollie in the shins. After a few of these, tactics change to ripping handkerchiefs, removing or shredding ties, etc. After the latter takes place, the handkerchief and tie are seen lying on the ground. Then, a couple of shots are inserted of more stomach punching and shin kicking, which were actually shot earlier and show the boys' ties and handkerchiefs still intact.
    • Citations

      Title Card: The orchestra leader was making his farewell appearance - The public had been demanding it for years...

    • Connexions
      Edited into The Golden Age of Comedy (1957)

    Meilleurs choix

    Connectez-vous pour évaluer et surveiller les recommandations personnalisées
    Se connecter

    Détails

    Modifier
    • Date de sortie
      • 21 avril 1928 (United States)
    • Pays d’origine
      • United States
    • Site officiel
      • Official Site
    • Langues
      • None
      • English
    • Aussi connu sous le nom de
      • The Music Blasters
    • Lieux de tournage
      • Culver City, Californie, États-Unis
    • société de production
      • Hal Roach Studios
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      20 minutes
    • Couleur
      • Black and White
    • Mixage
      • Silent
    • Rapport de forme
      • 1.33 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    Oliver Hardy and Stan Laurel in You're Darn Tootin' (1928)
    Lacune principale
    By what name was You're Darn Tootin' (1928) officially released in India in English?
    Répondre
    • Voir plus de lacunes
    • En savoir plus sur la façon de contribuer
    Modifier la page

    En découvrir davantage

    Consultés récemment

    Veuillez activer les témoins du navigateur pour utiliser cette fonctionnalité. Apprenez-en plus.
    Télécharger l'application IMDb
    Connectez-vous pour plus d’accèsConnectez-vous pour plus d’accès
    Suivez IMDb sur les réseaux sociaux
    Télécharger l'application IMDb
    Pour Android et iOS
    Télécharger l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Données IMDb de licence
    • Salle de presse
    • Publicité
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une entreprise d’Amazon

    © 1990-2025 by IMDb.com, Inc.