The Second 100 Years

There are some good sight gags in this silent Laurel & Hardy comedy, but there's very little plot to speak of. The boys sport shaven heads as they play a pair of convicts attempting to escape from prison and the film follows their various doomed attempts. They dig a tunnel only to strike a water pipe and end up surfacing in the warden's office. Sent to the exercise yard, they're forced to perform exercises. They eventually escape disguised as painters but are followed by a cop and end up painting half the town in their attempts to shake him off. They find themselves back in prison when they hijack the car of a pair of French dignitaries visiting the prison.

Most of Laurel & Hardy's silent films lose some of the boy's inimitable character simply because we can't hear their voices, and this one's no exception. There are a few funny moments – when the pair instantly assume the marching position, hand on the shoulder of the man in front, when the dinner gong sounds as they're pretending to be the French dignitaries, for example, but you can't help feeling it would be more enjoyable if you could just hear them speak. When Ollie can't voice his frustration and Stan can't squeakily express his distress we only really have half the act.

Originally advertised as the first 'official' Laurel & Hardy film (although still part of the Hal Roach 'All-Star' films - designed to feature old stars of the Roach 'stable' on the downgrade, and showcase those whom Roach hoped would be future stars - in which Stan Laurel and Oliver Hardy had been appearing since the previous year; the first film in the 'Laurel & Hardy' series would be SHOULD MARRIED MEN GO HOME?, released in 1928), this is a mildly amusing little comedy, with Stan ('Little Goofy') and Oliver teamed as convicts who escape from prison and assume different disguises. Part of the interest surrounding this film stems not only from the fact that it is the first 'official' Laurel & Hardy film, but also from it being the film that led Stan Laurel to acquire his famous spiky hair that became a part of his screen image. Both Stan and Oliver had their heads shaved for this film, and later, as his hair was growing back, Stan noticed that his constant attempts to keep his hair under control were causing the crew and other people on the Hal Roach lot to laugh. So Stan, the greatest gag inventor (and gag executor) that ever lived, decided to keep his hair spiked in his films, due to its usefulness as a laugh-getter. Stan and Oliver's shaved heads can also be seen in the next film they made together, a cameo in the Max Davidson comedy, CALL OF THE CUCKOOS.

This film can be enjoyed to a greater extent (as can all the silent films) with the addition of wonderful recreations of the Shields and Hatley tunes by the Beau Hunks orchestra - those who own a copy of THE SECOND HUNDRED YEARS on VVL as I do are fortunate enough to have these marvellous little melodies playing in the background; if you don't, buy the CDs and play them while you're watching.

Second Hundred Years, The (1927)

** 1/2 (out of 4)

Laurel and Hardy play convicts who make an escape but they find themselves in a more dangerous place than prison. There's small laughs scattered throughout this short but in the end the only real highlight is seeing boys with shaved heads.

Call of the Cuckoo (1927)

** (out of 4)

A man (Max Davidson) swaps houses, sight unseen, due to his wacko neighbors. When he moves into the new house it turns out the thing is falling apart in every way possible. The only real highlight is the few scenes with the neighbors who are played by Laurel, Hardy and Charley Chase.

The movie is amusing enough but it's far from being the best Laurel & Hardy silent comedy shorts. The movie is at certain points dragging to much for that, especially toward its stretched out ending.

It's a movie that certainly does have its great comical moments but not quite enough to really stand out as a comedy. The movie has a fun premise and some good comical moments and situations. However these moments and situations are rather stretched out in this movie, which causes them to be too long with as a result that it loses some of its comical power. This especially is the case in the ending of the movie, which takes too long. It makes the movie as a whole also feel too long, even though it of course is shorter than 20 minutes.

But yes, the good moments in this movie certainly make sure that you'll still be entertained by this movie as a whole.

The boys are in good form in this movie, which was one of their first teaming ups as a comedy duo. Especially Stan Laurel is in his element, while Oliver Hardy was still clearly searching and developing his character. It was a bit weird to see the boys without hair but unlike Samson, they don't lose any of their power. It's always fun to see James Finlayson in a Laurel & Hardy movie, even when it's a silent one. I thought I also noticed Walter Long as one of the convicts but I'm not too sure of this, also since he isn't credited.

Slightly disappointing when compared to Laurel & Hardy's other work but entertaining enough to watch nevertheless.

6/10

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Stan and Ollie are in prison and are constantly trying to escape. The problem is that they are idiots and every plan they try fails. Some of them are pretty funny and some a bit too silly in this film. This is one of the earlier Laurel and Hardy films, so I'm cutting it a bit of slack in scoring it a 6. The problem is that this prison comedy, while funny, also has a couple bits where the timing is just awful and they milk gags way too long--something you'd never see in their later and more polished films.

The first of these over-long bits is when prisoners Stan and Ollie try to escape by pretending to be painters. When a guard becomes suspicious and follows them out of the prison, they start painting EVERYTHING in sight. When I was a kid and saw this, I thought it was hilarious. Now, as an adult, it just seemed stupid--and NOT in a good way! The second was the awful dining scene where Stan chases a cherry all around the table with his spoon. This "funny" bit was often seen in films before this with other comics and it just isn't funny--and it goes on and on far too long.

Overall, even poor Laurel and Hardy is pretty funny and worth seeing. So give this one a look but understand it's not up to their usual high standards.