Best of Indian cinema which threads on the thin line between art-house and commercial...
A slow paced edgy social thriller that engrosses the viewed till the end. The structure and narrative of the film is unlike anything we had seen before in Tamil cinema. The film start off with a bleak episode in which a young man is framed for murder
He grows up to be a police officer but soon gets himself into another big trouble when he loses his revolver.His superiors, co are corrupt and care for nothing more than their own advancement. The fact that he is close to a journalist who is at odds with his boss forms more schisms that he could do without. And now, his job (and his peace of mind) is at stake with the loss of his gun. Could he retrieve it in time before blood is spilled and save his job? This forms the reminder of edge of the seat thriller.
In comes a elderly man character with issues, who is retired cop himself and the rest of the film changes track to a story that shows the plight of our elderly in contemporary society . Do we take out elderly for granted? What about the backstories of the people in our society like cops and criminals, which sounds all too familiar to that of the characters in the film? These anticipations will keep your mind occupied as the film rolls along.
First of all kudos to MBbhaskaran who had done an excellent job, probably the finest in his career. We have only seen him in comedy roles and this film has catapulted him into a level that is totally unexpected with his portrayal as the elderly man with issues. The lead hero , a newcomer could have pulled off his role in a more emotional way than one sided timid cop who gets bullied by others.
But most of the film revolves around the performance of M Bhaskaran This is a The film threads the thin line between art-house and commercial cinema in with a certain degree of rawness in the story, acting performances and writing filled with genuine amounts of emotion and filled with realism that is as close to reality but yet pulling the fantasy elements together.
He grows up to be a police officer but soon gets himself into another big trouble when he loses his revolver.His superiors, co are corrupt and care for nothing more than their own advancement. The fact that he is close to a journalist who is at odds with his boss forms more schisms that he could do without. And now, his job (and his peace of mind) is at stake with the loss of his gun. Could he retrieve it in time before blood is spilled and save his job? This forms the reminder of edge of the seat thriller.
In comes a elderly man character with issues, who is retired cop himself and the rest of the film changes track to a story that shows the plight of our elderly in contemporary society . Do we take out elderly for granted? What about the backstories of the people in our society like cops and criminals, which sounds all too familiar to that of the characters in the film? These anticipations will keep your mind occupied as the film rolls along.
First of all kudos to MBbhaskaran who had done an excellent job, probably the finest in his career. We have only seen him in comedy roles and this film has catapulted him into a level that is totally unexpected with his portrayal as the elderly man with issues. The lead hero , a newcomer could have pulled off his role in a more emotional way than one sided timid cop who gets bullied by others.
But most of the film revolves around the performance of M Bhaskaran This is a The film threads the thin line between art-house and commercial cinema in with a certain degree of rawness in the story, acting performances and writing filled with genuine amounts of emotion and filled with realism that is as close to reality but yet pulling the fantasy elements together.
- stylegamer
- 3 mai 2017