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Bogart's iconic role in film noirs solidified his status as a Hollywood legend, blending suspense, crime, and complex characters. Early films like "Midnight" showcased Bogart's talent before he became a star, with noir themes of murder and mystery. Bogart's diverse roles, from a private detective in "The Maltese Falcon" to a crusading journalist in "Deadline U.S.A.," showcased his versatility.

As a legend of classic Hollywood and a true American icon, Humphrey Bogart was best known for his work within the film noir genre. While film noir was a collective term that every viewer has a slightly different definition of, it was most popular during the 1940s and 1950s and was often categorized by cynical attitudes, a black-and-white style, and crime stories involving hard-boiled detectives, cunning femme fatales, and convoluted but engrossing narratives. Bogart was known for these kinds of films as he expertly played heroes and villains in these...

Cecil B. DeMille delivers a satisfying western epic starring Barbara Stanwyck, Joel McCrea, Robert Preston, Brian Donlevy & Akim Tamiroff; the story of the building of a railroad is historically bogus but highly entertaining and action-filled. Joel McCrea is our favorite ethical frontier lawman; here he’s a troubleshooter keeping crooks, Indians and proto-Bolsheviks from delaying construction. The huge cast includes scores of favorite supporting actors — although the screen is so busy some of them will be hard to spot.

Union Pacific

Blu-ray

Kl Studio Classics

1939 / B&w / 1:37 flat Academy / 135 min. / Street Date August 3, 2021 / available through Kino Lorber / 24.95

Starring: Barbara Stanwyck, Joel McCrea, Akim Tamiroff, Robert Preston, Brian Donlevy, Henry Kolker, Anthony Quinn, Lynne Overman.

Cinematography: Victor Milner

Art Directors: Hans Dreier, Roland Anderson

Film Editor: Anne Bauchens

Special Effects: Gordon Jennings, George Tomasini, Loren L. Ryder, Barney Wolff, Jan Domela, Paul K. Lerpae

Original Music: Sigmund Krumgold, John Leipold

Written by Jack Cunningham,...

Really, I mean Preston Sturges' Hotel Haywire, because nobody's too interested in George Archainbaud, a Paramount contract director who had been directing for 20 years without helming a really memorable film (Thirteen Women, an uncomfortably racist pre-Code with Myrna Loy, is as exciting as it gets, and even that one is remembered chiefly for featuring the girl who threw herself off the Hollywood sign), He would continue for another 20, moving from B-westerns into TV westerns, without making anything else of particular note.Sturges wrote the script as part of his plan to get a long-term contract at Paramount. To particularly appeal to the suits there, he filled the story with roles for Paramount stars such as Mary Boland, Charles Ruggles, Fred MacMurray and Burns & Allen, none of whom were necessarily famous enough to carry a movie, but whose combined star-power might make an attractive investment for studio or future ticket-buyers.

Susan Hayward. Susan Hayward movies: TCM Star of the Month Fiery redhead Susan Hayward it Turner Classic Movies' Star of the Month in Sept. 2015. The five-time Best Actress Oscar nominee – like Ida Lupino, a would-be Bette Davis that only sporadically landed roles to match the verve of her thespian prowess – was initially a minor Warner Bros. contract player who went on to become a Paramount second lead in the early '40s, a Universal leading lady in the late '40s, and a 20th Century Fox star in the early '50s. TCM will be presenting only three Susan Hayward premieres, all from her Fox era. Unfortunately, her Paramount and Universal work – e.g., Among the Living, Sis Hopkins, And Now Tomorrow, The Saxon Charm – which remains mostly unavailable (in quality prints), will remain unavailable this month. Highlights of the evening include: Adam Had Four Sons (1941), a sentimental but surprisingly...

'Pirates of the Caribbean: The Curse of the Black Pearl': Johnny Depp as Capt. Jack Sparrow. 'Pirates of the Caribbean: The Curse of the Black Pearl' review: Mostly an enjoyable romp (Oscar Movie Series) Pirate movies were a Hollywood staple for about three decades, from the mid-'20s (The Sea Hawk, The Black Pirate) to the mid-to-late '50s (Moonfleet, The Buccaneer), when the genre, by then mostly relegated to B films, began to die down. Sporadic resurrections in the '80s and '90s turned out to be critical and commercial bombs (Pirates, Cutthroat Island), something that didn't bode well for the Walt Disney Company's $140 million-budgeted film "adaptation" of one of their theme-park rides. But Neptune's mood has apparently improved with the arrival of the new century. He smiled – grinned would be a more appropriate word – on the Gore Verbinski-directed Pirates of the Caribbean: The Curse of the Black Pearl,...