Munich Film Festival
- 2020s
- 2010s
- 2000s
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- 1970s
- "Director Philippe Lacôte's film explores the challenges of storytelling in a society ridden with violence. By coupling the beauty of pre-colonial Africa with harsh reality and the appropriation of its own history, the director advances an autonomous African narrative. Dancing, chants, and moments of tenderness fill the spaces of the prison for the duration of the story, which shifts away from its narrator and thus - possibly? - saves his life. An unbearable reality gives rise to a 21st-century fairy tale, a chamber play in a lawless space, a search for values in a world that turns people into both perpetrators and victims."
- "It is with great pleasure that we present the award for best actor/actress to Martin Rohde in HEIKO'S WORLD. HEIKO'S WORLD is in many ways an unusual film and Martin Rohde is the "primus inter pares" of a wonderful ensemble of sad and valiant losers, of bizarre individuals who fought unselfishly against cold, poverty, humiliation, and loneliness. They fought for the vestige of a dream and hope for a better life. Heiko would do anything for his mother (played magnificently by Heike Hanold-Lynch), except that in the process he digs himself deeper and deeper into a hole, is cheated and betrayed. This is tragic and bitter, but Martin Rohde manages a fine balancing act that lends his character dignity and wit. Heiko remains calm, very calm - "Heiko will take care of it, Mama!" - but whenever he says this, we know it won't go well. He will get his revenge, though - in his own way, with outsize tennis strokes, but more importantly with exceptional technique when playing darts. And this is how this perpetual loser, this pitiful and annoying survivor, becomes a minor winner through his great victory at darts in the pubs of Berlin. The way Martin Rohde plays it, unpretentious, precise, touching, witty, and with a convincing affinity for the world of darts, the sausage stands and corner pubs and the people who frequent them - we think it's absolutely worth seeing. Congratulations, Martin Rohde!"
- 5.1 (473)
- 5.1 (473)
- "As all of us haven't been to the movies in a long time, we as a jury became even more aware this week of what cinema is capable of. Through impressive images bursting with imagination and images loaded with cinematic effects, we realized once again what we can expect from motion pictures: everything that's missing in life, perhaps even in everyone's life! The unusual, the sometimes disturbing, peppered with visions of the unimaginable. We as the jury had the task of selecting the recipient of the New Talent Award for best director according to these criteria, and in this case this also included a wonderful cast of children. We've therefore decided to present the German Cinema New Talent Award in the category of directing to A PURE PLACE by Nikias Chryssos."
- "It is with great pleasure that we present the award for best production to the feature film: MY SON. This psychologically very sound story about an extreme mother-son relationship is modern, contemporary, and particularly touching. It accurately reflects an estrangement across two generations. The shocking start of the film has the viewer hooked from this first moment, and a road movie unfolds which mother and son experience together. Step by step, the impressive scenes of various landscapes and the terrific dialogue between mother and son turn the story into a true cinematic experience. In this way, a most authentic narrative unfolds between members of two generations who appear to have nothing in common, but who love each other deeply in spite of everything. The focus is always on the performance of the two excellent leading actors. We are happy to present the award for best producer to Miriam Düssel."
- "There is, unfortunately, a circumstance that is a cause for concern: people are reading less than they used to. The fact that only a screenplay can get a society interested in a true story is sad enough, but apparently it's necessary. This is an important German story that describes the authoritarian regime of the East German state in a way that is shocking and unnerving. The disturbing truth that the death penalty was applied in East Germany until the mid-1980s was, I believe, not widely known. Coming to terms with our shared history also involves making the unheard, the unspoken, the unseen and the repressed audible and visible. For this reason, we, the jury, have decided: The German Cinema New Talent Award for best screenplay goes to THE LAST EXECUTION by Franziska Stünkel."
- 5.3 (193)Benjamin Martins(producer)
- Winner
- "This film not only tells a deeply human story about loneliness and the search for love in a very sophisticated way; it also draws a connection between human transgressions and lies and major societal issues such as the consequences of colonialism. ONLY THE ANIMALS tells a gripping, suspenseful, and poignant story of how seemingly personal actions and interactions can lead to complex connections and dramatic consequences. In addition to this, the actors and actresses are excellently cast and without exception portray diverse, credible and immediately identifiable characters whose allure no one can escape," the jury stated, adding, "Dominik Moll's ONLY THE ANIMALS offers a lot of food for thought, not least about how we relate to our fellow human beings. For that reason, too, this French-German co-production is top-quality European cinema of the kind the jury would like to see more of."
- 6.3 (355)
- 6.2 (1K)
- 6.6 (8.6K)
- 5.4 (1.2K)
- 6.9 (15K)
- 7.1 (4.3K)
- 6.8 (4.2K)
- 6.6 (3.4K)
- "Modern Europe is a multifaceted continent where people from various cultures are coming into ever closer contact. Such interaction creates a friction that can also be a source of openness. The film chosen by the FIPRESCI jury is about two very different people who share a common emotional state of loss and longing. This deceptively simple film, brilliantly acted, obliges us through its elegance and poetry to confront invisible, everyday discrimination and embrace love as the only medicine. It is our honor to give the international critics' prize to Monday um Zehn, written and directed by Mareille Klein."
- "Lovingly and intimately, the camera follows the 15-year-old protagonist through a summer full of emotions, hopes, and disappointments in an impressive film by Lucía Alemany about the universal state of confinement and captivity in which many women - continue to - live."
- 6.2 (275)
Also known as
- Filmfest München
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Event location
Munich, Germany