Shotyi Bole Shotyi Kichhu Nei

After watching #ShotyiBoleShotyiKichuNei I am convinced that Srijit Mukherji is back!! What an adaptation....

I don't think I am qualified enough to comment on his art, but as an avid movie lover of all kinds, I think Srijit Sir has once again proved that he is the ruler...

About the actors, Parambrata Chattopadhyay , Kaushik Ganguly , KoushikSen and Ritwick Chakraborty are the pillars, like I said, they are masters of their trade and don't need anyone's signing off - but the others have all contributed in the right measure like a beautifully orchestrated symphony... Sauraseni Maitra you nailed it in a single scene, Kanchan Mullick my respect for you keeps growing, Anirban Chakrabarti so good to see you in a different kind of a role, Ananya Chatterjee the voice...loved it...kudos to everyone...

Brilliant vision, brilliant directorial creativity, excellent cinematography...I can go on and on...

IT'S NOT JUST A MUST WATCH .. IT'S A CELEBRATION OF CINEMA...

It's hard to imagine any remake or adaptation rivaling the seminal courtroom classic "12 Angry Men," yet here I am, witnessing something that manages to build on Sidney Lumet's vision and take it to new heights.

Admittedly, my bias may show since the film is in my native language, but there are certain nuances and a unique expression of emotions that only the language of Tagore can capture, and which Shakespeare's language simply cannot.

The stellar cast of actors were equally enthralling though felt underutilized at times, delivering powerful performances to bring Srijit's vision to life. In the poignant words of Parambrata, "Amar jonyo oke keno shasti dicho" beautifully illustrated the cognitive and confirmation biases inherent within the characters in this movie, highlighting how our past experiences biases us towards our present judgments.

In conclusion, it was a pleasure to witness Bangla film-lore leapfrogging back to its Heydays through the lens of this future 'El-Classico'. A masterpiece on jurisprudence.

A neat adaptation of the Classic '12 Angry Men' by Sidney Lumet. Brajeswar Dutta, a Lawyer gets a case where a 19 year old allegedly killed his own brother and is to be in hearing tomorrow, with plenty of 'evidence' on him- An old man who heard him running after the murder and a lady who witnessed this murder through her window. The story is similar to the original, but the jury takes place on the lead actor's head and happens at fascinating places- An Art Gallery, Middle of a flyover, On a movie theater, beach and a forest. Dialogues were sharp and performances were extraordinary. Recommended! But could have bought in some new plot as for those who watched 12 angry men, it could be repetitive.

Sotyi Bole Sotyi Kichu Nei is a masterful adaptation of 12 Angry Men, and director Srijit Mukherji delivers it with intensity and precision. The film keeps a tight pace, with well-placed twists and strong dialogue-driven tension throughout.

The casting is spot-on, with each actor owning their role and adding to the overall drama. It's a rare courtroom-style thriller in Bengali cinema that stays both engaging and thought-provoking.

Final verdict: A powerful ensemble piece and a worthy adaptation. If you enjoy psychological tension and layered characters, this one's a must-watch.

Srijit Mukherji's "Shotti Bole Shotti Kichu Nei" boldly reimagines Sidney Lumet's iconic 12 Angry Men & it's indian adaptation "Ek Ruka Hua Faisla" , blending Bengali sensibilities with contemporary relevance. By transporting the story to the realm of a judge's subconscious, Srijit circumvents the constraints of stage-like storytelling, transforming the courtroom into a dynamic dreamscape-sometimes set in theaters, jungles, or crashing seashores. This clever artistic liberty infuses the film with visual grandeur while remaining deeply rooted in the philosophical core of justice and morality. This movie gave that level of goosebumps & flavours of Srijit's initial films like "Baishe Srabon", "Chotushkone", "Hemlock Society" etc.

The screenplay impressively marries timeless themes with modern socio-political commentary. From the rise of Hindutva ideology to racial and linguistic biases, the film reflects the prejudices haunting present-day society. Through sharp dialogues and vivid character sketches, it delves into the personal histories that shape individual ideologies, making its characters hauntingly real.

Parambrata Chatterjee delivers one of his finest performances as a marginalized figure whose layered portrayal lingers long after the credits roll. Anirban Chakraborty, as an outsider battling his linguistic and cultural insecurities, also leaves an indelible mark. While stalwarts like Kaushik Ganguly and Kaushik Sen stay within familiar territories, the ensemble cast complements each other beautifully, creating a symphony of conflict and introspection.

The film's art direction, from zodiac-themed chairs to striking cinematography by Prosenjit Chowdhury, elevates the narrative into a visually poetic experience. The unexpected inclusion of Bengali Baul music adds cultural depth, making the dream sequences richer and more resonant.

Finally, Shotti Bole Shotti Kichu Nei is a cinematic feast-intellectually stimulating, emotionally stirring, and aesthetically vibrant. Srijit serves up a layered, buttery dish of storytelling-rich in flavor and surprisingly easy to digest. A bold experiment that reminds us why the courtroom of human conscience is timeless.