Pecadores

Sinners impresses early with its stunning cinematography and solid performances. The film sets a moody, atmospheric tone and builds tension with a deliberate, slow-burn approach that hints at something truly impactful. Unfortunately, that promise is never fulfilled. When the vampires finally appear, the film takes a sharp downturn. Their behavior is nonsensical, lacking any real menace or intelligence, and they end up feeling more like a parody than a threat. It's a baffling creative choice that undermines everything the first half works so hard to build. Despite its strong technical elements, the film stumbles badly at the finish line. A stylish misfire-watchable, but disappointing. 6 out of 10.

For years I've been emphasizing the importance of music in movies; how an amazing musical score can significantly elevate a movie. It shouldn't just be background dressing. It should be brought to the forefront. It should drive the story. It should be a character in itself. It should give you goosebumps in the big moments. Sinners is one of the best examples of this.

Aside from the music, I could tell I was watching high-quality filmmaking within five minutes. The directing, camerawork, editing, and sound design are pristine. The entire cast does a great job, but Michael B. Jordan shines. He is a superstar.

Sinners is also surprisingly funny, without taking away from the seriousness. And the horror elements are... satisfying. This movie goes hard.

Advice: Certain scenes have an expanded aspect ratio that will only be shown in IMAX. If you can't go to an IMAX, any premium screen will do (Dolby Cinema, UltraScreen, EMX, etc). This movie benefits more than most from the larger screen and louder speakers.

Also, I missed A LOT of the dialogue, you may want to ask for a closed caption device.

(1 viewing, opening night IMAX 4/17/2025)

I saw the ratings for this film and I watched really looking forward to watching it. Even the people who work the counters in the cinema assured us of how good it was.

The first half of the film have the makings of an 8/10 film, and it seems like it's going to go that way, especially with such a good cast. But as with most films these days, it takes a turn and gets quite daft in the second half. Somewhat like Dusk til Dawn, but not half as good...But that's just my opinion.

Go watch it, but at least give it an honest review. It's not an 8/10 movie as iMDB has it scored. I scored it a 6, which I think is fair.

Don't buy into the hype. Sinners is a slightly above average film that has been blown massively out of proportion. Its current rating of an 8.1/10 is absurdly high. It's not THAT good.

I'll start with the positives. First of all, I thought the acting was absolutely amazing. It was a really fantastic performance from the entire cast. I also thought the music was great; l'm not typically much of a blues guy, but l enjoyed what I heard.

As for the negatives, the biggest problem I had is that the film accomplished nothing. It finished and I was just like.....ok? What am I to make of this? It's categorized as Drama and Supernatural Horror, and while it is technically both of those, I wasn't impressed in either area. Suspense--a major part of both of those genres--was basically nonexistent. The 'normal' part of the plot (the stuff without the supernatural junk) was actually solid. It had a nice little twist in it, which the ending went back on. I just wish there was more of that.

Overall, it wasn't a bad movie, but it's not one I'd recommend. The best way to sum it up is this: it's a dime a dozen horror flick that's made watchable by a really good cast and great cinematography.

Final score of 6/10.

A film that adds nothing from an artistic and cinematographic point of view.

First part of a deadly boredom, second based on clichés, derivative and poorly used narrative elements.

A less than mediocre blockbuster.

Yet another case of a film exalted by obsolete criticism and an audience poorly educated to the true refinement of the seventh art.

The fact that in May it's considered the best film of the year would make one believe in a mass hallucination but unfortunately the acclaim and success it has had is only the mirror of the times: a lack of truly worthy creativity and an increasingly poor and faded appreciation index.