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Opus

  • 2025
  • R
  • 1h 44min
CALIFICACIÓN DE IMDb
5.7/10
5.2 k
TU CALIFICACIÓN
POPULARIDAD
1,017
42
Ayo Edebiri in Opus (2025)
A writer travels to the compound of a pop icon who disappeared years ago. Surrounded by his cult of sycophants, as well as a group of fellow journalists, she soon discovers his twisted plans for the gathering.
Reproducir trailer2:05
3 videos
62 fotos
Psychological DramaPsychological ThrillerDramaMusicThriller

Un escritor viaja al complejo de un ícono del pop que desapareció hace años. Rodeada de su secta de aduladores y de un grupo de colegas periodistas, pronto descubre sus retorcidos planes par... Leer todoUn escritor viaja al complejo de un ícono del pop que desapareció hace años. Rodeada de su secta de aduladores y de un grupo de colegas periodistas, pronto descubre sus retorcidos planes para la reunión.Un escritor viaja al complejo de un ícono del pop que desapareció hace años. Rodeada de su secta de aduladores y de un grupo de colegas periodistas, pronto descubre sus retorcidos planes para la reunión.

  • Dirección
    • Mark Anthony Green
  • Guionista
    • Mark Anthony Green
  • Elenco
    • Ayo Edebiri
    • John Malkovich
    • Juliette Lewis
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.7/10
    5.2 k
    TU CALIFICACIÓN
    POPULARIDAD
    1,017
    42
    • Dirección
      • Mark Anthony Green
    • Guionista
      • Mark Anthony Green
    • Elenco
      • Ayo Edebiri
      • John Malkovich
      • Juliette Lewis
    • 62Opiniones de los usuarios
    • 89Opiniones de los críticos
    • 42Metascore
  • Ver la información de producción en IMDbPro
  • Videos3

    Official Trailer
    Trailer 2:05
    Official Trailer
    Opus
    Trailer 2:05
    Opus
    Opus
    Trailer 2:05
    Opus
    Which Musician Made an 'Opus' Cast Member Cry?
    Clip 8:08
    Which Musician Made an 'Opus' Cast Member Cry?

    Fotos62

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    Elenco principal39

    Editar
    Ayo Edebiri
    Ayo Edebiri
    • Ariel Ecton
    John Malkovich
    John Malkovich
    • Alfred Moretti
    Juliette Lewis
    Juliette Lewis
    • Clara Armstrong
    Murray Bartlett
    Murray Bartlett
    • Stan Sullivan
    Melissa Chambers
    Melissa Chambers
    • Bianca Tyson
    Tony Hale
    Tony Hale
    • Soledad Yusef
    Stephanie Suganami
    Stephanie Suganami
    • Emily Katz
    Mark Sivertsen
    Mark Sivertsen
    • Bill Lotto
    Amber Midthunder
    Amber Midthunder
    • Belle
    Tatanka Means
    Tatanka Means
    • Najee
    Aspen Martinez
    Aspen Martinez
    • Maude
    Peter Diseth
    Peter Diseth
    • Jorg
    Tamera Tomakili
    Tamera Tomakili
    • Rachel Malick
    Rose Marley Meizlesh
    • Levelist #1
    Jasper Keen
    Jasper Keen
    • Lee
    Young Mazino
    Young Mazino
    • Kent
    Jean Effron
    Jean Effron
    • Receptionist
    • (as Jean Efferon)
    Justin Perry
    Justin Perry
    • Magazine Editor
    • Dirección
      • Mark Anthony Green
    • Guionista
      • Mark Anthony Green
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios62

    5.75.2K
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    Opiniones destacadas

    4Cyns-Corner

    Couldn't stick the landing

    Opus started off pretty solid but fell apart in the final act. It's similar to other stories like Midsommar, Get Out, Blink Twice, The Menu, etc. So this wasn't anything new, but that wasn't much of an issue for me. The problem is in the explanation for what drives the cult. What it's about - its purpose. Malkovich's character sorta kinda attempts to offer an explanation at the end, but it didn't feel sufficiently solid enough to patch up the holes created by that issue. The acting in here was great though, and it was fun to see Malkovich ham it up the way he did. This was director Mark Anthony Green's first film, and he was also the writer. He has potential, as evidenced by the strong first half of the story. But he needs a bit more work to stick the landing. Video review available on my YouTube channel.
    6CinemaSerf

    Opus

    This had good potential and John Malkovich can usually be relied upon when eccentricity is needed, but the rest of this is an incomplete and rather messy reminder of "Midsommar" meets "Ten Little Indians". He is the reclusive pop star "Moretti" who announces after almost thirty years away, that he is to release his comeback album. The industry goes wild for this news and when he announces his own version of a golden ticket and invites a select group to join him for an exclusive get together at his ranch, the enthusiast journalist "Ariel" (Ayo Edebiri) accompanies her limelight hogging boss to this ultimate weekend. Of course, as soon as she arrives she finds the place akin to a cult. Loads of almost automaton acolytes, some cruelly painful oyster shucking and loads of sexually fluid flamboyance from their host all starts to get her heckles up and gradually we become aware that their is an altogether ulterior motive for this carefully contrived fine dining experience. When one of their number goes missing, well things rapidly speed to a denouement that is straight out of Agatha Christie. The point it makes in the end is actually quite a clever one, but the rest of this is all derivative and simplistic. Why were this group selected? Who are they? What have they in common with each other or with their antagonist? For something that's supposed to be random and spontaneous, the entire plot depends on characters making very specific (and not always the most natural of) choices en route. Malkovich does stand out, but that might also be as much to do with the really mediocre writing and the remainder of the cast delivering a very join-the-dots performance. Sadly, this is nothing original nor special and really disappoints.
    6Insane_Person13

    What the fudge.

    Okay. Sooooo... uuhhhhh..... how do I start talking about this movie? Well, it's DISTURBING AS FUDGE for a start. There wasn't as much gore in this movie as I was thinking. Honestly, I don't even know what I was thinking when going to the cinema to watch this. The concept is not that bad. The REAL question is: Was it executed well enough to be a "good" movie? Well, it depends on what kind of horror/thrillers you are into. There's a scene in the middle of the movie that made me cringe. The ending wasn't really what I was expecting, which can be a good and a bad thing. I don't know if it is a good or bad thing in this case. The movie was pretty underwhelming, which I think was just trying to build the tension. When blood WAS on the screen, though, there wasn't loads of it. But there was an "injury" (not a kill) that was pretty painful to watch. If you have seen the movie, then you probably know which one I'm talking about. I'm talking about the bean bag one. If you know, you know. The "twist" at the end of the movie wasn't something that I saw coming. I wouldn't say that this is a good movie, but I wouldn't say it's a bad one either.
    4Bleu-Le-Fluff-0969

    Disappointing mess

    Watched at the 2025 Sundance Film Festival.

    A24 recently seems to be having a slump with their horror movies because while Opus has a good concept and a good performance from Ayo Edebiri and John Malkovich, it's exhausting narrative, repetitive nature, and bland structure fails to impress itself with it's concept and becomes more of a dull and uninspired experience.

    The filmmaker clearly has an vision of celebrity worshipping and cult atmospheres but it feels like a blend of many themes and ideas mashed together, that don't feel earned nor impacted. Including characters that are underdeveloped and at times, unbearable with their bad dialogue and personality. Ayo Edebiri and John Malkovich really are the best aspects and even with good camerawork and production designs, the narrative and characters aren't good as they end up becoming horror cliches and predictable structure that leads with no creative moments.

    A24 horror flicks are usually pretty great but in recent times, their horror works have been going down and I do hope A24 is able to get back onto track soon.
    6jared-25331

    That was underwhelming.

    Opus (2025) is the newest movie from A24 and it was very underwhelming, but it wasn't terrible.

    Positives for Opus (2025): The movie has an interesting enough plot involving the music industry. The acting is very good for what they had to work with. There are some cool things with the directing style. The movie moves at a good pace to it. And finally, the movie has a very interesting ending.

    Negatives for Opus (2025): The plot has some wonky execution to it. The characters aren't interesting or well developed. I barely knew what was happening with the story. And finally, I have no idea what the point of this movie was supposed to be.

    Overall, Opus (2025) is an okay but also very underwhelming movie from A24.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Amber Midthunder only speaks on one scene.
    • Errores
      When the office is watching Soledad's video announcing Moretti's return, the YouTube play bar remains paused and stuck at the 0:43 mark though the video continues playing.
    • Citas

      Alfred Moretti: The back row is asleep... but the front row is ready

    • Conexiones
      Referenced in Higher Learning with Van Lathan and Rachel Lindsay: An Oscars Recap, and Talking Opus with Mark Anthony Green (2025)
    • Bandas sonoras
      Maggot Brain
      Written by George Clinton (as George Clinton Jr.) and Eddie Hazel

      Performed by Funkadelic

      Courtesy of Westbound Records, Inc.

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de marzo de 2025 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Official Site
    • Idioma
      • Inglés
    • También se conoce como
      • Опус
    • Productoras
      • A24
      • MACRO
      • Makeready
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 10,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 1,993,397
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 1,033,117
      • 16 mar 2025
    • Total a nivel mundial
      • USD 2,196,593
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 44 minutos
    • Color
      • Color

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