La mujer de las sombras

Blumhouse CAN be good or decent, but this is yet another one that makes me feel like they put meticulous research into finding out what are the most critically panned and disliked ingredients of their catalogue & then make new films out of them.

Sure, it's a competent enough film with one or two potentially compelling albeit overused themes, but it's also tiring, uninspired, tedious, flat, predictable, lukewarm & ultimately pointless and empty feeling.

It's rare for a movie that's under 90 minutes long to feel this very stretched out, and it's a damn shame that such weak scripts get greenlit with casts & crews that are too good for it.

The worst Jaume Collet-Serra flick, can only compete with "Black Adam" maybe.

I'm not used to 'blumhouse' horrors - But i happened along this movie and I think it did a great job - it looks very good - professional - and the acting from the star woman is great - she herself plays a very sad person - self defeated and that topic is handled very well.

I dont have anything bad to say about this movie - I think it was careful handling the topic of depression and it was pg13 which was amazing bc it is very dark matter for such a rating. I've struggled a LOT with depression and I felt this movie honored it - while still having a story and entertaining horror elements.

I wasnt scared but i felt the dread of the main star and there is horror in that dread. I think they kept the story simple but yet it is psychological - and again it's pg13 so good on them for doing a good job. I dont know how anyone can call this a bad movie. Sure it wasn't some big huge iconic thing but it wasn't bad.

I can tell work went into it and though some parts were a little annoying - i think that's forgiveable - It's actually a smarter movie than i expected - I was impressed with the latter part of the movie. I also wanted to mention that i gave it 6 but maybe that's just bc I am very harsh - don't know - Most movies are a 2 to me, so this getting a 6 is actually very good.

Jaume Collet-Serra may not be a perfect director but I have enjoyed his fun popcorn flicks like The Shallows, The Commuter and underrated horror Orphan. While it's messy script and structure does suffer from uneven directions and tone, it's interesting concept and solid thrills offer a good fun horror movie.

Placed with some interesting themes and good camerawork, the slow-burn tension and atmosphere does offer some good build up throughout. Including sound designs and colors used throughout. I do wish the writing does explore some different territories and ways, especially it's third act being pretty rough. Undoubtably, the concept was pretty interesting. Once again, Danielle Deadwyler shines with a strong performance and keeps the characters somewhat interesting, even if it doesn't always work.

For 87 minutes, the movie does feel as if it would work as a short film or a short episode. But as a whole, it's a decent horror flick.

I can't say I was impressed by The Woman In The Yard. It starts promising, a bit intriguing and mysterious but then it just went downhill. Weak writing was the major cause for a failed horror movie. The acting from the very small cast was okay though, nothing bad to write about them, but the plot just didn't help to save this movie. I'm not going to go into details as I don't want to spoil the story for future viewers but there were just things that didn't make any sense at all and that's why this wasn't a good movie. A bit boring as well at one point. I wouldn't waste my time with this one if I were you.

A slow-burning psychological horror that lingers in the mind long after it ends. I've been a fan of Jaume Collet-Serra's horror movies (Orphan and House of Wax) for a while, mostly for the their over-the-top scares. Here he crafts a quiet, creeping dread as Ramona (the fantastic Danielle Deadwyler), grieving her husband's death and immobilized by a broken leg, watches an ominous woman inch closer to her isolated farmhouse. Subtle visual storytelling replaces exposition, with deep-focus shots and eerie sound design immersing us in Ramona's unraveling psyche. The film methodically builds tension through whispered horror before plunging into full-blown terror in its final act, recontextualizing everything with a surreal climax. Not every theme fully locks into place, but its haunting atmosphere and layered symbolism make it a compelling, rewatchable experience I didn't expect from this studio.

6.5/10.