Queen of the Ring

Queen of the Ring brings a winning combination of biopic, sports drama, and period piece with such precision and warmth, you feel you could step into Millie Burke's (Emily Bett Rickards) wrestling ring, take the blows, and be happy to experience history as it was lived. It's early 20th century, and Millie Burke, waitress, longs to entertain by wrestling men and women.

As the record has it, she becomes women's world wrestling champion three times while suffering the slings of ambition, from making a fortune, losing it, and wrestling personal relations with the same mixed results. Rickards invests herself physically and mentally in Burke's checkered career, with a fierce ambition and beauty that seems to set the standard for women's liberation.

Her tumultuous relationship with her manager and then husband, Billy Wolf (Josh Lucas), parallels the give and take of the business that grows in front of us from mid-west home style to east-coast complicated, from scripted matches to shoot events with no script. Millie's dogged ambition, which laudably always includes her son, Joe (Gavin Casalegno), is not only remarkably intrepid, but it is also inspirational, rooted as it is in historical fact.

Millie Burke, first million-dollar female athlete in history, is initially seen as a Kansas diner waitress always under the protection of her mother (Cara Buono) but longing to leave and become an entertainer. Given that she can't sing or dance, her muscles show her the way to liberation-wrestling, even if women's wrestling is outlawed in many states.

Despite the sometimes-incoherent, episodic telling, Millie's arc is much like fictional sports stories as she loses everything she's built to Billy but wins back heroically. The Queen of the Ring is a rousing biopic, mostly true, yet faithful to the chronicle of women on the ascendent in the last century. And then there's Rickards' breakout performance . . . .

I used to be a wrestling fan, especially women's wrestling-until I found out it was all scripted. But this movie completely changed my perspective.

The film is incredibly well done. The writing, acting, and pacing are top-notch-there were no boring moments. The story kept moving, and it beautifully introduced all the key characters. I loved that it was based on a true story-that always gets me. To my surprise, I found myself genuinely cheering by the end.

The movie is both inspiring and educational, blending history and sports in a powerful way. It tells the story of Mildred Burke, the first million-dollar female athlete and a true pioneer in wrestling. Her journey is captivating, and the film does justice to her incredible legacy.

If you're a female wrestling fan, or just someone who loves real stories of grit and glory, this movie is a must-watch. It's a brilliant production, and honestly, it might just win you over again-like it did for me.

Ask any reviewer how many sports biopics they have seen and the answer will always be "too many." QUEEN is an ambitious little project, you can tell that by the over-two-hour runtime. The pacing, the script, the editing, everything is just slightly uneven and unpolished. However, to compensate, there is a legitimate sense of fun imbued in the film, something not common in these sorts of tales. Lots of hidden talent both in front of and behind the camera. Emily Bett Rickards will shock her fans from the Arrowverse as she digs into the lead role and gives it everything she has got. Behind the camera is the son of one of America's best-known directors, and playing the "heel" in the story is a young woman with sharply defined features not seen since the days of Clint Eastwood. His daughter, in fact. Entertaining. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

I let my friend pick this one out I may not have chosen it just from the subject matter. I'm not a wrestling fan especially women's wrestling. But this movie was done very well. The writing the acting the movie always kept moving there was no slow points. And it showed all the characters and who they played there was a true story. Which I like. I was rooting and cheering at the end which surprised me. I really recommend seeing this I don't understand why it didn't win more Awards rather than that movie that did when the Oscars in 2024. This movie should have won more Awards. Not a kids movie. I was impressed they hardly used any language in it cuz that's the time. Like I say the quality was a good film.

Greetings again from the darkness. Even among sports fans and women's activists, Mildred Burke is not a household name. Writer-director Ash Avildsen and co-writer Alston Ramsay set out to correct this by adapting Ms. Burke's own writing and the 2010 book "The Queen of the Ring: Sex, Muscles, Diamonds and the Making of an American Legend" by Jeff Leen. Avildsen is the son of Oscar winning director John Avildsen (ROCKY, 1976; THE KARATE KID, 1982).

Mildred Burke was a three-time World Champion in Women's Wrestling, and the first million dollar female athlete. Her career spanned the 1930's into the 1950's, and the film opens in the ring during the brutal 1954 Women's World Championship match. Rather than finish that match, filmmaker Avildsen holds that until the finale and instead flashes back to Burke's early obsession with her desire to wrestle. Emily Bett Rickards ("Arrow") stars as Mildred, and she possesses the physicality and charm to pull off what we'd expect from a pioneer in women's sports. She displays toughness, determination, and talent in the ring - plus the savvy needed for marketing herself and the sport.

There are some issues with the movie. At times it's difficult to follow the timeline and it is uncomfortably choppy in its storytelling approach. However, the dynamics of this woman and her true story are such that we focus on the good stuff and appreciate her accomplishments. Additionally, there are some strong supporting performances. Josh Lucas plays wrestler Billy Wolfe, who recognizes Mildred's potential and becomes her promoter, her loving husband, her cheating husband, and her business partner. Walton Goggins plays legendary promoter Jack Pfefer, Tyler Posey plays Wolfe's son and Mildred love interest G Bill, Francesca Eastwood (yes, Clint's daughter) plays wrestler Mae Young, Adam Demos plays Mildred's friend and popular wrestler Gorgeous George, and Gavin Casalengo portrays Mildred's son.

We learn her story dates back to a time when many laws prohibited women from wrestling, and Mildred's early opportunities took place at traveling carnivals. Her motivation led to her pledge to her toddler son that they would not live an ordinary life ... and wrestling got her out of the apron at her mom's café. There is an obligatory training montage, and there is even a moment when Mildred's impact is compared to Jackie Robinson breaking the race barrier in baseball. The terrific soundtrack (not quite to the level of AMERICAN GRAFFITTI) helps offset some of the cheesy posing and strutting, even though these were keys in Mildred gaining popularity. Filmmaker Avildsen ends the film with photos and bio profiles on each of the characters as the closing credits begin. It's a fitting end and tribute for those who drove the early days of Women's wrestling.

The film opens in theaters on March 7, 2025.