Neighborhood Watch

Came to watch it for the two main stars not knowing too much about the plot but stayed because of how the film was executed.

The chemistry between the two main characters is great even though at first they had nothing in common (although I wouldn't mind if they had fleshed it out a little bit more).

The plot is easy to follow and had a couple of nice quirks that I liked.

Almost every scene in the movie has a purpose and nothing is spoon fed to the viewer.

The ending was very rewarding and I liked the fact that the world the movie took place in was so down to the ground.

And the hand sanitiser gag had me chuckle more than I'd like to admit.

Good stuff.

Wholesome movie.

Give it a try :)

8/10.

If I would describe Neighborhood Watch as an overall movie in one word, it would be... regular? It's a very regular movie. But when done right, a regular movie can be highly enjoyable. This is the perfect example of that.

Jack Quaid gives possibly his best performance. He seems perfect for this role of someone suffering from severe mental illness. Jeffrey Dean Morgan also plays his role well. And their on screen chemistry and character dynamics are a big part of why this movie succeeds.

It also helps to have good writing. Several small parts end up coming into play later. Even if it doesn't have a major impact, these callbacks show that they care about making a good movie. And I was emotionally invested in the story and these characters.

(1 viewing, 4/26/2025)

Neighborhood Watch feels like a cinematic gem that often goes overlooked, and it's high time it receives the recognition it deserves. The film is crafted in a way that echoes the sharp, hard-boiled style of Dashiell Hammett, bringing a rich sense of atmosphere and intrigue to the screen. The narrative is centered around a small, seemingly ordinary neighborhood, but beneath the surface, there's a web of secrets and lies waiting to be unraveled. It's a brilliant exploration of suburban life tinged with crime and mystery.

The strength of Neighborhood Watch lies in its ability to tap into Hammett's signature noir style. Much like the author's novels, it's a story about flawed characters navigating a morally complex world. The protagonist, a well-meaning but disillusioned detective, finds himself drawn into a situation that reveals the darker side of his community. It's an intense, gripping ride from start to finish, with unexpected twists and a palpable tension that keeps viewers hooked.

What stands out most about the film is its atmosphere. The cinematography uses shadow and light in ways that evoke the classic noir films of the 1930s and '40s, creating a sense of constant unease. The screenplay is sharp and clever, with dialogue that crackles with a mix of sarcasm, bitterness, and wit-exactly what you'd expect from a Hammett-inspired piece.

The performances are stellar, with the lead actor giving a nuanced portrayal of a man torn between his own morality and the corruption he uncovers. The supporting cast also shines, adding depth to the world and helping to build an ensemble that feels both lived-in and mysterious.

While Neighborhood Watch might not have made as big a splash as it should have upon release, it deserves a much larger audience. It's a prime example of how classic noir sensibilities can still captivate modern viewers, blending old-school charm with contemporary storytelling. If you appreciate a good, twist-laden thriller with a touch of noir, this film is a must-watch. It's high time that Neighborhood Watch gets the attention it rightly deserves.

The film mostly worked for me because of the odd pairing of the rough and decisive ex-cop played by Ed Deerman (Jeffrey Dean Morgan) and the diminutive and tormented Simon McNally (Jack Quaid) who struggles with schizophrenia. The unlikely duo prove they have unexpectedly strong chemistry as they form an unlikely alliance to find a woman that Simon believes he may have seen being kidnapped.

The actual procedural aspects of Deerman and McNally's investigation are the weakest aspect here from my perspective. They sort of just wander around encountering violent criminals for most of the film's brief runtime. But there are elements to the film that we don't typically get in these types of films, so I will give it a pass for neglecting the procedural aspects somewhat.

I adored Duncan Skiles' previous film, the vastly underrated serial killer thriller The Clovehitch Killer, and he shows all the same strengths as a director here that he did in that film. The story never lacks a sense of purpose, and the sparkling interactions between its two leads keep the story rolling steadily forward to a satisfying if unmemorable conclusion. I think a couple frightening scenes and potentially a violent encounter at the film's conclusion might have helped to make this more well-rounded as a thriller.

The exploration of Simon's mental health struggles is quite well done and integrated effectively throughout. The film even puts the audience somewhat in Simon's situation where we're not entirely sure what's real and what isn't. We feel the effects of Simon's struggles in a similar way to how he does because we too are uncertain to what extent what we are seeing is real and how much we can trust our senses.

Deerman, while not as likable as Simon, has a nice character arc as he comes to respect Simon and rethink his dismissive treatment of him as a "nutjob." A third-act sequence in which Deerman helps Simon to cope with his paralyzing demons is well-acted and powerful to behold. Deerman is the kind of rogue cop with a heart-of-gold that we can't help finding lovable even if we shouldn't. Even if his methods are problematic, his unimpeachable desire to save an innocent young woman keeps the audience in his corner.

Visually, the film feels like a 70s period thriller due to the sepia-tinged cinematography. This is in spite of the fact that the characters use iPhones and other technology. But I think Skyles was perhaps emphasizing retro aspects intentionally to create a more old-fashioned noir feel. At any rate, this doesn't feel entirely like it's set in the present day even though it ostensibly is.

All in all, Neighborhood Watch may not break new ground as a crime thriller, but its emotional resonance and strong performances make it a quietly compelling film for genre stalwarts.

I kind of love this movie. It's a slow-burn, but it knows what it's about. It reminds me most of the great (if rather more substantial) film Cutter's Way from the seventies, in terms of characters who, somewhat despite themselves, are drawn in to the obsessive pursuit of justice, whatever the cost.

The two main leads are really good. Not perfect perhaps, but convincing in the roles they play. Quaid does a solid job as Simon, a haunted, self-doubting psychotic, who, whatever his personal demons, knows exactly what he must do, when duty calls, even if he doesn't know quite how to do it.

Cue Jeffery Dean Morgan's maverick ex-campus security 'director' who reluctantly gets drawn into Simon's to find a kidnapped girl.

It's mostly low key, but really works, and there are some nice set-ups and pay offs.

I watched this and felt oh so very slightly better about the world by the time the credits started rolling.

I don't want to suggest this is going to rock your world - it won't - but at the same time I wish there were more films like this.