Una nota de ayuda llega a una oficina de correos de los años 80, conectando a un investigador de cartas muertas con un técnico de teclados secuestrado.Una nota de ayuda llega a una oficina de correos de los años 80, conectando a un investigador de cartas muertas con un técnico de teclados secuestrado.Una nota de ayuda llega a una oficina de correos de los años 80, conectando a un investigador de cartas muertas con un técnico de teclados secuestrado.
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- Premios
- 1 nominación en total
Joseph Lopez
- Greg
- (as Joe Lopez)
I. Elijah Baughman
- Trade Show Salesperson
- (sin créditos)
- Dirección
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- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Dead Mail (2024): Another Neo-Noir thriller which trespasses on horror territory. Shot in grainy slightly faded colour it gives us the feel of it's 1980's setting. Though the actors play their roles straight, a Coenesque line of humour runs through the film, just about strong enough to leaven the dark horror and violence which also permeates Dead Mail. Jasper (Tomas Boykin) is a dead mail agent, he can track down correct addresses from arcane pieces of information, checking with the weather bureau or if all else fails an overseas hacker friend. Coming across a blood stained scrap of paper supposedly from a kidnapped man Jasper gets cracking. We already know from the opening scene that the "letter" is genuine. The kidnapper breaks into the post office and attacks Jasper. We then flashback to how the kidnapper met up with his victim. A tale of compering synthesizer designers. Unrequited love and a touch of Killing for Company as the kidnapper does have a Dennis Nilsen vibe about him. The dark comedy of the film is what sets it apart from more mundane thrillers along with taut direction and a clever script which makes all the twists and turns make sense. You'll gasp, laugh and maybe cry but I reckon in the end you'll agree that this is a good Noir/Psychological Horror movie. Directed and Written by Kyle McConaghy and Joe DeBoer. 8/10.
I recently watched Dead Mail (2024) on Shudder. The story centers on a mysterious piece of mail with no address that arrives at a small-town post office for investigation. A strange man soon shows up, determined to retrieve the letter-by any means necessary. The plot then rewinds, tracing the origins of the message and revealing why it's so important to him.
Co-written and co-directed by Joe DeBoer and Kyle McConaghy-who previously collaborated on Bab-the film stars Sterling Macer Jr. (Dragon: The Bruce Lee Story), John Fleck (Waterworld), Micki Jackson (Drumline: A New Beat), and Tomas Boykin (The Munsters).
I really enjoyed watching this concept unfold. The premise felt fresh, and the cinematography had a gritty, grindhouse quality at times. The acting was excellent, with strong and authentic performances throughout. The villain is particularly well-crafted-menacing and manipulative in just the right ways. The violence is sharp, sudden, and suits the characters' motivations. In some ways, it reminded me of The Gift.
Overall, Dead Mail is a solid addition to the horror genre, with enough originality to keep you engaged. I'd rate it a 6.5-7/10 and recommend checking it out at least once.
Co-written and co-directed by Joe DeBoer and Kyle McConaghy-who previously collaborated on Bab-the film stars Sterling Macer Jr. (Dragon: The Bruce Lee Story), John Fleck (Waterworld), Micki Jackson (Drumline: A New Beat), and Tomas Boykin (The Munsters).
I really enjoyed watching this concept unfold. The premise felt fresh, and the cinematography had a gritty, grindhouse quality at times. The acting was excellent, with strong and authentic performances throughout. The villain is particularly well-crafted-menacing and manipulative in just the right ways. The violence is sharp, sudden, and suits the characters' motivations. In some ways, it reminded me of The Gift.
Overall, Dead Mail is a solid addition to the horror genre, with enough originality to keep you engaged. I'd rate it a 6.5-7/10 and recommend checking it out at least once.
"Dead Mail" was actually a better film than I'd expected, and for that it gets points. It starts off with a very interesting scene of a bloody, chained man crawling to a mailbox to toss in a blood stained scrap of paper, and then stopped and pulled back into a house by a panicked kidnapper. It then switches to the post office, where a man named Jasper is a miracle worker when it comes to locating the people for whom dead mail was intended to go. Jasper-in spite of living in a halfway house-seems to have a Russian agent contact who he gets information from as well as other people who are capable of bringing up detailed facts and figures. I used to work for a company where my job was to try and locate lost equipment we'd rented out and it was fun and interesting, but I wish I'd had Jasper's contact list.
So at this point I'm assuming the movie is going to be about Jasper finding the man at the beginning before he gets killed. Instead, it switches to the story of how the man was kidnapped and why and the continuation of that story without Jasper. That's where I became much less interested. I liked Jasper and I wanted to know his story, not the kidnapped guy's story.
That disappointment notwithstanding, it still was a reasonably interesting film, with decent cinematography and performances. But the kidnapper's weirdness was only good enough for numerous "WTF??" moments, and I really didn't feel much for the victim. The only one I was emotionally attached to was-you guesses it-Jasper, and he had a very short story arc. And the ending was rather unfulfilling, and didn't clarify what happened to the postal worker who went to the house and got caught. Ultimately it was an okay film that had promise, but took a wrong turn.
So at this point I'm assuming the movie is going to be about Jasper finding the man at the beginning before he gets killed. Instead, it switches to the story of how the man was kidnapped and why and the continuation of that story without Jasper. That's where I became much less interested. I liked Jasper and I wanted to know his story, not the kidnapped guy's story.
That disappointment notwithstanding, it still was a reasonably interesting film, with decent cinematography and performances. But the kidnapper's weirdness was only good enough for numerous "WTF??" moments, and I really didn't feel much for the victim. The only one I was emotionally attached to was-you guesses it-Jasper, and he had a very short story arc. And the ending was rather unfulfilling, and didn't clarify what happened to the postal worker who went to the house and got caught. Ultimately it was an okay film that had promise, but took a wrong turn.
Don't know what it is with some of these reviews they could'nt have been watching the same movie .This movie was alright i thought definetly an indie movie and i actually thought that this was an 80's movie because they seemed pretty accurate with the 80's synths and the general look of the film etc. I thought it was quite original .Took me a while to grasp the concept because the movie is told in flash back i thought that it was clever how the whole movie comes together. The acting was'nt that groundbreaking except for maybe the actor who played the kidnapper he was pretty good . Overall i thought the movie was pretty good definetly worth a look.
Pretty standard indie fare. Acting, cinematography, and dialogue all are hit-and-miss, hitting more than missing. There are some plot holes, but nothing that really degrades the movie. I have no idea why the
type of epoxy would affect sound quality. Even from a heat dissipation aspect, there wouldn't be such a thing as "good epoxy", since modeling epoxy would be different from electronics epoxy. Normally only nerds like me would think about this, except that they bring it up like 10 times for whatever reason.
Around half the movie is spent on the actual kidnapping. While the kidnapping part IS actually creative, it's not creative in an interesting way. There's a few points where it seems the movie is going to pull a Saw, but then it just ends the scene. The rest of the movie is the post office stuff, which once again is creative but not all that interesting.
It's FAR from the worst indie movie I've seen, but it lacks the creativity and execution of say, a Benson & Moorhead movie. Overall it just feels like a good idea that suffers from inexperienced writers. DeBoer and McConaghy are probably worth keeping an eye on, but Dead Mail is something you'll watch mildly entertained, and forget the following day.
Around half the movie is spent on the actual kidnapping. While the kidnapping part IS actually creative, it's not creative in an interesting way. There's a few points where it seems the movie is going to pull a Saw, but then it just ends the scene. The rest of the movie is the post office stuff, which once again is creative but not all that interesting.
It's FAR from the worst indie movie I've seen, but it lacks the creativity and execution of say, a Benson & Moorhead movie. Overall it just feels like a good idea that suffers from inexperienced writers. DeBoer and McConaghy are probably worth keeping an eye on, but Dead Mail is something you'll watch mildly entertained, and forget the following day.
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Detalles
- Tiempo de ejecución
- 1h 46min(106 min)
- Color
- Relación de aspecto
- 1.78 : 1
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