Field of Lost Shoes

A great part of the movie was it's historical accuracy. Showing confederate soldiers without shoes and low on supplies, with the facts about the tributes to the group of cadets by the Virginia Military Institute today in the beginning and the end. It tells stories of perseverance, love, and sacrifice all at once. Right when it felt like it was starting to drag in the middle it threw a twist to keep things interesting. This movie is underrated, and a great showing of the side that isn't shown as often.

This is a film dedicated to the boys of the Virginia Military Institute who in May of 1864 answered the call from Confederate General Breckenridge to go to defend their homeland from the oncoming Union Army of General Ulysses S. Grant.

They were mere cadets of varying age and all went to fight at the Battle of Newmarket Gap. The film follows the plight of seven cadets and incorporates their back stories up to a point and the issues of slavery. The slavery aspect is used as the sole reason for the Civil War and is posted right up front. That kind of myth should really be stopped from any more propagation as the causes were never that simple and it is only with retrospect that the nobler cause of emancipation was ever used to justify the slaughter. Still I digress.

The film itself is rather good; it balances the comradeship and action perfectly and is filmed using real actors / re-enactors for the main battle which is also done very well. It is overly sentimental but then I am a sucker for such and never mind that at all. The title 'The Field of Lost Shoes' is in reference to the many that became unshod in the fog and mud of the battle. Noteworthy performances are aplenty - but Jason Isaacs as Breckenridge is extremely good at getting the Southern charm with steely resolution just right. All in all a film that war fans and indeed some history fans will appreciate.

Unlike the reviewer in "The Village Voice," I found this film to be moving and touchingly old fashioned. The "love at sight,' for example, between one of the cadets and a southern girl rings true and is a familiar, though often sad motif to those of us who work with teenage boys and girls. The jocular and sometimes hostile relations between the older boys seems authentic, as does their possessive and protective feelings toward the boyish 'Sir Rat.' To return for a moment to "The Village Voice" review: the arrogance and 'know it all' attitude of the reviewer toward the South reminded me why my southern relatives refer to this conflict as "The War of Northern Aggression." It is precisely this air of superiority which contributed to the Southern break with their brothers in the North. I do, however, find the modernist desire on the part of the producers to distance the cadets from their region's stance on slavery to be forced. I feel that history and a better story would have been served to portray the boys as fighting for Virginia and their nation, the Confederacy. Part of the southern lore surrounding the Battle of New Market is that Breckenridge wept when he ordered the cadets into battle. I can believe that he cried when he gave the order. What a terrible burden it would be to send boys into battle! I can't believe that the northerner commander would not have felt, at least, a twinge of conscience when he ordered his troops to fire upon and engage with the cadets. The film's portrayal of that man as a ruthless murderer ordering his men to kill boys does not ring true. The fact that the cadets fought like lions might have surprised him and his men--but those of us who have worked with this age group know that teenage boys would make fearsome opponents. In the end, I applaud the film makers for their efforts—they did much more than produce a period piece bedecked with false whiskers—they gave the viewer insight into this brave but terrible episode in the Civil War, or the War Between the States, as my southern relatives would ask me to write.

I believe that this movie was sufficiently accurate to support the events of history during the civil war. Throughout this movie, the viewer was clearly able to see how the lives of the cadets were at the time. It showed their struggles at the young age, along with their sacrifices for their people. In addition, the movie provided the fact that not all southerners supported slavery. There were some who were willing to fight for their family, but wanted a change if they were victorious. However, "Field of Lost Shoes" became a bit cliché. The love story that began in the film was too focused on. I felt as though the story of slavery and the stress and efforts of the cadets and soldiers did not get the attention that was expected given the current situation of the story. Overall, I thought that the movie provided good facts regarding the locations, uniforms of both sides, weaponry, women's clothing and responsibilities, and the tactics used. It is a movie that could have focused more on effects and the main plot, but the details and information were accurate.

Written by Thomas Farrell and David M. Kennedy and directed by Sean McNamara, Field of Lost Shoes (2014) tells the story of cadets from the Virginia Military Institute who fought at the Battle of New Market during the American Civil War. Despite an obviously low budget and inexperienced cast, the film is charming and emotionally engaging; one of the better Civil War films to be released in recent years.

Robert (Nolan Gould) is a freshman cadet, or "Rat", who falls in with a tight group of upperclassmen, including John Wise (Luke Benward), an ex-governor's son, and Moses Ezekiel (Josh Zuckerman), an aspiring sculptor and the first Jewish cadet at VMI. The war forms a backdrop to schoolboy antics like hazing, stealing food from the Institute's enslaved cook, Old Judge (Keith David), and pursuing a romantic interest with the local girls, including Libby Clinedinst (Mary Mouser).

War comes knocking on their doorstep, however, when Union General Ulysses S. Grant (Tom Skerritt) sends Franz Sigel (Werner Daehn) and Captain Henry A. DuPont (David Arquette) with an army to subdue the Shenandoah Valley. Opposing him with a much smaller force is Confederate general and former U.S. vice president John C. Breckinridge (Jason Isaacs).

Breckinridge badly needs reinforcements, and he reluctantly sends for the VMI cadets, who his battle-hardened veterans regard as nothing more than children playing soldier. Will the cadets get there in time, and more importantly, will they prove their worth on the battlefield?

Field of Lost Shoes is based on the true story of cadets from the Virginia Military Institute who fought in the Battle of New Market on May 15, 1864. As depicted in the film, the cadets played a role in winning the battle for the Confederacy. Ten were killed or mortally wounded and 47 wounded. The title "Field of Lost Shoes" comes from the fact that several soldiers lost their shoes in the mud while crossing the battlefield. Moses Ezekiel did become a well-known artist and sculpted the monument to his fellow cadets that stands at the Virginia Military Institute to this day.

Critics hated this film, charging it with rewriting history to whitewash racism, but that's unfair. Not only did Field of Lost Shoes depict the heartbreaking reality of a slave auction and the splitting up of black families, but it shows VMI's cook, "Old Judge" (Keith David), being brutally beaten and falsely imprisoned for stealing food. The film also outright says the war is being fought over slavery, something other Civil War films have been hesitant to do. There's nothing ahistorical about the characters having differing opinions over slavery or acting compassionately towards slaves.

John Wise's father, Virginia Governor Henry A. Wise, exemplified these Southern contradictions. The movie implies Governor Wise was an opponent of slavery, but it's a bit more complicated. He criticized the slave trade as Ambassador to Brazil and described African Americans in humanizing terms. However, he also said slavery was justified "by the natural as well as divine law" and became an ardent secessionist. Later in life, he supported U.S. Grant for president, the very man who trampled Southern aspirations for independence into dust.

Sculptor Moses J. Ezekiel was another man of contradictions. As an adult in Rome, Italy, he kept a Confederate battle flag hanging in his studio. His best known work was the Confederate Memorial in Arlington National Cemetery, which depicts (among other figures) a black body servant in military uniform and a weeping black woman holding a Confederate officer's child. In Field of Lost Shoes, Ezekiel is shown as empathizing with Old Judge, which seems in keeping with his later "lost cause" sentiments.

Overall, Field of Lost Shoes was more compelling and emotionally engaging than larger-budget Civil War films like Free State of Jones (2016). It managed to keep a tight reign on its multitude of characters and events, using them to enhance rather than detract from the main story. We can both condemn a society based on slavery and recognize the courage of the men who fought under its flag. There's a reason the Virginia Military Institute still honors these boy-soldiers to the present day, and this film is a fitting tribute to their memory.