Caballeros del Aire

This is the story of American volunteers who fought for the French during World War I before America entered the war. It is based on a true story, and largely faithful to that story. The first world war was the first "ugly" war. It is the first war where, as one of the characters observes, "Neither side will win. It will just end." And, this movie does not shrink away from showing the horror, the ugliness, and the overwhelming grimness of war.

Because the special effects made it possible, more than any movie in recent memory, it graphically shows the excitement and the adrenaline rush of combat flying. The combat sequences are nothing short of dazzling; they were so good I could experience vicariously the rush of bullets tearing through cloth fuselages, the spins and turns, and dips and climbs, and barrel rolls, and dives, and with all that, I could look inside myself and know I did not have the courage to do what they did. In the end, that's what this story is about, and the love story, the individual pilot lives fade into the background.

Still, it's worth noting, one of the movie's best moments is the denouement where we learn what happened to the Americans of the Lafayette Escadrille, those who survived. I won't spoil it for you, just know that truth is stranger than fiction, and often a good deal sadder. I enjoyed Flyboys for what it was: the chance to vicariously experience the adrenaline rush of aerial combat. Performances were good, and Jean Reno was great as the captain of the Lafayette Escadrille. Nice popcorn flick.

It seems to me that in my past readings of world war one German aircraft that the Fokker triplane was a plane that was given only to the better aces ( or those pilots who were very wealthy ) because they were difficult to fly ( but could out turn allied planes). Wasn't there only ONE red baron who flew a red Fokker triplane? Wasn't the main aircraft of the German air force a Fokker dr7? ( a biplane )

I really liked the flying circus effects and the zeppelin.

A truly exciting movie from the standpoint of action and special effects.

An older film called The Blue Max starring George Peppard was very authentic to the aircraft used in World War One.

I really enjoyed the movie. You didn't have to think much about it, it was what it was. Apparently there are some close ties to the true story but it never seemed an issue of trying to portray something too realistic. I am not a huge Franco fan, in fact his poutiness wears on you in most films but he seems to do a really good job of mixing it up, meaning he smiles in this one. I saw a pre-release screening and everyone that I spoke to agreed that it was a good movie. The special effects were really good, the airplanes seemed very realistic for the most part. The close ups seemed a little fake but the tactics seemed really good. I found a bit of cheesiness in the dialog at times but managed to not pay too much attention too it. It wasn't deep but kept you interested the whole time. Don't get me wrong, it was no Saving Private Ryan but it had enough action and drama to keep you interested. They even threw a bit of humor in to keep you loose in your seat. I would recommend it to anyone, just don't expect to walk away a changed person for having seen it. It was a fun movie with some good historical point.

When I first saw the previews and read the synopsis, I was expecting a horrible film like Pearl Harbor. Fighter pilots in love with a girl. Happily the love story is not sappy or sickening and actually helps create character development. And how the love story ends is a very nice non-Hollywood ending.

The Planes look magnificent, but could have been done better. The use of German Dr1's (the Fokker Triplanes) as the only German fighter is understandable as distinguishing friend from foe. However, making all of the Dr1's (except for the main villains ) solid red is extremely annoying. While it is up to some discussion if the Red Baron's Dr1 was all red or mostly red, it does not mean that all Dr1's were red, especially all red. The Dr1's came from the Fokker factory usually in an olive drab paint scheme with a light blue underside. The film makers could have added a red scheme to the planes but left a portion olive drab and blue underside, it still would have made the Germans distinctive without being clones of Manfred von Rictoffen.

The dogfights are fun to watch and are fairly exciting, however the planes fly highly unrealistically at times. Overall the CGI is excellent but at times it is noticeable as CGI. The planes that explode (Explosions are such a Hollywood staple :) ) are unrealistic. The planes are traveling 70 t0 100 miles per hour in reality, but the explosions react as if the plane is standing still, going up in a ball instead of being spread along the doomed plane's path.

Over all it was fun to watch and covers a historical period that has long been neglected in film.

When this movie hits theaters this fall it will be setting a new standard for digital FX photography action scenes. I had a hard time telling the difference between the real stunt flying and the CGI. It almost makes George Lucas's dogfights in space look crude. (OK, maybe with the exception of that fantastic first shot in Episode 3.) But imagine that level of technological knowhow applied to a WW1 dogfight. And like the original "Star Wars" there is a scene here involving the German equivalent of the Death Star threatening Paris that is nothing short of spectacular. A shame, then, that the rest of the story is less than inspiring. Whatever the actual history, I didn't quite believe the subplot of the black American pilot. He seemed a cliché and just one of several stock characters. The love story ultimately goes nowhere, either, though James Franco and Jennifer Decker both turn in moving performances. As innocent and naive as Franco and his friends seem, they never get past the cardboard stage. It would've been more interesting to me if they were a neurotic, drunken, whoring bunch of elitists, most of whom would then never get over the experience. Rather than tell that tale of a decadent, sophisticated flyboy of the Lafayette Escadrille, however, they settle here for the Disney version, appealing to the lowest common denominator and an audience of teenagers, with Franco doing a good job playing Luke Skywalker, or maybe Gary Cooper. Jean Reno seemed largely wasted. I kept hoping he'd have more to do. But lest you think I had a bad time, think again. This is a movie about "aeroplanes," and they are all terrific, be they replicas or virtual. And the overall production design is superb.