CALIFICACIÓN DE IMDb
4.2/10
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TU CALIFICACIÓN
Un novelista y científico informático se reúne con su amigo de la infancia, piratea las bases de datos del gobierno y se enfrenta a las nefastas y fatídicas consecuencias de las acciones mís... Leer todoUn novelista y científico informático se reúne con su amigo de la infancia, piratea las bases de datos del gobierno y se enfrenta a las nefastas y fatídicas consecuencias de las acciones místicas que obtuvo cuando era niño.Un novelista y científico informático se reúne con su amigo de la infancia, piratea las bases de datos del gobierno y se enfrenta a las nefastas y fatídicas consecuencias de las acciones místicas que obtuvo cuando era niño.
- Dirección
- Guionista
- Elenco
Victoria Viveiros
- Amy
- (as Victoria Valene)
Jaime Reborn
- Insurance President
- (as Jamie Reborn)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Neil Breen is a director who doesn't care for filmmaking rules, mainly because he doesn't know any of them. You know how movies are supposed to be 'show, don't tell'? Neil Breen tells and tells and tells. Breen doesn't trust our brains to make even the most basic connections. In Breen's universe, a guy who just saw a car accident has to literally say 'I'm a witness!', because otherwise our feeble minds may not understand that complex concept. He writes dialogues like English is not his first language, or even in the top five for that matter.
Because his movies are so surreal, Breen has often been compared to "The Room"'s Tommy Wiseau. The main difference is that lightning only struck once for old Tommy. He hasn't made anything remotely entertaining since 2003. Breen however keeps churning them out, with no difficulties whatsoever. This is a guy who doesn't have to do any effort to stay weird, incomprehensible and because of that, incredibly fascinating.
I'm writing this review for "Fateful Findings", but it could work for any of his movies. They're all pretty much the same. Breen always casts himself as an implausibly perfect being who rids the world of all the evils. The evils are usually found in the big companies, who are driven by greed and don't care about people. I know this because the villains actually have to say that in all his movies. Breen doesn't even know the meaning of subtext, and that's why we all love him so much.
As interesting as his movies are to watch, a making-of would certainly be infinite times better. There are just so many questions that remain unanswered here. How much does he have to pay these beautiful young 'actresses' (models at best) to pretend they're in love with him? Why does a man who's clearly in his 50s keep casting himself as a thirty-something? Why do the characters pause roughly thirty seconds between each line? How do you hack the government on laptops that aren't even on? Why do we have to see Neil Breen semi-nude so often throughout his movies? For a guy who spells our every detail, Breen sure does leave plenty of questions.
Tommy Wiseau and James "Birdemic" Nguyen ended up ruining their charm by becoming self-aware, but I honestly don't see that happening with Breen. To him, there's clearly not a funny moment to be found in any of his movies, and that's why they work: because he takes them so damn seriously while nobody else does. Furthermore, his heart seems to be in the right place. He clearly wants to make a statement about all the injustice in the world, in between showing his abs. I applaud him for that, he's a so-bad-it's-good filmmaker I can really get behind.
Because his movies are so surreal, Breen has often been compared to "The Room"'s Tommy Wiseau. The main difference is that lightning only struck once for old Tommy. He hasn't made anything remotely entertaining since 2003. Breen however keeps churning them out, with no difficulties whatsoever. This is a guy who doesn't have to do any effort to stay weird, incomprehensible and because of that, incredibly fascinating.
I'm writing this review for "Fateful Findings", but it could work for any of his movies. They're all pretty much the same. Breen always casts himself as an implausibly perfect being who rids the world of all the evils. The evils are usually found in the big companies, who are driven by greed and don't care about people. I know this because the villains actually have to say that in all his movies. Breen doesn't even know the meaning of subtext, and that's why we all love him so much.
As interesting as his movies are to watch, a making-of would certainly be infinite times better. There are just so many questions that remain unanswered here. How much does he have to pay these beautiful young 'actresses' (models at best) to pretend they're in love with him? Why does a man who's clearly in his 50s keep casting himself as a thirty-something? Why do the characters pause roughly thirty seconds between each line? How do you hack the government on laptops that aren't even on? Why do we have to see Neil Breen semi-nude so often throughout his movies? For a guy who spells our every detail, Breen sure does leave plenty of questions.
Tommy Wiseau and James "Birdemic" Nguyen ended up ruining their charm by becoming self-aware, but I honestly don't see that happening with Breen. To him, there's clearly not a funny moment to be found in any of his movies, and that's why they work: because he takes them so damn seriously while nobody else does. Furthermore, his heart seems to be in the right place. He clearly wants to make a statement about all the injustice in the world, in between showing his abs. I applaud him for that, he's a so-bad-it's-good filmmaker I can really get behind.
Fateful findings provides some truly revolutionary techniques in terms of animation and voice acting. I honestly thought this was live-action at first! It's director, Adum, is a pure genius. possibly my favorite video game since shrek on the gamecube. Ora Pro Nobis Lucifer.
If you review this as a film- it's acting, it's dialogue, it's plot and it's cinematography- Neil Breen's movies resemble Wiseau's 'The Room'. Everything is so amateur and leaves the viewer questioning the director's sanity due to how he could see this as a complete movie.
Neil fully resembles Tommy; both are under the illusion that their movies are masterpieces due to the fame garnered when in reality they're just well known due to their odd existence. Neil is also the main character of his films, in this case, Fateful Findings, further supporting the argument that he's just gone a little bit crazy because of his midlife crisis .
If you expect a comprehensible movie, you're looking in the wrong place. If, however, you're looking for something to laugh at with a few friends, this is a great movie to watch. Honestly, I enjoyed it; Fateful Findings is so unaware of what it truly is, making it a thoroughly hilarious experience. Now, I am being a little vague with what this movie is about and that's because it feels like a soap opera- there really isn't a plot, just 'social' interaction. So many things happen at the same time- Neil's character Dylan is hacking the government, then a friend of his is murdered. he also spills his coffee in one of the most exaggerated, immersion breaking, attempts to act I have ever seen.
If you want a film for cheap gags- 10/10
If you want a real film- 2/10
Neil fully resembles Tommy; both are under the illusion that their movies are masterpieces due to the fame garnered when in reality they're just well known due to their odd existence. Neil is also the main character of his films, in this case, Fateful Findings, further supporting the argument that he's just gone a little bit crazy because of his midlife crisis .
If you expect a comprehensible movie, you're looking in the wrong place. If, however, you're looking for something to laugh at with a few friends, this is a great movie to watch. Honestly, I enjoyed it; Fateful Findings is so unaware of what it truly is, making it a thoroughly hilarious experience. Now, I am being a little vague with what this movie is about and that's because it feels like a soap opera- there really isn't a plot, just 'social' interaction. So many things happen at the same time- Neil's character Dylan is hacking the government, then a friend of his is murdered. he also spills his coffee in one of the most exaggerated, immersion breaking, attempts to act I have ever seen.
If you want a film for cheap gags- 10/10
If you want a real film- 2/10
Fateful Findings in a transmission from the universe of Breem Prime.
Language has evolved in a completely different direction. Characters speak abstractly in bold cryptic announcements, a strange tribal caveman speak. And even the film narrative is in a less evolved. Fateful Findings is a melodrama from a third world country inexplicably out of the Las Vegas desert.
The mystical new-age narrative has an almost primal, indigenous quality. A hacker shaman struggles to tell the "real" truth while always fighting off incredibly beautiful women. He's vaguely mystical himself, an inexplicably successful author and computer hacker who works on a series of turned-off laptops, frequently flipping them and spilling coffee on them in some sort of ritual. Breen also goes to see two psychiatrists, who pretty much tell him he's great and that his decisions are awesome.
The main trio of women are so ridiculously hot the only reaction one could have that it must be an alternate universe. The depressed eastern European wife Emily has a quiet pathos. The friend's blonde wife is stunning but struggles with the dialogue. The friend's teenage daughter, a truly desperate girl. And lastly, the "love of his life", the skinny blonde doctor girl, is also apparently much younger than him despite being older in the childhood flashback. Her main role is to stand there mortified while a very smooth looking looking older man plants sensitive kisses on her lips and cheeks (and get tied up in a van).
At hundred minutes, it rough, took me a few days to get through. I did find, after I got used to the caveman speak dialogue, that it was a sort of sad movie about fulfilling one's potential, failed marriages, true love and personal integrity. Or some kind of alien alien approximation of them.
It's not without it's cryptic appeal, there are a few real laughs and bizarre uses of camera, some baffling edits. A lot of bad movie detail. But it's also kind of a bummer at times.
The climax is a truly bizarre product of a disturbed imagination. But, also kind of satisfying. I almost wish more movies ended that way. Fateful Findings is a dreamlike, new-age look at air conditioned suburban angst of middle aged men and hot trophy wives.
Language has evolved in a completely different direction. Characters speak abstractly in bold cryptic announcements, a strange tribal caveman speak. And even the film narrative is in a less evolved. Fateful Findings is a melodrama from a third world country inexplicably out of the Las Vegas desert.
The mystical new-age narrative has an almost primal, indigenous quality. A hacker shaman struggles to tell the "real" truth while always fighting off incredibly beautiful women. He's vaguely mystical himself, an inexplicably successful author and computer hacker who works on a series of turned-off laptops, frequently flipping them and spilling coffee on them in some sort of ritual. Breen also goes to see two psychiatrists, who pretty much tell him he's great and that his decisions are awesome.
The main trio of women are so ridiculously hot the only reaction one could have that it must be an alternate universe. The depressed eastern European wife Emily has a quiet pathos. The friend's blonde wife is stunning but struggles with the dialogue. The friend's teenage daughter, a truly desperate girl. And lastly, the "love of his life", the skinny blonde doctor girl, is also apparently much younger than him despite being older in the childhood flashback. Her main role is to stand there mortified while a very smooth looking looking older man plants sensitive kisses on her lips and cheeks (and get tied up in a van).
At hundred minutes, it rough, took me a few days to get through. I did find, after I got used to the caveman speak dialogue, that it was a sort of sad movie about fulfilling one's potential, failed marriages, true love and personal integrity. Or some kind of alien alien approximation of them.
It's not without it's cryptic appeal, there are a few real laughs and bizarre uses of camera, some baffling edits. A lot of bad movie detail. But it's also kind of a bummer at times.
The climax is a truly bizarre product of a disturbed imagination. But, also kind of satisfying. I almost wish more movies ended that way. Fateful Findings is a dreamlike, new-age look at air conditioned suburban angst of middle aged men and hot trophy wives.
¿Sabías que…?
- TriviaNeil Breen is 32 years older than the actress (Jennifer Autry) who plays Leah, his childhood best friend. It's never made clear why he cast someone so much younger than him to play a character of the same age.
- ErroresThe laptops are obviously not functioning.
- Créditos curiososAt the end of the credits, a disclaimer reveals that "any of the above listed companies in the credits with an 'N' or a 'B' in their name are fictitious. This work was actually done personally by 'Neil Breen'." The fictitious companies are NJN Sound Assoc. (sound editing), Casting N Entertainment, CNA (casting), Cine' N Collaboration, LLC (Set Design, Wardrobe, Props), Lighting N Films, LLC (Lighting Design), The BNB Effects Studio (Special Makeup Effects), BB Location Management (Locations), NNN Entertainment Partners (Administration & Accounting), Eats N' Eats Film. Inc. (Craft Services).
- ConexionesFeatured in Good Bad or Bad Bad: Fateful Findings (2016)
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- How long is Fateful Findings?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 40 minutos
- Color
- Relación de aspecto
- 1.78 : 1
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By what name was Fateful Findings (2012) officially released in India in English?
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