CALIFICACIÓN DE IMDb
6.8/10
8.4 k
TU CALIFICACIÓN
Dos mejores amigos están filmando una comedia sobre vengarse de los matones en su escuela secundaria, pero uno de ellos no está bromeando.Dos mejores amigos están filmando una comedia sobre vengarse de los matones en su escuela secundaria, pero uno de ellos no está bromeando.Dos mejores amigos están filmando una comedia sobre vengarse de los matones en su escuela secundaria, pero uno de ellos no está bromeando.
- Dirección
- Guionistas
- Elenco
- Premios
- 10 premios ganados y 11 nominaciones en total
Alireza Shojaei
- Alan
- (as Alen Delain)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The Dirties is an independent film that was released in 2013. It's the debut feature for Matt Johnson, who directed, co-wrote, and stared in the film. It's one of the better indie films that I've seen and is certainly worth your time.
Matt and Owen are two friends who are in High school together. They are constantly bullied by a group who go by the name of "The Dirties". Matt and Owen are also huge film fans and are in the school's film club. So they decide to shoot a film about their revenge against The Dirties. That's all that I'm going to say about the plot. It's definitely one of those films that you should go into it without knowing too much. Even the IMDb and Letterboxd synopses, I thought, said too much. But anyways, the story is brilliant. I love films that talk about bullies and show how highschoolers, or whatever, deal with the harassment of the bullies. I don't know if Matt and Owen did really experience bullying in their life, but the way it was portrayed felt so realistic and so well done that I'd bet they did. The characters were great, and they felt lifelike. Thus, we as a viewer, care about them and are interested to see what's going to happen in their lives. The film's writers, Matt Johnson and Mathew Miller, did a splendid job indeed.
Matt Johnson and Owen Williams play Matt and Owen in the film. I thought both of them were tremendous. Matt Johnson will probably take all the plaudits but Owen Williams's performance was just as good. The main supporting actress was Krista Madison who played the role of Chrissy, Owen's crush. She was good as well. The acting isn't the main draw of the film though, it's the story and the directing.
The Dirties is a found footage film. I still like found footage films, which I know many people aren't. But The Dirties is well done and doesn't have any moments where you're screaming at the screen "DROP THE CAMERA ALREADY YOU IDIOT!". There is a cameraman, probably more, who tags along with Matt and Owen. I personally have a couple of interpretations about the cameramen, but I'll save those for the sake of not spoiling anything. The movie is also littered with references from numerous other films, so if you're a film buff, you might get a kick out of some of them.
The soundtrack to The Dirties is also pretty good. There are a couple of songs that play over some scenes that fit perfectly. I read that most of the film's budget went into securing the licenses for the music, but I'd say it was worth it.
All in all, The Dirties is a very well done film that shines a new light on bullying. It's evident that Matt Johnson is a very talented young filmmaker who I personally can't wait to see what his future holds for him. A definite recommendation from me.
Matt and Owen are two friends who are in High school together. They are constantly bullied by a group who go by the name of "The Dirties". Matt and Owen are also huge film fans and are in the school's film club. So they decide to shoot a film about their revenge against The Dirties. That's all that I'm going to say about the plot. It's definitely one of those films that you should go into it without knowing too much. Even the IMDb and Letterboxd synopses, I thought, said too much. But anyways, the story is brilliant. I love films that talk about bullies and show how highschoolers, or whatever, deal with the harassment of the bullies. I don't know if Matt and Owen did really experience bullying in their life, but the way it was portrayed felt so realistic and so well done that I'd bet they did. The characters were great, and they felt lifelike. Thus, we as a viewer, care about them and are interested to see what's going to happen in their lives. The film's writers, Matt Johnson and Mathew Miller, did a splendid job indeed.
Matt Johnson and Owen Williams play Matt and Owen in the film. I thought both of them were tremendous. Matt Johnson will probably take all the plaudits but Owen Williams's performance was just as good. The main supporting actress was Krista Madison who played the role of Chrissy, Owen's crush. She was good as well. The acting isn't the main draw of the film though, it's the story and the directing.
The Dirties is a found footage film. I still like found footage films, which I know many people aren't. But The Dirties is well done and doesn't have any moments where you're screaming at the screen "DROP THE CAMERA ALREADY YOU IDIOT!". There is a cameraman, probably more, who tags along with Matt and Owen. I personally have a couple of interpretations about the cameramen, but I'll save those for the sake of not spoiling anything. The movie is also littered with references from numerous other films, so if you're a film buff, you might get a kick out of some of them.
The soundtrack to The Dirties is also pretty good. There are a couple of songs that play over some scenes that fit perfectly. I read that most of the film's budget went into securing the licenses for the music, but I'd say it was worth it.
All in all, The Dirties is a very well done film that shines a new light on bullying. It's evident that Matt Johnson is a very talented young filmmaker who I personally can't wait to see what his future holds for him. A definite recommendation from me.
Director Kevin Smith, who released The Dirties through his self-proclaimed "movie club," has called the film "the most important movie you will see all year" and he isn't wrong. The Dirties is a harrowing look at a subject no one wants to explore and that is the school shooting. Here is a film that takes such a subject and subverts it to the point of being believable and so naturalistic it possesses a rare documentary-style. The fact that it will go largely unseen by the public is a crime.
The film stars Matt Johnson, who also serves as director, co-producer, and co-writer, as Matt along with Owen Williams as Owen, two senior film geeks in high school. They are making a film project about a lawless gang called "the dirties," which is also the name they give to the school bullies who humiliatingly beat them up and harass them whenever they get the chance. When their film project on the gang is gutted by their film teacher for its excessive use of violence and language, Matt suggests they come up with a film where they actually kill the bullies in their school. Like, for real. Owen believes Matt is joking but quietly consents to devising the mad plan for the "fun" of it.
Owen, however, comes to the realization that Matt isn't fooling around. He has resorted to taking pictures of the people that bully them, trace rooms and the bullies' schedules on the blueprints of the school he obtained at the town village, and talking openly about the potential of his carnage with Owen as if he's achieving personal enjoyment from it. Matt makes it clear he doesn't want to go after everyone in the school; just those who caused him and his friend untold misery by mocking them when they were nothing but harmless and obeying.
First-time director Johnson employs the popular film school tactic that will either captivate or alienate you upon its arrival and it's the shaky camera. The camera is obviously hand-held and held very loosely it is. Never does it restrict the environment, as it always seems to capture the right images at the right time. The effect only furthers the already naturalistic acting and dialog in the film. Much of the dialog, like many indies nowadays, was improvised and in a school setting focusing on two kids, one of whom is quietly out of control, this seems like the only method to achieve success through dialog.
It's also worth noting that Johnson's unsteady camera-hand always provides for an unsettling environment. It's hard to make a public school ominous, but with bullies and an unstable character in the forefront, along with directing that reserves as much as it shows, it's not too difficult. The film is so successful at being unsettling thanks to its camera-work that when the inevitable occurs it's almost not as frightening as what we've already indulged in. Then the last line is said that will ring in your head for days to come.
The Dirties works best thematically because it doesn't try to justify its characters, its antagonists, its events, or its cultural importance. It doesn't look to provide answers because there are no clear one. It doesn't look to embellish or sensationalize because it knows this kind of event occurs, unfortunately, very often. It doesn't become politically-partisan, blame mental illness, blame the quality of parenting, or blame news and media. It simply shows the depressing and shocking effects bullying can have on a soul.
A heartbreaking scene comes when Matt and Owen are talking about how they've been bullied for many years but still haven't really learned to cope with it. Matt states that one day, in middle school, he was putting quarters in a vending machine when someone made fun of his dated sweatpants. Matt remarks about how he walked away with fifty-cents credited on the machine, not even putting more money in or walking away with any food or drink. It was the first time he was bullied for being himself, and the pain and torment hasn't ceased since then.
Constantly I was reminded of Gus Van Sant's Elephant, a highly-impressionistic film that based itself off of the tragedy at Columbine High School. The film featured little dialog, pretty empty characters, and scenes that didn't blatantly say their purpose - all of which an intentional tactic on Van Sant's part. The film was harrowing in its simplicity and compelling in its suspense that something was about to happen that was going to affect hundreds of young people differently. The Dirties exercises in a more open fashion, but, thankfully, leaves a lot of questions unanswered. At only eighty-minutes, it had the power and impact on me I don't usually get from films two hours or longer.
NOTE: The Dirties is now available on various video-on-demand outlets and will receive a DVD release later this year.
Starring: Matt Johnson and Owen Williams. Directed by: Matt Johnson.
The film stars Matt Johnson, who also serves as director, co-producer, and co-writer, as Matt along with Owen Williams as Owen, two senior film geeks in high school. They are making a film project about a lawless gang called "the dirties," which is also the name they give to the school bullies who humiliatingly beat them up and harass them whenever they get the chance. When their film project on the gang is gutted by their film teacher for its excessive use of violence and language, Matt suggests they come up with a film where they actually kill the bullies in their school. Like, for real. Owen believes Matt is joking but quietly consents to devising the mad plan for the "fun" of it.
Owen, however, comes to the realization that Matt isn't fooling around. He has resorted to taking pictures of the people that bully them, trace rooms and the bullies' schedules on the blueprints of the school he obtained at the town village, and talking openly about the potential of his carnage with Owen as if he's achieving personal enjoyment from it. Matt makes it clear he doesn't want to go after everyone in the school; just those who caused him and his friend untold misery by mocking them when they were nothing but harmless and obeying.
First-time director Johnson employs the popular film school tactic that will either captivate or alienate you upon its arrival and it's the shaky camera. The camera is obviously hand-held and held very loosely it is. Never does it restrict the environment, as it always seems to capture the right images at the right time. The effect only furthers the already naturalistic acting and dialog in the film. Much of the dialog, like many indies nowadays, was improvised and in a school setting focusing on two kids, one of whom is quietly out of control, this seems like the only method to achieve success through dialog.
It's also worth noting that Johnson's unsteady camera-hand always provides for an unsettling environment. It's hard to make a public school ominous, but with bullies and an unstable character in the forefront, along with directing that reserves as much as it shows, it's not too difficult. The film is so successful at being unsettling thanks to its camera-work that when the inevitable occurs it's almost not as frightening as what we've already indulged in. Then the last line is said that will ring in your head for days to come.
The Dirties works best thematically because it doesn't try to justify its characters, its antagonists, its events, or its cultural importance. It doesn't look to provide answers because there are no clear one. It doesn't look to embellish or sensationalize because it knows this kind of event occurs, unfortunately, very often. It doesn't become politically-partisan, blame mental illness, blame the quality of parenting, or blame news and media. It simply shows the depressing and shocking effects bullying can have on a soul.
A heartbreaking scene comes when Matt and Owen are talking about how they've been bullied for many years but still haven't really learned to cope with it. Matt states that one day, in middle school, he was putting quarters in a vending machine when someone made fun of his dated sweatpants. Matt remarks about how he walked away with fifty-cents credited on the machine, not even putting more money in or walking away with any food or drink. It was the first time he was bullied for being himself, and the pain and torment hasn't ceased since then.
Constantly I was reminded of Gus Van Sant's Elephant, a highly-impressionistic film that based itself off of the tragedy at Columbine High School. The film featured little dialog, pretty empty characters, and scenes that didn't blatantly say their purpose - all of which an intentional tactic on Van Sant's part. The film was harrowing in its simplicity and compelling in its suspense that something was about to happen that was going to affect hundreds of young people differently. The Dirties exercises in a more open fashion, but, thankfully, leaves a lot of questions unanswered. At only eighty-minutes, it had the power and impact on me I don't usually get from films two hours or longer.
NOTE: The Dirties is now available on various video-on-demand outlets and will receive a DVD release later this year.
Starring: Matt Johnson and Owen Williams. Directed by: Matt Johnson.
Matt and Owen are best friends at the same high school. They are sort of geeky and as such are continually being picked on and bullied by their class mates - who are obviously a bunch of cowards as all bullies are. They are doing a class project in which they have to make a film. This is right up their street as they are both mad movie buffs. So they decide to make a film about how they take revenge on the bullies - as they call them 'the dirties' - and use as many filmic references as possible.
This all seems well and good, only one of them is slightly more serious than the other - cue the mayhem.
Well this is a rather well made indie and you can tell a lot of heart and soul has gone into the production. There are some really good lines and some well observed pieces too especially regarding relationships and movie making. The acting is all surprisingly good too. The only issue may be the way some of the action pans out but that will be a matter of taste for the viewer. All in all they pack an awful lot into the 80 minute run time. I would rate as 7/10 as I always appreciate a good and original indie production.
This all seems well and good, only one of them is slightly more serious than the other - cue the mayhem.
Well this is a rather well made indie and you can tell a lot of heart and soul has gone into the production. There are some really good lines and some well observed pieces too especially regarding relationships and movie making. The acting is all surprisingly good too. The only issue may be the way some of the action pans out but that will be a matter of taste for the viewer. All in all they pack an awful lot into the 80 minute run time. I would rate as 7/10 as I always appreciate a good and original indie production.
I've had the pleasure to see this movie in a semi-private screening with the crew present. Part of the high rating (by my standards) is the fact that the flick's as self-made as self-made gets, being produced and acted by basically the same guys (which is something I often dig).
The movie throws the viewer directly into its documentary-styled collage of at first glance seemingly random scenes featuring two best friends during their high school time. The first half hour develops a pull that draws you right in. While "Two best friends are filming a comedy about getting revenge on the bullies at their high school. One of them isn't joking." is probably as concise as it gets to describe the plot, it also means that a somewhat experienced audience might feel a bit underwhelmed, since what started off fresh will become rather foreseeable and and clichéd in the second half. I was relieved that the ending's at least consequent, finishing the movie in a satisfying way nonetheless.
I like the concept of the movie and mostly like the execution, and I like being able to say that it's a film worthy of watching with high schoolers, since it provides a lot of stuff to discuss about things that are important to know and realize for each and everyone out there.
The movie throws the viewer directly into its documentary-styled collage of at first glance seemingly random scenes featuring two best friends during their high school time. The first half hour develops a pull that draws you right in. While "Two best friends are filming a comedy about getting revenge on the bullies at their high school. One of them isn't joking." is probably as concise as it gets to describe the plot, it also means that a somewhat experienced audience might feel a bit underwhelmed, since what started off fresh will become rather foreseeable and and clichéd in the second half. I was relieved that the ending's at least consequent, finishing the movie in a satisfying way nonetheless.
I like the concept of the movie and mostly like the execution, and I like being able to say that it's a film worthy of watching with high schoolers, since it provides a lot of stuff to discuss about things that are important to know and realize for each and everyone out there.
The Dirties is a film about two high school boys. They are given an assignment to make a movie and choose a plot that deals with taking down a gang of people called "The Dirties" who are bullies, troublemakers and like the title suggests, they are generally dirty folks. When they finish their film and present it, the boys, who are already victims of bullying, see an escalation of abuse. This triggers one of the boys, who loved filming their movie, starts taking the plot of the film and planning an attack on his real life bullies.
This film is simplistic but I really liked that. It brought a realism and showed the progressive mental decline through how these boys were being treated. It was intereting to see the relationship between the friends begin to change and even though there was concern, there was still a naive position that everything was going to be okay.
Bullying is a terrible thing and it is never really about the person that is being picked on. There is something going on within the bully that makes that person believe that by the mistreatment of others his or her own status is elevated. It is even more sad that people stand by quietly allowing the mistreatment of others to take place. Children/teens have not yet reached a point in their mental development to understand why someone would do these things to them and most of it is internalized and will eventually show itself in other ways. In this situation it was shown through seeking revenge.
I thought that this was an excellent film. It was simple and direct. We have to do a better job in making sure that we aren't just saving kids from bullying but also saving the bullies from whatever is making them feel the need to tear someone else down.
This film is simplistic but I really liked that. It brought a realism and showed the progressive mental decline through how these boys were being treated. It was intereting to see the relationship between the friends begin to change and even though there was concern, there was still a naive position that everything was going to be okay.
Bullying is a terrible thing and it is never really about the person that is being picked on. There is something going on within the bully that makes that person believe that by the mistreatment of others his or her own status is elevated. It is even more sad that people stand by quietly allowing the mistreatment of others to take place. Children/teens have not yet reached a point in their mental development to understand why someone would do these things to them and most of it is internalized and will eventually show itself in other ways. In this situation it was shown through seeking revenge.
I thought that this was an excellent film. It was simple and direct. We have to do a better job in making sure that we aren't just saving kids from bullying but also saving the bullies from whatever is making them feel the need to tear someone else down.
¿Sabías que…?
- TriviaIn the scene where Matt is driving at the gun range, he looks at the camera and imitates the exact same hand gesture Dylan Klebold, one of the two gunmen in the Columbine School shooting of 1999, was videotaped doing while driving to school.
- ConexionesFeatures Casablanca (1942)
- Bandas sonorasWhen I'm With You
Performed by Best Coast
Written by Bobb Bruno and Bethany Cosentino
Courtesy of Kobal Music, Kemado Reccords and SonyATV/EMI
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- How long is The Dirties?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 10,000 (estimado)
- Tiempo de ejecución1 hora 23 minutos
- Color
- Relación de aspecto
- 1.78 : 1
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By what name was The Dirties (2013) officially released in India in English?
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