Cómo tener sexo

We don't get enough films like 'How to Have Sex'. Perhaps because they are hard to promote and sell, but when they are done right they are so good that it shouldn't matter. I love the understated nature and the ultra-realism this film possessed. Everything just hits so much harder because of that.

The film has a terrific sense of dread. For a long time to begin with you are just watching these characters party and have fun. But you always know that something more sinister is just around the corner. You don't know what it is or where it's coming from exactly. You just know it's coming.

Something else I really liked about this one was that it has a lot of respect for its audience. It doesn't tell you everything. It lets you make up your own mind on what exactly a character is thinking/going through. There is some terrific acting that helps this. Often the camera will just remain on a character's face for an extended period of time and watch her go through a range of emotions when dealing with something. It was really interesting to watch.

I think film discussion groups would have a field-day with this film. There's a lot to break down and because nothing it really spelt out it leaves a lot to interpretation. This was a good one. 7/10.

One of the main things I disliked about this film was the title, not because of some misguided belief in the censoring of the word "sex", but because of the conversations that ensued, many times, after telling a friend about the astonishing film I had just seen at the cinema.

Besides that minor inconvenience, the film showcased a phenomenal range of talent in all aspects of the film. Molly Manning Walker shows off her modern and evocative cinematography to truly connect the audience with the characters. Walker also wrote the script which is equally brilliant and manages to capture the essence of youth in each of the characters. Not only that, but she also shows no hesitation in creating a realistic depiction of youth which is extremely difficult to find in films today. Walker has created a film which weaves the innocence of three young adults into a story of loneliness and despair that is strikingly relevant to the world today.

It is obvious that this film is deeply personal to not only Walker but also to the three actresses that played the main parts. A story with such tangible emotion cannot be written without a deeply personal idea at the core. The film will put you in the shoes of three young women and will tell you exactly how women feel today.

The performances of the three young adults was masterful. It was like they weren't even acting. The slow decline of Tara's outward personality to a lonelier and more isolated one is showcased brilliantly by Mia McKenna-Bruce. The comedy that flourished at the start of the film was perfected by the young women's ability to so accurately display the emotions that run through every person's head at that age.

Disturbing and hilarious this film left me in my seat a few minutes after it finished. Unlike any other film I have ever seen it will take you on a journey that you've already had before but always wanted to experience again, the journey of youth, and maybe you'll realize you actually, probably, and in most circumstances, do not want to experience that journey again.

How to Have Sex (2023) is a long way away from a typical teen romp comedy. Director Molly Manning Walker throws a curveball with this deceptively titled film, instead opting for a raw and unflinching look at female friendship, consent, and the pressures of growing up. Three British teenagers, best friends since childhood, embark on a summer vacation to Greece, fueled by dreams of partying and romantic conquests. However, their idyllic plans take a dark turn, forcing them to confront complex issues that go beyond the awkwardness of teenage flirtation.

Walker, drawing inspiration from her own teenage experiences, paints a relatable portrait of female friendships. The bond between the three leads feels genuine, with their playful banter and unspoken understanding ringing true. Mia McKenna-Bruce shines as Tara, the sensitive and introspective centre of the group. However, the exploration of their dynamic falters slightly at times. The supporting characters, particularly Skye (Lara Peake), can feel one-dimensional, their motivations reduced to teenage posturing and insecurity.

The film's greatest strength lies in its handling of consent. Walker avoids graphic depictions, instead focusing on the emotional fallout and the lingering sense of violation. A pivotal scene at a nightclub is particularly powerful, using slow-motion camerawork and an unsettling soundscape to capture the confusion and fear Tara experiences. This isn't an after-school special; it's a nuanced exploration of consent that persists long after the credits have ended.

Technically, How to Have Sex is a solid effort. The cinematography is naturalistic, with handheld camerawork that reflects the carefree energy of the first half and the claustrophobic tension of the latter. The score is subtle yet effective, using atmospheric sounds and electronic flourishes to underscore the emotional beats. Editing is sharp, keeping the pace brisk without sacrificing character development.

While the film doesn't shy away from difficult themes, it's not relentlessly bleak. There are moments of humour and genuine connection, particularly between Tara and Em (Enva Lewis), the voice of reason in the group. This balance between humour and heartbreak is reminiscent of films like The Virgin Suicides or Booksmart, capturing the bittersweet cocktail of teenage emotions.

How to Have Sex isn't a perfect film. The characters, while well-acted, could be fleshed out further, and the ending feels a tad ambiguous. However, its unflinching portrayal of consent and its exploration of female friendship resonate deeply. This is a coming-of-age story that feels both authentic and important, a must-watch for anyone who remembers the complexities and anxieties of those teenage years. A thought-provoking and emotionally resonant film for mature teens and adults.

I was curious about this film as many people seemed angry about the trailer that this seemed to be a female inbetweeners kinda film but went extremely dark, I watched it last night and can't help but feel torn on it.

Whilst it felt really natural almost like a documentary on itv2 the characters were slightly on the harder to like side to start but you warm to them especially Tara, who seems genuinely young and immature.

The two incidents of attacks, were believable and natural rather than an aggressive style you'd see in darker films, it was clever to do it that way, to show that there are levels to it.

Whilst I hate how many people volunteer to get into states where they lack control with alcohol it is part of society, but I'm still amazed when smoking gets so much attention, drinking which causes more crime/damage/death gets little attention.

What ruined it from being an important film was the ending, where a quick chat seemed to undo it's impact on her, personally think it should've ended on a sad note as potentially these incidents are life ruining. So think whilst idea was good, it chickened out of following through.

A year of school has finished it's time for fun, so with your two best friends together you all run, to a place close to the sea, a place in Greece where there'll be glee, unaware of an event to make you glum. To begin with you're a vibrant, glowing girl, taking everything that's thrown in a great whirl, dancing, swimming, drink too much, entertainments what you clutch, but it's not too long before nightmares unfurl. As events accelerate and tides get strong, grabbing hold they take you to a place that's wrong, where advantages are taken, disbelief when you awaken, it's with shock you travel home, where you belong.

An outstanding performance from Mia McKenna-Bruce.