Shiva Baby

Shiva Baby is equally funny and stressful. The comedy makes some clever observations whilst the film generally keeps escalating until it hits an inevitable breaking point. With a film this consistently stressful, it clocking in at only 78 minutes really works because any longer could've been too much.

Rachel Sennott is amazing, really funny whilst trying to hide the growing sense of unease as things just get worse and when it does get too much, the release is so emotional. Molly Gordon is great as someone who initially enjoys the chaos but begins to show a more caring side as it goes along.

Emma Seligman's direction really knows how to unnerve. Taking cues from horror movies with some jump scares and enough intense close ups to make the film feel claustrophobic. Ariel Marx's score pings and twangs throughout in a way that stops any sense of comfort from settling in.

We need Emma Seligman to direct a thriller/horror movie...like tomorrow. 😱

This was tense, creepy, claustrophobic. It's not one of those comedies that you laugh a lot, it's more about the absurd of the situation, but this was great.

I wasn't expecting to like this this much and this a fantastic debut for Emma. Great acting by all, but especially Rachel Sennott.

This movie definitely exceeded my expectations. If you enjoyed Trey Edward Schultz's "Krisha", and you want another story of a woman at a family gathering with an atmosphere of uncomfortable tension punctuated by a low-key score, but as a comedy, you'll probably really enjoy this movie.

Maintaining a strong sense of energy/tension/discomfort/hilarity for a whole movie IS VERY VERY DIFFICULT and VERY IMPRESSIVE.

From the perspective of the protagonist Danielle everyone else seems to have their lives figured out and her refusal to be honest about her uncertainty of where her life is going leads to plenty of awkward miscommunication and amusing moments. The performers' delivery of the script is great, which is a huge relief, because great scripts, particularly for comedies, can fall flat if the delivery isn't perfectly in-sync with the screenwriter's intent. Plenty of indie comedies with decent scripts lack convincing dialogue delivery.

The tension builds along with the intensity of the score and the suffocating way the shots are composed. The grinning faces of Danielle's elderly relatives are occasionally framed in a way that they appear comically menacing.

I'm always looking for good comedies, which can be hard to come by. This is sincerely the best comedy movie of 2020. EXCELLENT JOB EMMA SELIGMAN I AM NOW A FAN!

Rachel Sennott plays a college girl who leaves a night spent with her sugar daddy to head to a traditional Jewish wake. At that wake, she runs into her not-so-secret "scandalous" ex-girlfriend... and that very same sugar daddy, fully in tow with his wife and newborn baby. The first-time feature from director, Emma Seligman, plays like an awkward comedy and a claustrophobic horror. Sennott is spectacular in the lead role... and the extensive supporting cast is fakakta brilliant.

This is a solid horror film masquerading as a comedy.