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3.7/10
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Agrega una trama en tu idiomaIn the city of Ghaziabad, gang war breaks between two rival groups led by Satbir Singh and Fauji. Thakur Pritam Singh, a corrupt police officer, is transferred to the city to handle the situ... Leer todoIn the city of Ghaziabad, gang war breaks between two rival groups led by Satbir Singh and Fauji. Thakur Pritam Singh, a corrupt police officer, is transferred to the city to handle the situation.In the city of Ghaziabad, gang war breaks between two rival groups led by Satbir Singh and Fauji. Thakur Pritam Singh, a corrupt police officer, is transferred to the city to handle the situation.
- Dirección
- Guionista
- Elenco
- Premios
- 1 nominación en total
Kushagra Anand
- Jonny Bhai
- (material de archivo)
Usman Rao
- Jamshed Ali
- (material de archivo)
Charmme Kaur
- Suman
- (as Charmy Kaur)
Ragesh Asthana
- Superintendent of Police
- (as Rajesh B. Asthana)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
As a full length review of ZILA GHAZIABAD, I really don't have much to say in details since it just reminds you the unexplainable, silly or over the top kind of commercial cinema we used to make in the forgettable 80s. Still, here is a brief description of its few scenes which would clearly give you an idea of what I am referring to here.
The film begins with a completely filmy entry of our negative hero Arshad Warsi (by stopping a speeding train), who straight away starts singing and dancing with his goons after getting back to his hometown Ghaziabad. Within next 30 minutes you have 3 songs including an item number with all seen before sequences dealing with rival gangs, corrupt politicians, a love affair and the betraying insiders.
As our positive hero, we are introduced to Vivek Oberoi, who is a teacher in the local school and is fondly called Master Ji. Now this teacher has pierced ears with silver rings and shows no hesitation to drink or dance with an item girl, shooting fearlessly in the air from a rifle in his hand.
Just before the interval we have Sanjay Dutt entering the scene as another famous police officer who is even considered dangerous and incontrollable by the Commissioner of Police himself. Now since he is a big star too so here also we get to see the whole Police force beating drums, singing and dancing with Sanjay Dutt in the middle in full uniform on a song sung by Sukhwinder quite close to the title songs of OMKARA and DABANGG. It this is not enough then we have another sequence post intermission, where Sanjay Dutt enters in the villain's den alone where there is a meeting in progress attended by all the wanted persons in the area. And what Sanjay Dutt does there? He simply calls Shreya Saran, the item girl and starts singing a song right in front of those criminals like a paid bar-dancer himself.
However despite of all these weird and unthinkable kind of sequences mentioned above, I would like to call ZILA GHAZIABAD as "A Completely Professional Film" in all respects since the producer-director have purely made it to run in the smaller centers (at the single screen theaters), for a specific kind of audience and the entire cast has acted in this movie just as one of their professional assignments to earn money and nothing else. Because what else can be the reason for talented actors such as Sanjay Dutt, Paresh Rawal, Arshad Warsi, Vivek Oberoi, Ashutosh Rana, Divya Dutta, Ravi Kissen, Zarina Wahab, Minissha Lamba, Chandrachur Singh and Sunil Grover to sign this film reading its outdated script with such questionable execution & an entirely repeated storyline in terms of content.
On a concluding note, the area of GHAZIABAD today is not at all like what they have portrayed it on the screen and there can be only one reason you can watch the film in your spare time. And that is if you are a die-hard fan of Arshad Warsi and cannot afford to miss even a single film featuring him in the lead.
The film begins with a completely filmy entry of our negative hero Arshad Warsi (by stopping a speeding train), who straight away starts singing and dancing with his goons after getting back to his hometown Ghaziabad. Within next 30 minutes you have 3 songs including an item number with all seen before sequences dealing with rival gangs, corrupt politicians, a love affair and the betraying insiders.
As our positive hero, we are introduced to Vivek Oberoi, who is a teacher in the local school and is fondly called Master Ji. Now this teacher has pierced ears with silver rings and shows no hesitation to drink or dance with an item girl, shooting fearlessly in the air from a rifle in his hand.
Just before the interval we have Sanjay Dutt entering the scene as another famous police officer who is even considered dangerous and incontrollable by the Commissioner of Police himself. Now since he is a big star too so here also we get to see the whole Police force beating drums, singing and dancing with Sanjay Dutt in the middle in full uniform on a song sung by Sukhwinder quite close to the title songs of OMKARA and DABANGG. It this is not enough then we have another sequence post intermission, where Sanjay Dutt enters in the villain's den alone where there is a meeting in progress attended by all the wanted persons in the area. And what Sanjay Dutt does there? He simply calls Shreya Saran, the item girl and starts singing a song right in front of those criminals like a paid bar-dancer himself.
However despite of all these weird and unthinkable kind of sequences mentioned above, I would like to call ZILA GHAZIABAD as "A Completely Professional Film" in all respects since the producer-director have purely made it to run in the smaller centers (at the single screen theaters), for a specific kind of audience and the entire cast has acted in this movie just as one of their professional assignments to earn money and nothing else. Because what else can be the reason for talented actors such as Sanjay Dutt, Paresh Rawal, Arshad Warsi, Vivek Oberoi, Ashutosh Rana, Divya Dutta, Ravi Kissen, Zarina Wahab, Minissha Lamba, Chandrachur Singh and Sunil Grover to sign this film reading its outdated script with such questionable execution & an entirely repeated storyline in terms of content.
On a concluding note, the area of GHAZIABAD today is not at all like what they have portrayed it on the screen and there can be only one reason you can watch the film in your spare time. And that is if you are a die-hard fan of Arshad Warsi and cannot afford to miss even a single film featuring him in the lead.
"What a Waste of Time, What a Waste of Movie, What a Waste of Acting." I regret my decision that I watched this movie. Minus the Crew- After this movie is done, you will be left cursing two persons- 1. The Director. 2. The Stunt Director. Director seems to be overexcited in creating this movie thinking that audiences likes such ridiculous actions and the stunt director has a nice sense of humor who must have failed every year in Physics. Hats off to Vivek Oberoi for another Worst Performance. I wonder how that guy pulls up such dead expressions on screen and calls himself an actor! Paresh Rawal is completely Wasted. Sanjay Dutt is like nobody gives a damn to him again. Only Arshad Warsi tries a bit to impress all but in the end it is the whole group who fails. You will be bored seeing in redundancy how each and every member of Vivek's family keep dying and his red eyes filled with revenge until next day he is seen riding a Rajdoot or walking ostentatiously with no sense of realism. Also I have a severe doubt- Which news channel shows a gang leader walking with style? The whole movie was misplaced and whole audience was misunderstood by each and every crew of this film.
Zila Ghaziabad review:
This one is RECOMMENDED to different persons for different reasons: for aspiring film makers to understand how NOT to make a film, for aspiring actors on how NOT to act, music directors on how NOT to compose music and lastly for us, audiences to understand why NOT to go for such crap fest ..!!!
Regards, Sumeet Nadkarni.
This one is RECOMMENDED to different persons for different reasons: for aspiring film makers to understand how NOT to make a film, for aspiring actors on how NOT to act, music directors on how NOT to compose music and lastly for us, audiences to understand why NOT to go for such crap fest ..!!!
Regards, Sumeet Nadkarni.
I normally don't go to cinema halls to watch Hindi movies because leaving the very few ones I think they are heavily plagiarized either from other regional languages or from movies all over the world. Well, today me and my friend went to see "kai po che" because Chetan Bhagat is one of my favorite author and this movie is adapted from his novel. But we didn't get a ticket so we went to see "ZILA GHAZIABAD". After watching 5 mins of the movie I realized why Indian movies don't get nominated for Oscars. This movie has a cast which any director may dream of.. I mean Vivek Oberoi, Sanjay Dutt, Arshad Warsi, Paresh Rawal, Asutosh Rana,etc etc.. either the Director is a new one and has simply followed the styles of other movies or the actors are desperately in need for some money. It lacked acting, direction, editing everything.
What hurts me is that the audiences was cheering the Ludicrously odd action scenes which can only be possible if the hero is "Superman". Same cliché, songs, dance, dialogues. Sitting there I can tell what will come next after a particular scene!!!
So when will Indian movies be ready for Oscars? Movies like Barfi (I haven't seen it yet) failed to even nominated for Oscars. So what is the meaning if we produce more than 1000 movies each year and not even a single movie get nominated for Oscars!!.
When will this change? It's the Indian audiences who can change this thing. If they are not ready to change their thoughts, ideas or perspectives, India don't stand any chance at Oscars.
My rating 2/10.
What hurts me is that the audiences was cheering the Ludicrously odd action scenes which can only be possible if the hero is "Superman". Same cliché, songs, dance, dialogues. Sitting there I can tell what will come next after a particular scene!!!
So when will Indian movies be ready for Oscars? Movies like Barfi (I haven't seen it yet) failed to even nominated for Oscars. So what is the meaning if we produce more than 1000 movies each year and not even a single movie get nominated for Oscars!!.
When will this change? It's the Indian audiences who can change this thing. If they are not ready to change their thoughts, ideas or perspectives, India don't stand any chance at Oscars.
My rating 2/10.
Zila Ghaziabad is a movie based on chess, from the layman's perspective it looks like political action thriller but the entire movie depends on how Sanjay Dutt plays chess. This movie covers everything which you expect in normal Hindi movie but fails to explain the mapping associated between the chess pawns and the characters in the movie. This is very puzzling task. This is where audience start loosing track of the story. A movie which can be compared to one of the Hollywood movies " The Inception", where people fails to understand the real concept. Action never stops until the movie stops. Even the action songs are awesome.
¿Sabías que…?
- TriviaThe first and only film where Arshad Warsi, Paresh Rawal and Vivek Oberoi all worked together.
- ErroresThakur Pritam Singh is almost bald in his first appearance. In his second appearance, he has his hair back.
- ConexionesReferences Thanedaar (1990)
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Detalles
- Tiempo de ejecución
- 2h 22min(142 min)
- Color
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