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7.3/10
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Agrega una trama en tu idiomaA cabbie (Patekar) and businessman (Abraham) both in need of big money partake in a two-hour adventure together.A cabbie (Patekar) and businessman (Abraham) both in need of big money partake in a two-hour adventure together.A cabbie (Patekar) and businessman (Abraham) both in need of big money partake in a two-hour adventure together.
- Premios
- 1 premio ganado y 6 nominaciones en total
Shivaji Satam
- Arjun Bajaj
- (as Shivaaji Satam)
Sanjay Dutt
- Narrator
- (voz)
Priyanka Chopra Jonas
- Driver (Guest Appearance)
- (as Piggy Chops)
Ashwin Chitale
- Rishabh R. Shastri
- (as Master Ashwin Chitale)
Opiniones destacadas
A businessman and a taxi-driver go crazy plotting against each other. They play a game where they both loose and loose all that they had. However, the end was very touching and the best part was that the movie has some message to convey.The screenplay and the direction was good.I felt that the taxi driver's role couldn't have been performed better . Nana Patekar,as always , was brilliant. The director managed to maintain the tempo ensuring that his audience will not get uninterested at any point of the movie. John Abraham was best suited for the role of an adamant young man( no offense intended).I would like to conclude saying that " A lot can happen in a man's life in just one single day". This movie is a must-watch.
Copy of changing lanes with Indian masala to it. Great movie keeps u in suspense and is unpredictable. Unfortunately average Indian audience will not see it since it does not have the romantic yash raj touch to it. John and Nana give the best performance of there career. Great music. Sameera is to die for. Milan's great director. Deewar was another brilliant film but unfortunately his films always get unrecognized.
Here is the story A party player(John abraham) in a rush to make a court appointment to take original will involving a multi-million dollar trust gets the ride of his life when he sits in the cab of an alcoholic taxi driver(Samuel Jackson), who thinks he is always right and the whole world is wrong. John leaves the scene of the accident and strands the taxi driver, causing him to runaway from the cops. During the process of the post-crash discussion, John accidentally drops the key to the locker for his dad's will he needs to present in court. The judge gives him until tomorrow to present the papers and thus begins a cat and mouse game between the proponents. A few questionable actions later on both parties' part, they finally start questioning their actions and their lives. In the end, both come to new understanding of what is important and appear to be set in new ethical and moral directions.
Here is the story A party player(John abraham) in a rush to make a court appointment to take original will involving a multi-million dollar trust gets the ride of his life when he sits in the cab of an alcoholic taxi driver(Samuel Jackson), who thinks he is always right and the whole world is wrong. John leaves the scene of the accident and strands the taxi driver, causing him to runaway from the cops. During the process of the post-crash discussion, John accidentally drops the key to the locker for his dad's will he needs to present in court. The judge gives him until tomorrow to present the papers and thus begins a cat and mouse game between the proponents. A few questionable actions later on both parties' part, they finally start questioning their actions and their lives. In the end, both come to new understanding of what is important and appear to be set in new ethical and moral directions.
Taxi No. 9211 is a fresh breather in Bollywood with a very unique screenplay after watching all the movies with "inspired" stories. This light entertainer takes place in the time-span of just one day. There's no long-drawn plot, no melodrama, no serious issues--just pure fun. John Abraham, a thoroughly spoilt brat, and Nana Patekar, a struggling, insecure cab driver become a significant factor in each other's lives. Although resting on opposite ends of the social hierarchy, they have one thing strongly in common--their ego. They embark on their journey in a taxi not knowing that their destinations are themselves. Filled with witty and clever dialogues, Taxi No. 9211 is a fun entertainer that gives us a little reminder to be honest and embracing. Direction is excellent! Everyone gave a fantastic performance. Vishal-Shekhar's compositions are as innovative as this movie! "Meter Down" is a catchy song with a really cool video.
John Abraham's and Nana Patekar's chemistry is great on screen. Maybe John and Nana should think about working together again sometimes. I confess, sometimes John Abraham scares me when he gets mad. They did a very good job acting as bad guys and balancing the movie. It was a fast movie and really keeps you at the edge of your seat. But, sometimes, I felt that some parts were too draggy like the ending. There are lots of twists and turns and sprinkled with comedy. Expect the unexpected. The songs are okay. I was disappointed a little. Other than that, I think the director did a really good job. The Dialogue was funny and well done. Enjoy it. Worth a watch even you don't like either of them.
Taxi Number 9211 is a story of one day revolving between a taxi driver named Raghav Shastri and his passenger named Jai Mittal.The two are the exact opposites with strikingly similar problems in their personal lives.
I watched Taxi Number 9211 today and to be honest it did not quite go well to my expectations.It's not a bad movie or anything but in the end it would be known as a film which promised more but delivered less.But nonetheless a good watchable movie overall.
I think the film was a bit rushed on to the floor without much work on the screenplay and scripting.The concept was a quite unique and different one from the Indian movie format though.The performances by the lead actors is good.The film is very good till the interval with lots of comic punches but tends to bore you as it progresses after the interval.And at one point the ending becomes very predictable and is very much like any traditional Indian movie ending(everyone lives happily ever after stuff).
I watched Taxi Number 9211 today and to be honest it did not quite go well to my expectations.It's not a bad movie or anything but in the end it would be known as a film which promised more but delivered less.But nonetheless a good watchable movie overall.
I think the film was a bit rushed on to the floor without much work on the screenplay and scripting.The concept was a quite unique and different one from the Indian movie format though.The performances by the lead actors is good.The film is very good till the interval with lots of comic punches but tends to bore you as it progresses after the interval.And at one point the ending becomes very predictable and is very much like any traditional Indian movie ending(everyone lives happily ever after stuff).
¿Sabías que…?
- TriviaAn action sequence was to be shot with some cars chasing 'John Abraham'. Unfortunately, at the time of shooting, Abraham's mother was crossing the road and she presumed he was being attacked and freaked out. Shooting was halted while Abraham calmed his mother and reassured her it was only a film shoot.
- ErroresWhen Sonali Kulkarni buys tickets for Nasik she asks for two tickets for the 9 pm train but later when Nana Patekar is in John Abraham's house he says my wife is going to Nasik by the 11:30 pm train.
- Citas
Jai Mittal: Shivaji had the power of 1 horse and it talked with air. This car has 18 horses, press the accelerator and say Jai Maharashtra
Raghav Shastri: Jai Maharashtra!
- ConexionesReferenced in No One Killed Jessica (2011)
- Bandas sonorasBoombai Nagariya
Written by Vishal Dadlani
Composed by Vishal Dadlani and Shekhar Ravjiani
Performed by Vishal Dadlani, Bappi Lahiri, Nisha Mascarenhas and Marriane D'Cruz
Courtesy of Saregama HMV
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 292,794
- Fin de semana de estreno en EE. UU. y Canadá
- USD 102,466
- 26 feb 2006
- Total a nivel mundial
- USD 292,794
- Tiempo de ejecución1 hora 56 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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