Hobbs hace que Dominic y Brian vuelvan a reunir a su equipo para derrotar a un grupo de mercenarios.Hobbs hace que Dominic y Brian vuelvan a reunir a su equipo para derrotar a un grupo de mercenarios.Hobbs hace que Dominic y Brian vuelvan a reunir a su equipo para derrotar a un grupo de mercenarios.
- Dirección
- Guionistas
- Elenco
- Premios
- 12 premios ganados y 22 nominaciones en total
Samuel M. Stewart
- Denlinger
- (as Samuel Stewart)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Bigger, faster, crazier — that's the motto of the "Fast & Furious" franchise six films in. If you thought the action, scale and stunts were off the charts in "Fast Five," prepare to have your mind blown by "Fast & Furious 6."
The previous films were an acceleration, and the series hit full throttle with "Fast Five." The road was open and endless for Universal, and returning writer Chris Morgan and director Justin Lin. What they opt to do in "F&F6" is bend the limits of reality to their will. From the initial London chase to a highway tank sequence to the grand finale, which involves a massive cargo plane, this is an action movie jacked up on steroids. In fact, there are a couple references to Marvel "Avengers" characters — a not-so-subliminal suggestion that Universal would like you to think of Dominic Toretto's crew/family as a team of superheroes.
The trouble is for every "wow!" moment there are twice the number of "what?" moments. The action is so ludicrous that you lose all sense of what's happening. They're like little blackout moments as you drink more and more of the movie's high-octane Kool-Aid.
Morgan pulls together a perfectly viable plot. Dom's (Vin Diesel) presumed deceased former lover, Letty (Michelle Rodriguez) has been spotted in association with a criminal mastermind named Owen Shaw (Luke Evans) whose ex-military crew is essentially the shadow image of our heroes. Dobbs (Dwayne Johnson) presents this info to Dom in hopes that it'll persuade Dom into doing him favor in taking Shaw down. It naturally works, and the crew must put a hiatus on their quiet life spending all the cash they stole in the last film; when the patriarch of the family calls, you answer.
The movie doubles down on the notion of the crew as family. Shaw is supposed to be the antithesis. He doesn't care about allegiances but about precision and planning. He's cold and calculated, whereas the "family" is warm and spontaneous. It's cliché, but at least time is spent on the characters. There is only one newbie in former MMA fighter Gina Carano as Hobbs' new right hand, meaning the character time is invested in the existing characters, which is good, though the script doesn't pierce beyond the surface traits we're already familiar with.
It also bears mentioning that at one point the script reveals a twist that's solely for the purpose of a twist. This "surprise" makes no sense and has no actual bearing on what happens in the film. Morgan wanted a surprise moment to keep things interesting and it's a nice moment — but then you realize it's actually meaningless and changes nothing. Another example of how flash without substance is the M.O. of this series. You have to like flash for the sake of flash to be a big fan.
Of course any scene in which an engine of any kind is not running only matters so much in these films, but "Fast & Furious 6" will start to really separate out the pure action junkies who've been hooked on this series from those who prefer some plausibility and gravity —literally and figuratively — in their blockbusters. Lin's sensibilities would probably be of more use in a sci-fi or fantasy movie where he could break all laws of common sense and completely get away with it. In this movie, depending on your taste, it will either get you stoked or spoil the moment.
One could argue that this franchise has found a niche in larger-than-life action movies — that there's a viable space for films that maintain the trappings of the real world but play by the rules of a superhero movie. That's fair, but in many ways by blowing the ceiling off what's possible, they've created another ceiling. If anything is possible, at some point we will no longer be surprised by the impossible. The films would be better served by maintaining some thread of connection to the laws of physics, then when they broke them a little, it would have a bigger impact. "Fast Five" did this well and it's a shame this movie takes such a tremendous leap in believability.
Nevertheless, there's an undeniable adrenaline rush that comes with Lin's style of direction and the size and stature of the stunts and action sequences. It's three-fold true in this entry. That's the kind of thrill that maintains a sufficient baseline for enjoying these moves.
~Steven C
Thanks for reading! Visit Movie Muse Reviews for more.
The previous films were an acceleration, and the series hit full throttle with "Fast Five." The road was open and endless for Universal, and returning writer Chris Morgan and director Justin Lin. What they opt to do in "F&F6" is bend the limits of reality to their will. From the initial London chase to a highway tank sequence to the grand finale, which involves a massive cargo plane, this is an action movie jacked up on steroids. In fact, there are a couple references to Marvel "Avengers" characters — a not-so-subliminal suggestion that Universal would like you to think of Dominic Toretto's crew/family as a team of superheroes.
The trouble is for every "wow!" moment there are twice the number of "what?" moments. The action is so ludicrous that you lose all sense of what's happening. They're like little blackout moments as you drink more and more of the movie's high-octane Kool-Aid.
Morgan pulls together a perfectly viable plot. Dom's (Vin Diesel) presumed deceased former lover, Letty (Michelle Rodriguez) has been spotted in association with a criminal mastermind named Owen Shaw (Luke Evans) whose ex-military crew is essentially the shadow image of our heroes. Dobbs (Dwayne Johnson) presents this info to Dom in hopes that it'll persuade Dom into doing him favor in taking Shaw down. It naturally works, and the crew must put a hiatus on their quiet life spending all the cash they stole in the last film; when the patriarch of the family calls, you answer.
The movie doubles down on the notion of the crew as family. Shaw is supposed to be the antithesis. He doesn't care about allegiances but about precision and planning. He's cold and calculated, whereas the "family" is warm and spontaneous. It's cliché, but at least time is spent on the characters. There is only one newbie in former MMA fighter Gina Carano as Hobbs' new right hand, meaning the character time is invested in the existing characters, which is good, though the script doesn't pierce beyond the surface traits we're already familiar with.
It also bears mentioning that at one point the script reveals a twist that's solely for the purpose of a twist. This "surprise" makes no sense and has no actual bearing on what happens in the film. Morgan wanted a surprise moment to keep things interesting and it's a nice moment — but then you realize it's actually meaningless and changes nothing. Another example of how flash without substance is the M.O. of this series. You have to like flash for the sake of flash to be a big fan.
Of course any scene in which an engine of any kind is not running only matters so much in these films, but "Fast & Furious 6" will start to really separate out the pure action junkies who've been hooked on this series from those who prefer some plausibility and gravity —literally and figuratively — in their blockbusters. Lin's sensibilities would probably be of more use in a sci-fi or fantasy movie where he could break all laws of common sense and completely get away with it. In this movie, depending on your taste, it will either get you stoked or spoil the moment.
One could argue that this franchise has found a niche in larger-than-life action movies — that there's a viable space for films that maintain the trappings of the real world but play by the rules of a superhero movie. That's fair, but in many ways by blowing the ceiling off what's possible, they've created another ceiling. If anything is possible, at some point we will no longer be surprised by the impossible. The films would be better served by maintaining some thread of connection to the laws of physics, then when they broke them a little, it would have a bigger impact. "Fast Five" did this well and it's a shame this movie takes such a tremendous leap in believability.
Nevertheless, there's an undeniable adrenaline rush that comes with Lin's style of direction and the size and stature of the stunts and action sequences. It's three-fold true in this entry. That's the kind of thrill that maintains a sufficient baseline for enjoying these moves.
~Steven C
Thanks for reading! Visit Movie Muse Reviews for more.
Well, this was unexpected! Going into this film I found myself with no hype at all. I expected a good, fun and cheesy movie time and I came out of the theater happy and surprised. While this isn't a masterpiece of filmmaking it does achieve what it sets out to do. To entertain you. And it does this quite good and sometimes it goes further than this by showing us some amazing set pieces and action sequences. For example one car, tank chase sequence! This is achieved by the gigantic production value of the film. You can literally smell the money that comes out of these guys. The whole movie you have this sense of scale, and I mean BIG scale! The amazing sound mixing and design including the music pumps you up and puts you in the mood! While the acting isn't Oscar worthy it is very fluid and it doesn't always feel forced. The chemistry between the cast is very solid and credible. Diesel and "The Rock" where pretty solid along with the secondary characters, and the villain was surprisingly tolerable. Another thing that solidifies the movie are the effects. These are outstanding along with the camera-work! The things that brought the movie down for me a little bit where some of the stunts, and weirdly some of these I found pretty amazing but although I understand this movie isn't supposed to be taken seriously there were some stunts that were just plain unbelievable, specially in the third act of the movie. And finally, the plot. While not groundbreaking it did have its interesting points but it doesn't drift away from the cheese factors. Overall I was quite surprised by what this movie did and how the director and producers exploited and used their huge production value. This is an example of a good quality action flick.
The Fast and Furious franchise has undergone a radical transformation since launching 12 years ago, with the changes following Justin Lin taking hold of directorial duties from Tokyo Drift (film three) onwards.
The series has made the transition from street races to include drugs, heists, and now terrorism, while lead characters Dom Toretto (Diesel) and Brian O'Conner (Walker) have gone from petty thug and law enforcer to wanted fugitives.
With an opening sequence reminiscent of Quantum of Solace, Toretto and Brian screech around mountaintops as the latter readies himself to become a father, demonstrating how adult and family-minded they've become. Meanwhile, what follows is a nice refresher for those acquainted with the series and for newcomers alike, acting as a highlights reel to bring everyone up to speed of the events experienced in the previous five films.
The antagonist for Fast 6 is Mr Owen Shaw (Evans), a former special ops military man that uses his knowledge, contacts and fast cars to make robberies for the highest bidder. In this instance, it just so happens he has his eyes on a chip that would incite terrorism in the wrong hands, which prompts baby oil-loving federal agent Hobbs (Johnson) to round up Toretto and his crew for back-up, offering them full pardons in exchange for their services.
London is the main backdrop for the film, which, naturally, features a very corny cameo, though the the bright lights, black taxis and double-decker buses dotted around the city are infinitely more welcome.
For me, five was the best of all of the films, but six gives it a run for its money, taking the stunts to ridiculous new heights (literally). You could, of course, reprimand the film for its use of impossible feats, but that's the whole point of these films, right? To get bigger and more extreme, as demonstrated with the big and extreme – and always affable – introduction of Johnson in Fast Five.
For me, Johnson changed the game and breathed new life into a franchise that was beginning to get stale, and seeing Hobbs join forces with Toretto and co makes for brilliant viewing. The action is insane and the banter is electric, with the camaraderie between the cast obvious.
The only criticism of the film is its length. There was a particular moment that seemed as though the film had wrapped, though it continued for another half hour, and while what followed was laced with adrenaline and big bangs, the film could have done with a 20 minute tightening.
Shaw isn't an intimidating or imposing character, particularly when facing off against Hobbs and Toretto, but he is devious, ruthless and sharp, presenting an entirely new threat to the series.
Those in the know will be aware Tokyo Drift threw the timeline entirely out of sequence, but the game comes full circle at the end of the film, and you won't want to miss the credits sequence that follows
Originally posted at www.zentertainmentweekly.com
7/10
The series has made the transition from street races to include drugs, heists, and now terrorism, while lead characters Dom Toretto (Diesel) and Brian O'Conner (Walker) have gone from petty thug and law enforcer to wanted fugitives.
With an opening sequence reminiscent of Quantum of Solace, Toretto and Brian screech around mountaintops as the latter readies himself to become a father, demonstrating how adult and family-minded they've become. Meanwhile, what follows is a nice refresher for those acquainted with the series and for newcomers alike, acting as a highlights reel to bring everyone up to speed of the events experienced in the previous five films.
The antagonist for Fast 6 is Mr Owen Shaw (Evans), a former special ops military man that uses his knowledge, contacts and fast cars to make robberies for the highest bidder. In this instance, it just so happens he has his eyes on a chip that would incite terrorism in the wrong hands, which prompts baby oil-loving federal agent Hobbs (Johnson) to round up Toretto and his crew for back-up, offering them full pardons in exchange for their services.
London is the main backdrop for the film, which, naturally, features a very corny cameo, though the the bright lights, black taxis and double-decker buses dotted around the city are infinitely more welcome.
For me, five was the best of all of the films, but six gives it a run for its money, taking the stunts to ridiculous new heights (literally). You could, of course, reprimand the film for its use of impossible feats, but that's the whole point of these films, right? To get bigger and more extreme, as demonstrated with the big and extreme – and always affable – introduction of Johnson in Fast Five.
For me, Johnson changed the game and breathed new life into a franchise that was beginning to get stale, and seeing Hobbs join forces with Toretto and co makes for brilliant viewing. The action is insane and the banter is electric, with the camaraderie between the cast obvious.
The only criticism of the film is its length. There was a particular moment that seemed as though the film had wrapped, though it continued for another half hour, and while what followed was laced with adrenaline and big bangs, the film could have done with a 20 minute tightening.
Shaw isn't an intimidating or imposing character, particularly when facing off against Hobbs and Toretto, but he is devious, ruthless and sharp, presenting an entirely new threat to the series.
Those in the know will be aware Tokyo Drift threw the timeline entirely out of sequence, but the game comes full circle at the end of the film, and you won't want to miss the credits sequence that follows
Originally posted at www.zentertainmentweekly.com
7/10
While most franchises lose their steam with each succeeding sequel, the Fast and the Furious franchise is that rare exception where its later films breathe in new life into the series. Once a franchise about car racing, "Fast Five" took an unexpected turn as a bank heist thriller in the vein of Steven Soderbergh's "Ocean's 11," a welcomed change as seen by its huge box office earnings and critical success. Now, "Furious 6" is neither about car racing nor bank heists, but rather a terrorist threat with obvious inspirations from "The Dark Knight." Like "Fast Five," the results are immensely satisfying and undeniably entertaining.
The key to the franchise's upward turn in quality is due to director Justin Lin. He is a skilled action director, and many filmmakers can learn a few things or two from him: The action sequences are impressive, engaging, comprehensible, and well-shot, with practical effects to boot. There is a sense of danger, verve, and life in these scenes rarely found in other films, despite how over-the-top and ridiculous they may be; and yes, they often drift into gratify-defying territory. While I usually don't react out loudly when watching a film, this film had me gasping, jaw dropping, laughing, and applauding, sometimes all at once!
Another ingredient to the film's success is the chemistry between the cast members. We have grown to love these characters over the course of the series that one cannot help but cheer on for them. In particular, Tyrese Gibson and Ludicrous have such a terrific rapport with each other that they provide some of the film's biggest laughs and memorable one-liners. Additionally, Luke Evans is definitely a step up above the previous film's antagonist, and Gina Carano provides some great ass-kicking moments, although not much performance-wise. On another note, I want to mention how refreshing it is to see minority actors fill these roles. Certainly, the film's use of a diverse ensemble cast should be commended. As for the story, it's nothing special, but I dare you not to act surprised when several plot twists are revealed; I did so more than I would like to admit.
If there's one thing to learn about this franchise, it's that some change can be a good thing. While the later sequels do focus away from the car racing, they still featured cars, which helped retain old fans while bringing in new ones. "Furious 6" is terrific entertainment, and judging by yet another dazzling cliffhanger and the audience's reaction, "Fast & Furious 7" will be an amazing finale for the series. Unfortunately, Justin Lin won't be back around for the last installment, but someone please get this man to direct every and all upcoming action flicks.
The key to the franchise's upward turn in quality is due to director Justin Lin. He is a skilled action director, and many filmmakers can learn a few things or two from him: The action sequences are impressive, engaging, comprehensible, and well-shot, with practical effects to boot. There is a sense of danger, verve, and life in these scenes rarely found in other films, despite how over-the-top and ridiculous they may be; and yes, they often drift into gratify-defying territory. While I usually don't react out loudly when watching a film, this film had me gasping, jaw dropping, laughing, and applauding, sometimes all at once!
Another ingredient to the film's success is the chemistry between the cast members. We have grown to love these characters over the course of the series that one cannot help but cheer on for them. In particular, Tyrese Gibson and Ludicrous have such a terrific rapport with each other that they provide some of the film's biggest laughs and memorable one-liners. Additionally, Luke Evans is definitely a step up above the previous film's antagonist, and Gina Carano provides some great ass-kicking moments, although not much performance-wise. On another note, I want to mention how refreshing it is to see minority actors fill these roles. Certainly, the film's use of a diverse ensemble cast should be commended. As for the story, it's nothing special, but I dare you not to act surprised when several plot twists are revealed; I did so more than I would like to admit.
If there's one thing to learn about this franchise, it's that some change can be a good thing. While the later sequels do focus away from the car racing, they still featured cars, which helped retain old fans while bringing in new ones. "Furious 6" is terrific entertainment, and judging by yet another dazzling cliffhanger and the audience's reaction, "Fast & Furious 7" will be an amazing finale for the series. Unfortunately, Justin Lin won't be back around for the last installment, but someone please get this man to direct every and all upcoming action flicks.
The sixth instalment in The Fast and the Furious franchise, Fast & Furious 6 follows into the footsteps of its predecessor and continues the series' new-found mantra of departing from its original street racing theme to move further into the heist thriller sub-genre. And even if it's not as refreshing & impressive as Fast Five, it nonetheless succeeds as another thrilling, ridiculously entertaining & undeniably fun extravaganza.
The story of Fast & Furious 6 concerns Dominic Toretto & his crew, all of whom have retired to a comfortable life following the heist they pulled off in the previous chapter yet they still remain wanted fugitives in their homeland. But when Hobbs asks for their services to take down a skilled mercenary organisation in exchange for clearing their criminal records, Dom accepts the deal and reassembles his team to finish one last job.
Directed by Justin Lin, Fast & Furious 6 is his final stint with this franchise and he decides to go out on a high note by delivering a picture that's far too enjoyable to worry about the laws of physics being bent here on few occasions. The screenplay packs in an interesting plot filled with excellent use of humour but it isn't as tightly gripped as the last instalment and is a slight step down in comparison. But a few elements do get an upgrade.
The technical aspects follow the same formula that was applied in Fast Five and there isn't much to complain here for the set pieces look spectacularly detailed, the action sequences benefit a lot from its energetic camera-work, brilliant editing & more use of practical effects just like the last chapter although at times the action goes way too over-the-top yet not so exaggerated for most viewers to suspend disbelief. And the background score is fitting for the most part.
Coming to the performances, the entire main cast that was present in the last one reprises its role, Michelle Rodrigues also returns to join the gang and Luke Evans is the new addition who plays this chapter's antagonist. Vin Diesel & Paul Walker do their usual best as Toretto & O'Conner, Dwayne Johnson continues to impress as Hobbs, However, Evans doesn't get enough screen time to show his mettle and his characters turns out to be a generic villain. The rest of the cast chips in with fine contributions.
On an overall scale, Fast & Furious 6 builds upon the very ingredients that worked in favour of Fast Five and, barring a couple of issues, manages to stay on the track for the most part. Although not as amazing as the previous entry, this is nevertheless an immensely enjoyable blockbuster material that promises a lot of fun & thrills, and effectively delivers it. Definitely more style than substance although the margin isn't as vast as it had been in the first four chapters of this franchise, Fast & Furious 6 comes delightfully recommended.
The story of Fast & Furious 6 concerns Dominic Toretto & his crew, all of whom have retired to a comfortable life following the heist they pulled off in the previous chapter yet they still remain wanted fugitives in their homeland. But when Hobbs asks for their services to take down a skilled mercenary organisation in exchange for clearing their criminal records, Dom accepts the deal and reassembles his team to finish one last job.
Directed by Justin Lin, Fast & Furious 6 is his final stint with this franchise and he decides to go out on a high note by delivering a picture that's far too enjoyable to worry about the laws of physics being bent here on few occasions. The screenplay packs in an interesting plot filled with excellent use of humour but it isn't as tightly gripped as the last instalment and is a slight step down in comparison. But a few elements do get an upgrade.
The technical aspects follow the same formula that was applied in Fast Five and there isn't much to complain here for the set pieces look spectacularly detailed, the action sequences benefit a lot from its energetic camera-work, brilliant editing & more use of practical effects just like the last chapter although at times the action goes way too over-the-top yet not so exaggerated for most viewers to suspend disbelief. And the background score is fitting for the most part.
Coming to the performances, the entire main cast that was present in the last one reprises its role, Michelle Rodrigues also returns to join the gang and Luke Evans is the new addition who plays this chapter's antagonist. Vin Diesel & Paul Walker do their usual best as Toretto & O'Conner, Dwayne Johnson continues to impress as Hobbs, However, Evans doesn't get enough screen time to show his mettle and his characters turns out to be a generic villain. The rest of the cast chips in with fine contributions.
On an overall scale, Fast & Furious 6 builds upon the very ingredients that worked in favour of Fast Five and, barring a couple of issues, manages to stay on the track for the most part. Although not as amazing as the previous entry, this is nevertheless an immensely enjoyable blockbuster material that promises a lot of fun & thrills, and effectively delivers it. Definitely more style than substance although the margin isn't as vast as it had been in the first four chapters of this franchise, Fast & Furious 6 comes delightfully recommended.
¿Sabías que…?
- TriviaWhen Hobbs arrives at the barbecue, Roman remarks that they "better hide the baby oil," to which Hobbs replies with "you better hide that big-ass forehead." Hobbs' line was improvised by Dwayne Johnson, so Ludacris spitting out his drink and Tyrese Gibson being at a loss for words are both spontaneous, genuine reactions.
- ErroresThe longest paved runway in Spain (where the scene takes place) is at Madrid's Torrejon airport, at ~4,800 meters, or about three miles. The heroes chase the villains down the runway (apparently unaware of where they are) for about a minute before the plane appears, thus eating up at least one third of the runway's length. The plane, an Antonov AN-124, plans to do a touch-and-go - a landing and immediate take off, once the villains are aboard. While this is certainly possible in the last two miles of runway, such a maneuver should take approximately one minute. Any longer at over 100 MPH, and there wouldn't be any more runway to fly over. The length of the scene is far beyond anything even remotely possible under the circumstances.
- Citas
Roman: This is crazy. We are not in Brazil. So we got cars flyin' in the air, on some 007 type shit? This is not what we do!
Tej Parker: Man you really gotta check that emotion. Your voice just went from Shaggy to Scooby Doo. This is not what we doooo roo roo!
- Créditos curiososAfter the character credits following the film, we're shown Han's final race from Rápido y furioso: Reto Tokio (2006). However, we start seeing angles of it from inside a car, where a gloved hand is adjusting switches and preparing to move. As in _Tokyo Drift_, a Mercedes slams into Han's car, but it doesn't kill him outright. The driver of the Mercedes, an unnamed character played by Jason Statham, emerges from his car; he then pulls the 'cross necklace' (seen earlier in the film and also the one from Fast Five and Four) from his pocket and throws it into the fuel spill/the direction of Han's car. Han's car then explodes from the fuel leak and subsequent engine fire. Jason Statham's character then makes a call, saying, "Dominic Toretto. You don't know me. You're about to."
- Versiones alternativasThe Extended version runs ~1min longer (13 extended scenes, 9 scenes with alternate material, 2 extended scenes with alternate material):
- When Riley and Gisele approach the car manufacturer (Thure Lindhardt), there's a rant by him: "Who sent you? Oh come on, ladies! Two hot girls like you don't wander into this neighborhood unless I've called the escort service. And I haven't, yet, today."
- At the end of the subway station fight between Letty and Riley, Letty strangles Riley with the handcuffs and pushes her back against the wall. She recognizes the train is about the leave then kicks her in the back of the knee before running off to the train.
- There's an additional short exchange between Dominic and Han about the new 4-speed Camaro SS before Roman's hook hits the wall.
- ConexionesEdited into Fast and Furious 6: Deleted Scenes (2013)
- Bandas sonorasWe Own It (Fast & Furious)
Written by 2 Chainz (as Tauheed Epps), Wiz Khalifa (as Cameron Jibril Thomaz), Alex Schwartz, Joe Khajadourian, Breyan Isaac (as Breyan Stanley Isaac)
Performed by 2 Chainz and Wiz Khalifa
Produced by The Futuristics
2 Chainz appears courtesy of Island Def Jam Music Group
Wiz Khalifa appears courtesy of Rostrum Records/Atlantic Recording Corporation
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Fast & Furious 6
- Locaciones de filmación
- Tenerife, Canary Islands, España(on location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 160,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 238,679,850
- Fin de semana de estreno en EE. UU. y Canadá
- USD 97,375,245
- 26 may 2013
- Total a nivel mundial
- USD 788,683,342
- Tiempo de ejecución2 horas 10 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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