La reina del desierto

Although it's not Lawrence of Arabia, and Robert Pattinson suffers from O'Toole comparison, director Werner Herzog still brings to life the hitherto little-known heroine, Gertrude Bell (Nicole Kidman). Her exploits at the beginning of the 20th century helped cast a favorite light on Bedouins and Druses as she moved among them and helped negotiate the end-of-WWI land split in Arabia and environs.

Herzog will have to suffer my criticism that remembers his crazed but magnetic wild men like Aguirre and Fitzcaraldo. Queen lacks the energy in his many stories of madmen like Aguirre. Here, while Nicole appears aristocratic and smart, she never rises above the thoughtful scholar or emerging anthropologist.

Alas, too much is the time spent with the two loves of her life and not enough time among the tribes and diplomats she had to corral to get her inside unknown territory. Why must women in movies still be defined by the men they love?

Herzog is not at his best with virtually half the film watching her dance around the Tehran Embassy diplomat, Henry Cadogan (James Franco), and the British officer, Charles Doughty-Wylie (Damian Lewis). Herzog misses the more romantic possibilities of her involvement in the war effort in favor of two not very interesting romances.

That her loves tend toward their suicide hints at the powerful woman who could have sparked these annihilations. Kidman, a fine actress who gives a nuanced performance here, is mostly directed to play coy more than adventuresome.

Queen of the Desert (2015)

* 1/2 (out of 4)

Nicole Kidman plays Gertrude Bell, the legendary British woman who would tackle various things in her lifetime and she would become one of the most loved figures in history. This Werner Herzog biography would make you think the only thing she accomplished was dating the wrong men.

Herzog is one of my favorite directors and I think everyone was excited when they learned that he was making another feature film and that he was going to be getting an actress like Kidman. The film would eventually hear boos at various screenings and it would limp into American theaters two years after it was first released. It would get some of the worst reviews of the director's career and it only managed to get back $2 million of its $36 million dollar budget.

QUEEN OF THE DESERT isn't as awful as some people have made it out to be but at the same time you can't help but call it a complete misfire on many levels. I think the majority of the blame has to go to Herzog's screenplay because this is a film about one of the most interesting women in the world and yet there's nothing interesting about her told here. For the life of me I can't figure out why this film only looks at her love life and outside of some narration, we'd never know what made her special.

I'm pretty sure Herzog was wanting to make an old'fashion epic with a strong leading lady. The problem here is that the screenplay is just deadly boring and none of the emotions the film works for are ever gotten. There's no romance, no drama, no comedy. There's really nothing here to be connected to and you basically just sit there wondering how such a film could go so wrong. At 128-minutes the film really drags in spots and it's just a real shame that the end result was so bland.

There are some good things to be said. The cinematography and music score are both extremely good. The locations used look terrific and there's no question that there are some beautiful visuals to look at. I'd also argue that Kidman was very good in the role and delivers a good performance but there's just nothing on the page for her to work with. James Franco is okay in his role and Robert Pattinson is good in the part of T.E. Lawrence.

QUEEN OF THE DESERT is sadly a film that will probably be remembered for it bombing at the box office and it coming from a legendary director. Herzog has done so many wonderful films in his life that you'd think this here would have been a sure thing but sadly it was a major bust.

Queen of the Desert breaks form with several other Herzog movies: A female lead character, a grand Hollywood-like production and most interesting: a different perspective on the culture-nature dichotomy and the effects of cultural distance that almost forms the core of Herzog's work.

It tells the story of Gertrude Bell (Kidman), an English writer and traveler who became more and more influential in the Middle East region through her unprecedented travels where she formed bonds with several future postcolonial leaders. Later in life she became involved in politics and helped to found several nation states (and determine its borders), along which Jordan and Iraq through the Hashemite dynasties. She worked in close cooperation with T.E. Lawrence (Pattison).

It is always interesting to see what's left out of the story: her efforts to establish the new countries were far more extreme and tiresome (plus the real reason Iraq was founded: cost-cutting by the British Empire), her witnessing of the Armenian genocide and slave trade, her actual spying role, her relative poverty, illness and depression later in life. What is paid attention to elaborately are her love interests (well played by Franco and Lewis), both ending in tragedy. But too much are we watching a watered-down, Hollywood interpretation of Bell by Kidman and not the real strong and intelligent woman she obviously had to be handling the complexities of deal making in the region.

Yet some typical trademarks of Herzog still shine through: travel to unknown, unmapped places where people find their cultural beliefs and visions on reality tested. In Herzog's world, venturing into nature from the cultural boundaries of existence always leads to suffering and destruction, mankind being unable to conquer the forces of nature. What makes this movie then atypical in the work of Herzog is that Bell finds solace and fulfillment through that process. Also atypical is the time we spent inside: these scenes inside the bastions of power are unfortunately not the best in the movie, and in the landscape scenes, Herzog seems much more on his turf.

Herzog always saw himself as resisting the banality of the images film is projecting, but here he somewhat contributes to that process. Despite that Queen of the Desert is still very watchable, informative and yes, even entertaining.

Obviously the director of this movie does not understand the context of the middle east and he is taking this part of the world as a bulk and treating it as a whole. When in Tehran they speak Arabic, Tehran is in Iran they speak Farisi not Arabic, when in the market one guy is obviously Moroccan while the movie is narrating a middle eastern story (Amman Jordan) different dialect, and the Beddouin music always starting with Allah W Akbar which is a religious chant not necessarily specific to the middle east where you can find Christians, Kurds and a lot more ethnicity. To make long story short the director reflected his understanding of the ME based on orientalist concepts and not real facts.

This film tells the story of a British woman who travels around Arabia to understand the life in the vast desert. She is undeterred by dangers of war, gangs and thieves.

The last Warner Herzog film I watched was over ten years ago, and I did not enjoy the experience. "Queen of the Desert", fortunately, is way better than I expected it to be. The scenery of the desert is mesmerising, while the people it portrays are very interesting and very different from the Western civilisation. Cinematography is beautiful, and the film is hence a pleasant experience to watch. I also like the romance between Gertrude and the two gentlemen. It is rather unfortunate that her life is not rewarded with happiness on the romantic aspect. I enjoyed watching this film.