Un motociclista decide robar bancos para mantener a su amante y a su hijo recién nacido, una decisión que lo cruza con un policía novato ambicioso de un departamento gobernado por un detecti... Leer todoUn motociclista decide robar bancos para mantener a su amante y a su hijo recién nacido, una decisión que lo cruza con un policía novato ambicioso de un departamento gobernado por un detective corrupto.Un motociclista decide robar bancos para mantener a su amante y a su hijo recién nacido, una decisión que lo cruza con un policía novato ambicioso de un departamento gobernado por un detective corrupto.
- Dirección
- Guionistas
- Elenco
- Premios
- 5 premios ganados y 22 nominaciones en total
Angelo Anthony Pizza
- Baby Jason
- (as Anthony Angelo Pizza Jr.)
John Facci
- Priest
- (as Rev. John Facci)
Opiniones destacadas
The place beyond the pines was a bold and magnificent effort by filmmaker Derek Cianfrance.
The movie is set with three major acts. The first focuses on Ryan Gosling, a motorcycle stunt rider who turns to robbing banks to support his new born child. This first act was executed with excellence. Gosling's character is a joy to watch, the soundtrack is phenomenally executed and the cinematography is so beautiful, not to mention Gosling's partner in crime also manages to give an outstanding performance.
The second act focuses on Avery Cross (Bradley Cooper), a rookie cop trying to move up the ranks with a family of his own. The second act was also executed with utter brilliance. Cooper's acting was beyond brilliant, his best yet in my opinion (including his recent Silver Linings Playbook). Cooper deserves to be rewarded for his beyond excellent portrayal of a good cop merely trying to fulfill his duties in a corrupt police department trying to profit from proceeds of crime. Cooper's conflict with the corrupt detective (Ray Liotta) is tension filled and a joy to watch.
The third act focuses on the son's of both Cooper and Gosling, who have both grown up to become teenagers. This is by far the weakest act in the movie in my opinion. Although I would rate this act as "good" of itself, it simply felt like it detracted from the overall viewing experience of the phenomenal first two acts. Although it seems the overarching purpose of the movie was to demonstrate the impact fatherhood (or lack of) has on kids, I felt that this last act was simply unnecessary.
The place beyond the pines was set to be an exceptional experience with the first two acts if it was tied up there, but the attempt to install the third act went too far. The attempt to demonstrate the impact fatherhood (or lack of) has on kids felt too rushed for it to have sufficient impact on me. The first two acts of themselves were extraordinary and the movie should have been left there! It didn't need to be stretched out to achieve some extended purpose sought out by the director.
Nevertheless, what we have are two excellent acts and one good one, which, in my opinion, would equate the movie to a "very good" viewing experience (as opposed to "excellent", "extraordinary" or "top of the range").
In my final opinion, I would highly recommend this movie for the first two acts alone.
PS I might also add that the introduction of Cooper's cop character Avery has to be one of the best introductions ever! It was so subtle and realistic. I loved it!
The movie is set with three major acts. The first focuses on Ryan Gosling, a motorcycle stunt rider who turns to robbing banks to support his new born child. This first act was executed with excellence. Gosling's character is a joy to watch, the soundtrack is phenomenally executed and the cinematography is so beautiful, not to mention Gosling's partner in crime also manages to give an outstanding performance.
The second act focuses on Avery Cross (Bradley Cooper), a rookie cop trying to move up the ranks with a family of his own. The second act was also executed with utter brilliance. Cooper's acting was beyond brilliant, his best yet in my opinion (including his recent Silver Linings Playbook). Cooper deserves to be rewarded for his beyond excellent portrayal of a good cop merely trying to fulfill his duties in a corrupt police department trying to profit from proceeds of crime. Cooper's conflict with the corrupt detective (Ray Liotta) is tension filled and a joy to watch.
The third act focuses on the son's of both Cooper and Gosling, who have both grown up to become teenagers. This is by far the weakest act in the movie in my opinion. Although I would rate this act as "good" of itself, it simply felt like it detracted from the overall viewing experience of the phenomenal first two acts. Although it seems the overarching purpose of the movie was to demonstrate the impact fatherhood (or lack of) has on kids, I felt that this last act was simply unnecessary.
The place beyond the pines was set to be an exceptional experience with the first two acts if it was tied up there, but the attempt to install the third act went too far. The attempt to demonstrate the impact fatherhood (or lack of) has on kids felt too rushed for it to have sufficient impact on me. The first two acts of themselves were extraordinary and the movie should have been left there! It didn't need to be stretched out to achieve some extended purpose sought out by the director.
Nevertheless, what we have are two excellent acts and one good one, which, in my opinion, would equate the movie to a "very good" viewing experience (as opposed to "excellent", "extraordinary" or "top of the range").
In my final opinion, I would highly recommend this movie for the first two acts alone.
PS I might also add that the introduction of Cooper's cop character Avery has to be one of the best introductions ever! It was so subtle and realistic. I loved it!
If I have to be honest here, I cried my eyes out like a baby during most of the film. For some reason, this drama just hit a very sensitive spot for me. - I am almost certain that it was Ryan Gosling's outstanding performance that hit me deep in my gamut of emotions, resulting in various intense feelings of compassion and sympathy that just seemed to keep appearing throughout the film - he represents such a heartwarming yet melancholic character who you can't help but to sympathize with. In the most beautifully portrayed way, we undergo af journey starting from Luke Glantons' (Ryan Gosling) unfortunate situation to smoothly transitioning into Avery Cross' (Bradley Cooper) life whilst issues such as fraud within police departments, abandonment, poverty and social heritage are illuminated in the thrill of it all - and the crazy mixture of different perspectives and issues all makes sense. More I can't say, or else I will reveal the whole plot. The only thing left to say is, if you don't know what you're going to expect from this movie, you're going in for a storytelling told untraditionally, composed perfectly ending with a somewhat circular structure. - Trust me, this only makes sense in the end.
To finish off with a sentence: This movie represents a classic example of your unethical actions coming back to taunt you.
"The Place Beyond the Pines" is the second feature film with the director/actor pair of Derek Cianfrance and Ryan Gosling. The two together are a two man wrecking force who show resemblance of a DiCaprio/Scorsese dynamic. In this film, they tackle an ambitious, emotional and completely original tale about fathers and sons, sins of the father, generational consequences, and how one moment can send shockwaves lasting a lifetime.
The movie is broken into three acts, each as compelling and unpredictable as the one before it. The film centers around three main characters, somehow, all connected to each other. It stars Ryan Gosling, Bradley Cooper and Dane DeHann as the leads. Ryan Gosling channels the brooding reticence of his unnamed badass from "Drive" and the cool swagger of Tyler Durden from "Fight Club." Bradley Cooper displays a lot of versatility as he plays a nervy rookie cop. Some other actors who shine here are Ben Mendelsohn, Mahershala Ali, Bruce Greenwood, and Ray Liotta (with his signature menacing intensity). The actors really own their roles and allow for the viewers to connect with the portrayal of their sympathetic characters. The only problem here is that the newcomer actors (Dane DeHaan and Emory Cohen) don't carry their act as effectively and emotionally as Ryan Gosling and Bradley Cooper did.
The story here is ambitious and succeeds in telling a new and refreshing tale that filmgoers have not seen or experienced on this level of deep sophistication in ages. The film transcends movie tropes and plots as it takes a realistic, gritty, and life-like spin on traditional storytelling. "Pines" is more than just a movie. It is an exploration and examination of the human experience, spirit, and conscience.
To match the film's sensational storytelling and acting is the phenomenal directing, cinematography, and music. Everything about the filmmaking craft helps enhance the emotional impact, and real life gravity of the film. It isn't just some action crowd pleaser or CGI-infested cash grab. Nor is it some black and white 'good guys vs bad guys' rehashed plot Hollywood has been spewing out for the last quarter-century. It's an emotional, heart- wrenching, and enriching drama in which you see every character as a human person capable of love, forgiveness, and sinful actions. It is a powerhouse of craftsmanship. Director Derek Cianfrance expertly weaves together a complex and emotionally draining epic that puts an emphasis on how one moment/decision can affect generations to come. He also concocts immersive third-person POV tracking shots which greatly add to the occasional thrills of the film. The cinematography and music create a hurricane of emotions to further augment the viewing experience.
It is a travesty that "The Place Beyond the Pines" has not gotten the attention it deserves. It's mandatory viewing for any film buff or life enthusiast. Because what this movie is is life on screen.
The movie is broken into three acts, each as compelling and unpredictable as the one before it. The film centers around three main characters, somehow, all connected to each other. It stars Ryan Gosling, Bradley Cooper and Dane DeHann as the leads. Ryan Gosling channels the brooding reticence of his unnamed badass from "Drive" and the cool swagger of Tyler Durden from "Fight Club." Bradley Cooper displays a lot of versatility as he plays a nervy rookie cop. Some other actors who shine here are Ben Mendelsohn, Mahershala Ali, Bruce Greenwood, and Ray Liotta (with his signature menacing intensity). The actors really own their roles and allow for the viewers to connect with the portrayal of their sympathetic characters. The only problem here is that the newcomer actors (Dane DeHaan and Emory Cohen) don't carry their act as effectively and emotionally as Ryan Gosling and Bradley Cooper did.
The story here is ambitious and succeeds in telling a new and refreshing tale that filmgoers have not seen or experienced on this level of deep sophistication in ages. The film transcends movie tropes and plots as it takes a realistic, gritty, and life-like spin on traditional storytelling. "Pines" is more than just a movie. It is an exploration and examination of the human experience, spirit, and conscience.
To match the film's sensational storytelling and acting is the phenomenal directing, cinematography, and music. Everything about the filmmaking craft helps enhance the emotional impact, and real life gravity of the film. It isn't just some action crowd pleaser or CGI-infested cash grab. Nor is it some black and white 'good guys vs bad guys' rehashed plot Hollywood has been spewing out for the last quarter-century. It's an emotional, heart- wrenching, and enriching drama in which you see every character as a human person capable of love, forgiveness, and sinful actions. It is a powerhouse of craftsmanship. Director Derek Cianfrance expertly weaves together a complex and emotionally draining epic that puts an emphasis on how one moment/decision can affect generations to come. He also concocts immersive third-person POV tracking shots which greatly add to the occasional thrills of the film. The cinematography and music create a hurricane of emotions to further augment the viewing experience.
It is a travesty that "The Place Beyond the Pines" has not gotten the attention it deserves. It's mandatory viewing for any film buff or life enthusiast. Because what this movie is is life on screen.
In an attempt to give away as little as possible about this film, obviously so that you can enjoy all of the phases as I was able to do, I would like to simply highlight my opinion about this movie. It was a great film and was very entertaining. I'd recommend you take a chance and go see this film. Expect some theatrical diversity and in the end it all comes back full circle.
I have nothing negative to say. The acting was mature and accurate. Each character was playing a role that suited their own set of talents superbly.
Try not to read too many reviews and just go and see this movie. You will not be disappointed.
I have nothing negative to say. The acting was mature and accurate. Each character was playing a role that suited their own set of talents superbly.
Try not to read too many reviews and just go and see this movie. You will not be disappointed.
I really recommend not to go through any spoilers about this movie and try to enjoy the emotional and reasonable depths of its story. There are more than three dimensions filmed inside The Place Beyond the Pines, where many ideas are dealt with, each is rich enough to make a movie by its own.
The 2 hrs 10 minutes of the movie is in fact the time where at least four different yet connected perspectives are shown, with every one being taken care of as the main one and all main actors in those parts are superstars.
It is so good because it has excellent story, actors and directing.
The 2 hrs 10 minutes of the movie is in fact the time where at least four different yet connected perspectives are shown, with every one being taken care of as the main one and all main actors in those parts are superstars.
It is so good because it has excellent story, actors and directing.
¿Sabías que…?
- TriviaIn the audio commentary, co-writer and director Derek Cianfrance says that his financier would give him the budget he wanted if he shrank the 158-page script to 120 pages. Without removing anything, he used a smaller font and extended the margins. He says no one noticed.
- ErroresJason steals "oxys" - Oxycontin or Oxycodone - from the pharmacy shelf. Both these drugs are "CII" (Schedule II) controlled substances, the most restrictive classification for legal drugs. Federal law mandates that they be kept under lock and key to prevent easy access by thieves. They would not be kept on the shelf.
- Versiones alternativasAlthough US distributor Focus Features has never released a longer version of its films and considers the theatrical version the director's cut, in April 2013, director Derek Cianfrance stated that he 'looked forward to putting many deleted scenes onto the upcoming DVD/BD releases that could add up to a total runtime of approx. 20 minutes. As of October 2023, however, this extended cut has yet to materialize.
- ConexionesFeatured in Maltin on Movies: Trance (2013)
- Bandas sonorasMiserere Mei
Written by Gregorio Allegri
Arranged by Vladimir Ivanov (as Vladimir Ivanoff)
Performed by Osnabrück Youth Choir
Johannes Rahe, Director
Courtesy of DA MUSIC/CCnC, Germany
www.ccnc.com/CultureWare
Music/Marren MV
By arrangement with Hearts of Space Records
Valley Entertainment, Inc.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- The Place Beyond the Pines
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 21,403,519
- Fin de semana de estreno en EE. UU. y Canadá
- USD 279,457
- 31 mar 2013
- Total a nivel mundial
- USD 47,162,802
- Tiempo de ejecución2 horas 20 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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