Loco y estúpido amor

When it all comes together in an ensemble romantic comedy, it takes a great script, spot-on casting, inspired acting, timing, synergy, and brilliant direction. Crazy, Stupid Love has it all. Arguably, the best romantic-comedy of the new millennium era, CSL synchronized two directors and a screenwriter who had all previously been noted for their top success in animation films and television including the 'Cars' franchise, 'Tangled' and 'Angry Beavers' (in addition to non-animation film), along with the brilliant Casting Director Icon Cindy Marin who had casted 'Juno' a few years earlier.

The casting could not have been better, and with the inclusion of Kevin Bacon, connects the film (within 7-degrees of Bacon) to generations of great romantic comedies.

I can count on one hand the number of great romantic comedies in film since 2000 - they are rare, hard to pull off, and this is one of the very best. TV Series are a much better platform for comedy, as the comic moments can be spliced together without having the wrap a complete linear story around it in just two hours - TV is 30 minutes of gags; next episode.

Pulling-off a quality 2-hour story like this one, within the comedy genre (that is both sexy-sweet and funny at the same time;) requires effectively synchronizing a lot of moving parts.

Everyone involved in the production of CSL brought their A-Game, and it shows.

The key tandem in the film's success is Steve Carrell/Ryan Gosling - Without those two delivering the goods, the film would have failed.

They deliver big-time, making this Buddy-Film disguised as a Romantic-Comedy an all-time film arts success.

The Carrell/Gosling best-buddy relationship centers around a man in his 40's (Carrell) in the process of being separated from his middle-school sweetheart and first-and-only-love wife (Julianne Moore), reluctantly entering the modern singles dating world for the first time in his life.

He is completely unprepared and out of step with the times and the game, but runs into the Yoda or "Miyagi" master of ladies-men (Gosling) at a popular local singles bar, who decides to take him under his wing and mentor him in the ways of successfully meeting younger women after observing his wallowing in breakup pain and ineptitude in the singles game. The Pygmalion-like tutoring and transformation is truly brilliant fun to watch.

A complex intertwining connection of the entire cast starts to reveal itself piece by piece, and the hilarious apex of the film is one of the most memorable pay-off moments in comedy-film history.

The supporting cast orbits around the two new-best-friend buddies, and their acting excellence results in CSL rating as one of the all-time great ensemble comedies.

This was the first of three (as of 2021) successful movie pairings of Emma Stone and Ryan Gosling, each subsequent project propelling both into higher orbits of superstardom - the third pairing 'La La Land' resulted in multiple award nominations, including an Oscar win for Stone, and with Hollywoods penchant for staying with winning formulas, it is likely we shall see more of these two together in film.

CSL fits the new millennial era culture well, and perhaps years from now will seem dated to this period (filmed right before the dating App explosion that occurred from 2012-2015 that replaced and swiped-away bar meetups, it is already aging in that regard). This just means everyone "got it" during its production, and certainly transferred that "get" to the screen with notable comic skill.

On my IMDb list of Top 25 Best Comedy Buddy Films.

Needless to say, I "highly recommended" 'Crazy, Stupid Love', and give it the proverbial two thumbs up! 👍👍

Greetings again from the darkness. From the opening scene it is clear we aren't in for a typically lame rom-com with caricatures instead of characters and punchlines instead of feelings. Instead, this one is all about the characters and their feelings ... realistic feelings of pain, anger, hope and frustration. Now don't misunderstand. It doesn't go too deep and there is still plenty of humor in the moments.

Cal (Steve Carell) and Emily (Julianne Moore) are sharing one of their many restaurant moments over the course of their long, steady marriage. Only this time, something spoils the comfort zone. Emily says she wants a divorce and later tells Cal that she had an affair with a co-worker (Kevin Bacon). What follows is as close to real life reactions as we could ever hope for in a rom-com. Cal is hurt. The kids are angry. Emily is confused. Their friends take sides.

The intertwining story lines and characters are both sad and funny. We see how people react when they are attracted to others ... or not. We see how people react when they wonder if their decision was rash. We see how basically nice people try to do the right thing for themselves and others, but still mess it up sometimes.

After moving out, Cal heads to a local upscale lounge that seems to be stocked with gorgeous women and only a handful of men ... every night. In real life, the line of men waiting to enter would be wrapped around the block. Still, one of the regulars is Jacob, played by Ryan Gosling. He is a thing of beauty to look at it and always quick with just the right line. His science is making women believe he cares about nothing but them. Cal is discouraged by Jacob's incredible success rate. Jacob notices Cal's negative vibe and agrees to train him. But first, the makeover ... wardrobe, haircut and conversation skills.

The polar opposite effect of what you might expect from Hollywood - these nice people begin to question their direction. Cal longs for Emily. Emily still thinks about Cal, but dates her co-worker. The son (Jonah Bobo) has a crush on the older baby-sitter, who has a crush of her own. Even Jacob falls hard for new attorney Hannah (Emma Stone) who has just walked out on her wet rag boyfriend (Josh Groban) who offered her a job, rather than a ring. Oh what a tangled web we weave. And that's just the stuff I can tell you! Cal's first conquest utilizing his newly learned skills is a teacher played with full energy by the terrific Marisa Tomei. She only has a couple of scenes, but as usual, Ms. Tomei makes the most of her screen time. The baby sitter is played well by Analeigh Tipton, but it's interesting to note (in real life) she is 3 days younger than law school grad Hannah (Stone).

All of the actors are top notch here. Steve Carell continues to get better ... this is a superior movie to Date Night (with Tina Fey). Julianne Moore is solid, though her character is mostly mopey. Ryan Gosling and Emma Stone are both outstanding. Gosling is none for mostly offbeat, dark independent films but shows again how easily he slides back into sex symbol. Ms. Stone is headed for super-stardom. She was really good in Easy A and has a star-making turn in the upcoming film The Help. After that, it's on to the new Spider-Man for her.

Glenn Ficarra and John Requa are the co-directors and were responsible for the much less mainstream I Love You Phillip Morris, with Jim Carrey and Ewan McGregor. Surprisingly the film was written by Dan Fogelman, who is known for his script writing on the animated Cars movies.

No question women will enjoy the film, but the surprise is, many men will relate to what's going on with the Steve Carell and Ryan Gosling characters. There is enough humor to keep everyone happy and enough strong writing to say this is a very good movie.

The ironic and embarrassing thing is, the person I was watching this with knows how relatable the theme of "finding your one true soul mate" is currently. This will be difficult to review without affecting me personally, but when a film does that to you it just goes to show how powerful the art can be. We follow a variety of characters as they explore the emotion of love. A middle aged couple going through a divorce, a babysitter who has fallen for her employee, a young boy who's in love with the babysitter, a promiscuous dating expert who eventually finds "the one" and a young woman hoping for a proposal. Eventually, we find that these characters interlink in a sprawling narrative detailing the joys and sorrows of love. Despite all that, the biggest element that resonated with me the most was to never give up fighting for the one you love. And I know the person this refers to in my life will read this review, and I know they will do everything in their power to not acknowledge my true feelings...but it's worth fighting for right? Absolutely, and the film conveys that message eloquently, particularly in the third act which I did not see coming at all. I literally shouted "no...nooo...NOOO!" as one character attempts to regain a form of relationship, albeit goes terribly wrong. The narrative consistently switches between characters, reminiscent of the classic rom com 'Love Actually', which keeps the pacing interesting. Acting was emotionally investing from everyone. Ryan Gosling shows us that his comedic timing is excellent, Steve Carell is able to perform some dramatic scenes and Julianne Moore is always dependable. Emma Stone's character needed a larger amount of screen time, I felt her character was unevenly balanced. We see practically nothing of her in the first two acts and then she becomes the main attraction in the third. It just meant I hadn't warmed to her like I did with the other characters. I thoroughly enjoyed this though, I laughed, teared up and smiled. Love hurts dammit!

I first saw this a decade ago on a dvd which I own.

Revisited it recently with my family aft seeing the trailer of Licorice Pizza.

The similarities in both movies are noteworthy n one can easily make out that Licorice Pizza is copied from this movie.

Inspite of not being a fan of romatic comedy movies, I enjoyed this movie then n now too.

It is hilarious n the acting is top notch.

The movie is about a man who seeks to rediscover his manhood and is taught how to pick up women at bars.

The star cast is top notch n the film moves at a decent pace.

The babysitter is played by Lio Tipton who was 23 during this movie but she succeeded in portraying a teenager's role.

Her nudity n sex scenes in the movie Compulsion was kinda shocking for me.

My initial reaction is that this film is the best romantic comedy that I've seen in years. The genre has been pretty devoid of quality lately. So, I don't know if that plays a part or not and I really don't care at this point. I enjoyed everything about this movie. It has tremendous heart and charisma and it's so very easy to get caught up in to the lives of these characters. A certain degree of patience is required while viewing because some secondary characters that feel unnecessary to the story are worth getting to know. Steve Carell's character is the one everyone empathizes with and when the movie shifts away from the "A" story you wonder why and start to think that the "B" story is going to be muddled or cliché or one to endure. Well, they're not and everything comes together in a wonderful fashion. The entire cast here is perfection. The overall message may be one to debate but it doesn't matter because the ride and this film are just so smart and so well done.