Piratas del Caribe: La venganza de Salazar
El capitán Jack Sparrow busca el tridente de Poseidón mientras es perseguido por un capitán marino no muerto y su tripulación.El capitán Jack Sparrow busca el tridente de Poseidón mientras es perseguido por un capitán marino no muerto y su tripulación.El capitán Jack Sparrow busca el tridente de Poseidón mientras es perseguido por un capitán marino no muerto y su tripulación.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 14 nominaciones en total
- Gibbs
- (as Kevin R. McNally)
Opiniones destacadas
What stands out in this chapter is the film's ability to blend humor with action, all while exploring themes of legacy, redemption, and the relentless pursuit of freedom. The visual spectacle is undeniably stunning; vibrant CGI brings fantastical sea creatures and breathtaking ship battles to life, reminiscent of the franchise's earlier highs while forging its own identity. The cinematography is a treasure in itself, with sweeping shots of lush landscapes and exhilarating chase sequences that keep viewers on the edge of their seats.
Introducing new characters, particularly Henry Turner (Brenton Thwaites) and Carina Smyth (Kaya Scodelario), the film breathes new life into the series, offering a bridge between the past and future. Their chemistry carries a sense of youthful exuberance that is infectious, allowing for a fresh dynamic without overshadowing the iconic Jack Sparrow.
While some may argue that the film treads familiar ground, it also offers moments of poignancy-exploring the cost of obsession and the bonds that tie families together. The ambitious narrative threads are supported by an engaging script, with moments of wit and a healthy dose of pirate lore that fans have come to love.
*Pirates of the Caribbean: Dead Men Tell No Tales* is a delightful swashbuckling saga that reminds us why we fell in love with the franchise in the first place. With a perfect blend of humor, heart, and high-seas adventure, it's a worthy addition to the series-one that proves old pirates never truly fade away, and that every tale, no matter how twisted, still holds the promise of a new adventure. Set sail, and enjoy the ride!
Its sequels are not on the same level, and while they are a long way from flawless none of them are awful films either. They have their flaws, 'Dead Man's Chest' did get too frenetic sometimes, 'At World's End' was overlong, bloated and needlessly bloated and 'On Stranger Tides' (which has been dumped upon by many here but to me it was a very enjoyable film, one of the better sequels, and much better than given credit for, which is not going to be a popular opinion) had an underdeveloped and forced romantic subplot and too much filler that could have been trimmed in some places. They all have great merits, namely great visuals, exciting action, Hans Zimmer's music, Johnny Depp, Geoffrey Rush and Bill Nighy.
'Pirates of the Caribbean: Salazar's Revenge' has its defenders but has also been met with underwhelmed disappointment by critics and most fans. Personally am on the fence with 'Salazar's Revenge' and consider it one of the weaker entries generally of the series, with only 'At World's End' being weaker. It is a decent and fun enough ride, but it could have been so much more and has some glaring flaws.
It is easy to say forget the story, however this is a strong case of being very hard to do so when there is so little to it. It takes a while to get going and there are some real pacing problems in the final act, which has its good points but generally is very tedious. It is very thin for the running time and feels overstretched and bloated, giving the impression the film is too long. The script has some droll and witty quips every now and again, but mostly it is very weak with far too much of a rambling, improvisatory and random feel, it just doesn't feel that well structured. There is also a very bizarre exchange with Depp and Paul McCartney (whose presence is rather jarring).
Brenton Thwaites and Kaya Scodelario are vastly inferior to Orlando Bloom and Keira Knightley, they lack presence and come over as bland and dare one say deadweight. The music score is rousing enough and creates some nostalgia, but can be overly bombastic and is too much of a retread from the music of the previous films. There is an overload of CGI effects, which standard-wise are mostly splendid though with some artificial ones too.
With all this being said, there are obvious merits here. Once again, the production values are impeccable, the cinematography is skillful and full of beauty and atmosphere, the costumes, sets and period recreation is authentic and sumptuous and the effects are superb. As aforementioned the special effects are splendid quality-wise.
'Salazar's Revenge's' action is a lot of fun too, being coherent and exciting, especially the very scary one with the undead shark and the ending, which also does a good job clearing up loose ends. There are some great and suitably light-hearted comedy set pieces, like Jack being dragged by a building and clinging onto the guillotine.
Jack not being the central focus but still being essential to the plot proved to be a good move. 'Salazar's Revenge' succeeds in bringing a sense of nostalgia. Loved Barbossa's story arc, inarguably the film's most interesting which allows Geoffrey Rush to really sink his teeth and give a fun and moving performance. His revelation and his farewell was heart-breaking in its emotion.
Contrary to what some have said, apart from the newcomers to the franchise Thwaites and Scodelario as well as McCartney, the acting was fine. Although Johnny Depp's performance has been criticised, to me he still has the enthusiasm, sense of fun and swagger. Geoffrey Rush does a great job as always, while an unrecognisable Javier Bardem (very impressively made-up) is simply brilliant and clearly having a whale of a time as perhaps the franchise's most sinister villain (if not the best, that title still belongs to Bill Nighy's Davy Jones).
Summing up, decent and fun enough ride that could have been so much more. 6/10 Bethany Cox
This movie provided some background story of Jack while he was young, which was very interesting to see. The movie was filled with lots of fun and laughter but also few brief touching moments. The story was good and there were some surprises too. As a high budget movie, the movie was filled with very good special effects (some done by the Industrial Light Magic). I totally loved the effects of the deads (Salazar's crews), his ship and of course the very cool special effects at the end.
I also felt that the movie did not have any dull moment. From beginning till the end, there were always something interesting to see. My wife and I were entertained throughout the whole movie which was having a duration of a little over 2 hours. Amazingly, due to the sense of excitement, my wife was able to hold going to the bathroom till finished. I guess she forgotten about it while watching.
Actually, even though I looked forward to see this movie, I was a bit skeptical at first about whether this one would be good enough. I felt that the 4th one was a little bit dull, and also a bit forced. The story for that one did not feel strong enough and certainly did not give a lot of impression. But this one really felt it was worthy of giving another sequel after this. Especially if you wait till the very end, after the end-credit scene, where we were given something interesting to ponder. Might be the potential story for the sequel? Perhaps if this one is successful enough.
I believe this one really worth to see. I am happy to see Johnny Depp in this movie which I hope would be a commercial success for him. Since his past few movies were unfortunately not really successful ones. Maybe people grew tired of his acting as unusual characters. So if you are looking for something fun, light, interesting movie with funny charming pirate and treasure hunt story, you should definitely watch this one. I am confident you would be entertained like my wife and I were.
For my complete review, pls have a look in michaelnontonmulu.blogspot.co.id
Title (Brazil): "Piratas do Caribe: A Vingança de Salazar" ("Pirates of the Caribbean: The Revenge of Salazar")
¿Sabías que…?
- TriviaJoachim Rønning, Espen Sandberg: The severed heads in the guillotine basket.
- Errores(at around 1h 3 mins) This film shows the compass being given to Jack by a captain he worked for in his youth as that captain is dying. In Piratas del Caribe: El cofre de la muerte (2006), Tia Dalma said he bartered the compass from her.
- Citas
Captain Jack Sparrow: Who are you?
Henry: My name is Henry Turner. Son of Will Turner and Elizabeth Swann.
Captain Jack Sparrow: Ewww. You're the evil spawn of them two.
[pause]
Captain Jack Sparrow: Does mummy ever ask about me?
Henry: No.
Captain Jack Sparrow: Oh go on. She call my name in her sleep?
Henry: She never spoke of you.
Captain Jack Sparrow: Are you sure we're talking about the same people? He's a cursed eunuch. She's golden-haired, stubborn, pouty lips, neck like a giraffe, and two of those wonderful...
Henry: Yes! Yes, it's her.
- Créditos curiososThere is a scene at the end of the closing credits: Will wakes up from a vision involving Davy Jones. He assumes this is a nightmare and returns to sleep, but is unaware to a few of Jones' tokens remaining.
- Versiones alternativasThe film's IMAX release presented the film open-matte, at an aspect ratio of 1.90:1, meaning there was more picture information visible in the top and bottom of the frame (more picture is opened up at the bottom of the frame due to the common-top method used, resulting in the 2.39 image space appearing at the top) than in normal theaters and on home video.
- ConexionesFeatured in Good Morning Britain: Episode dated 3 October 2016 (2016)
- Bandas sonorasPreludio of Sonata No. 6
Written by Lodovico Giustini (uncredited)
Arranged by William V. Malpede (as William Malpede)
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Pirates of the Caribbean: Dead Men Tell No Tales
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 230,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 172,558,876
- Fin de semana de estreno en EE. UU. y Canadá
- USD 62,983,253
- 28 may 2017
- Total a nivel mundial
- USD 795,922,298
- Tiempo de ejecución
- 2h 9min(129 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1