Una mujer se despierta en un planeta lejano y encuentra a la tripulación de su estación espacial brutalmente asesinada. Su investigación sobre lo sucedido pone en marcha una aterradora caden... Leer todoUna mujer se despierta en un planeta lejano y encuentra a la tripulación de su estación espacial brutalmente asesinada. Su investigación sobre lo sucedido pone en marcha una aterradora cadena de acontecimientos.Una mujer se despierta en un planeta lejano y encuentra a la tripulación de su estación espacial brutalmente asesinada. Su investigación sobre lo sucedido pone en marcha una aterradora cadena de acontecimientos.
- Dirección
- Guionista
- Elenco
- Premios
- 1 nominación en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Reviewers say 'Ash' is a mixed sci-fi horror film with praised originality, atmosphere, and visual effects. Eiza González and Aaron Paul deliver strong performances, and the direction by Flying Lotus, along with cosmic horror elements, receives positive remarks. However, criticisms arise regarding the story's execution, pacing, and editing, deemed derivative and unoriginal. The CGI and special effects are often subpar, detracting from the experience. Despite compelling final scenes, the film struggles to fully engage or satisfy a significant audience.
Opiniones destacadas
It is indeed visually alluring, and I admire their passionate experimentations with the colour palette. Not the visual effects, though, I mean the CGI, as they certainly came off cheap and underdeveloped in some places.
However, if we keep all these flashy technicalities on one side and start judging the movie from a cinematic standpoint, shortcomings begin to emerge to the surface.
First and foremost, there is limited time allotted to explore the 'reason' behind the mysterious circumstances on the ship. Although there are a couple of scenes to depict the 'otherworldly' beings, they fail to meet the inherent necessities of the script.
Secondly, the majority of the characters are merely used as fillers, with Eisa and Aaron shouldering the burden for the most part.
And could someone please tell me why and how they managed to convince Iko Uwais to play such a trivial character?
Was it just to indulge him in a hand-to-hand fight scene that lasted for like two minutes?
Criminal!
However, if we keep all these flashy technicalities on one side and start judging the movie from a cinematic standpoint, shortcomings begin to emerge to the surface.
First and foremost, there is limited time allotted to explore the 'reason' behind the mysterious circumstances on the ship. Although there are a couple of scenes to depict the 'otherworldly' beings, they fail to meet the inherent necessities of the script.
Secondly, the majority of the characters are merely used as fillers, with Eisa and Aaron shouldering the burden for the most part.
And could someone please tell me why and how they managed to convince Iko Uwais to play such a trivial character?
Was it just to indulge him in a hand-to-hand fight scene that lasted for like two minutes?
Criminal!
The production value is high, the actors are solid, the sets are fine. But this is has got to be the most overused clichéd script I have ever seen.
The scifi elements are just enough to create a coherent plot and unify all the elements. But it is incredibly boring slog fest, which they have tried to make more intelligent by the most overused trope of the main character losing their memory.
I think this is the wave of AI generated scripts. This simply has no value, there are so many better movies who have almost the identical plot.
It only requires two movie they stole from, and I cant really call it influenced. I have no idea how something can simply rip off the idea from "The thing", mix it with a bit of "Alien" to pad out the scenes, and actually manage to get it made.
These are two of the most most influential movies in the genre, didn't someone notice how it was such as blatent and poor ripoff.
The scifi elements are just enough to create a coherent plot and unify all the elements. But it is incredibly boring slog fest, which they have tried to make more intelligent by the most overused trope of the main character losing their memory.
I think this is the wave of AI generated scripts. This simply has no value, there are so many better movies who have almost the identical plot.
It only requires two movie they stole from, and I cant really call it influenced. I have no idea how something can simply rip off the idea from "The thing", mix it with a bit of "Alien" to pad out the scenes, and actually manage to get it made.
These are two of the most most influential movies in the genre, didn't someone notice how it was such as blatent and poor ripoff.
Is an interesting idea, some cool concepts, stunning imagery, lot of great pratical effects and stunts, but it just drags on.
Elza Gonzales and Aron Paul are great actors, but they have no chemistry or charisma in this, specially to drag a whole movie, and the dialogues doesn't help at all, Iko Uwais is straight up wasted. It just feels like they got this concept for a short or something, and some executives made then stretch it into a movie... So this is what we got, but hey, at least they did the right thing about the expositions, which is to show stuff, instead of telling through narration.
Elza Gonzales and Aron Paul are great actors, but they have no chemistry or charisma in this, specially to drag a whole movie, and the dialogues doesn't help at all, Iko Uwais is straight up wasted. It just feels like they got this concept for a short or something, and some executives made then stretch it into a movie... So this is what we got, but hey, at least they did the right thing about the expositions, which is to show stuff, instead of telling through narration.
Went in without having seen a trailer and only having read a brief synopsis, left confused and disappointed. The film is a jumbled aggregations of themes and concepts that have played out in other prominent sci fi films dating back to 2001: Space Odyssey and there are scenes that are straight ripped from others (looking at robot assisted medical procedures). Aside from some trippy fractal visuals that are never really explained, the sets are basic, special effects pretty minimal, and acting pretty bad across the board. The main character Raya is hot, so there is that. Twists and turns at the end kind of clue one onto what's going on, but it's clunky.
As my viewing mate said to me about ten minutes in "This is a very B movie".
As my viewing mate said to me about ten minutes in "This is a very B movie".
Why is this movie edited so poorly...lts Iike we see the same scene in 4 different ways....they have multiple flash backs for all the same scenes, and by the fourth flashback, you already knew what was going on...this have amazing visuals, and amazing fx, but it just didn't do anything for me...MANDY is a much better film that has depth and visuals to make you invested...this movie just didn't push the needle and by the end, i was bored...the Iast 5 minutes were awesome, everything else besides the visuals were mediocre sadly...Shudder is usually hit or miss so I wasn't shocked to see their name on the opening credits...i went in blind, and left bored.
2025 SXSW Film & TV Festival Cheat Sheet
2025 SXSW Film & TV Festival Cheat Sheet
Get the lowdown on the buzziest films we screened in Austin, including Jenna Ortega in Death of a Unicorn, the dark comedy Friendship, and more movies you'll want to add to your Watchlist.
¿Sabías que…?
- TriviaOriginally set to star Joseph Gordon-Levitt and Tessa Thompson.
- Créditos curiososThere is a brief scene after the first part of the credits.
- Bandas sonorasWalk Free (Flying Lotus Remix)
Written by Brandon Coleman
Performed by Brandon Coleman
Courtesy of Brainfeeder Records
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- How long is Ash?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Попіл
- Locaciones de filmación
- Nueva Zelanda(Studio location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 1,083,743
- Fin de semana de estreno en EE. UU. y Canadá
- USD 689,144
- 23 mar 2025
- Total a nivel mundial
- USD 1,083,743
- Tiempo de ejecución1 hora 35 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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