Triple 9

A great cast and so-so writing leaves you wanting more at the end. But there are some thrilling scenes to keep you entertained.

This movie stand right in the middle between not Fantastic in the same time not bad

They could use these great group of actors in much better way

But after all you won't regret watching it

Triple 9 is a worthy modern day crime drama with an always interesting premise of corrupt cops strong-armed by mobsters to do the unthinkable. Under John Hillcoat's direction, the film's backdrop is grim & punishing, in tune with its themes where morals are an afterthought & survival comes bleak. The resulting events & action are absolutely well shot, unexpectedly visually creative, brutal, and best of all, authentic as hell, accounting for the film's best & most heart-racing moments. The violence & brooding suspense is held together by a score (& well placed absence of it) that amps the danger as one that lurks around the corner till it explodes to guns blazing chaos.

As for our leads, the characters & the ensemble cast behind them are another bright spots of the film. Props to Chiwetel Ejiofor, who's anguished persona was the best he has ever been. Anthony Mackie & Clifton Collins Jr were standouts as well, with the former deftly portraying the street wise, money-grubbing not so finest, & the latter stealing scenes with his menacing dead eyes & boorish nature.

As for the film's weak points, though Kate Winslet conveys cold hearted bad assery, her Russian accent was flat out laughable, randomly vanishing & surfacing within the same spiel. The narrative is as well too convoluted for its own good, rendering the final acts as one gigantic head scratching plot hole.

Overall, while Triple 9's shortcomings hinder the film from being great, the perfectly executed action & the excellence of its ensemble ensures a solid watch.

It's not a masterpiece, but it absolutely stands out in the landscape of the last few years productions. Triple 9 is gritty, hyperrealistic, dramatic, and cursed. No millennial fancies. Great acting, good direction. Solid. Surely worth a watch.

Since The Proposition was unleashed on audiences back in 2005, Aussie filmmaker John Hillcoat has made a name for himself as an uncompromising and ambitious auteur, bringing together A-list casts for bleak and uneasy thrillers. His latest Hollywood effort – following The Road and Lawless – dives into the grubby underground of Atlanta, where corrupt cops, ruthless bank robbers and Russian mobsters are often one and the same. A nice world this ain't. There's an unrelenting grimness to this noir-ish street saga that generates the desired mood, and the high level of dread permeating throughout proceedings maintains tension despite a predictably death-happy final act. Yet Hillcoat struggles to fully wrangle Matt Cook's twisty-turny screenplay; what could've been an intriguing web of lies, double-crosses and daring crimes becomes a less believable concoction of coincidences, plot contrivances and dubious character choices. Taking a leaflet out of Michael Mann's book of realistic action, the handful of set pieces are executed with flair, precision and unwavering violence, with an extended gun fight at the halfway point harking back to Mann's own Heat (albeit without topping it). Unfortunately the film is also let down by its vast array of players. Other than Casey Affleck's honest but worn-down cop, everyone else is evil and unpleasant to varying degrees – and rarely more than a caricature – making it hard to care about their fates. Hillcoat's menacing tone and visual ferocity ensure a certain level of interest and entertainment, but narrative and character weaknesses stop Triple 9 from being essential viewing.