El escuadrón del crimen

This movie is fast-paced and the cinematography (specifically the shaky camera thing) is clever and interesting when it's not irritating. Also, there is some eye candy for the ladies and some of the cast is full of interesting and appealing characters, some who actually do decent acting jobs ("some" is the operative word.) Those are the good points.

Now the other side. I like T.I. as a rapper and even thought he did an okay acting job in ATL a few years ago, but his acting here was just downright criminal. There was one scene in which he dominated the dialog that I actually said out loud, "his acting is so bad, it's offensive." You're actually offended that that is being pushed off as something you should buy as a viewer. You're wondering how no one in the director's booth was offended by it. In fairness, the fast action of the bulk of the movie shields the poor acting a bit, so the blow is blunted a bit. But between his poor acting and Chris Brown's sometimey acting, it was just a lot being asked of the viewer. Speaking of characters, the lack of character development is also a low point of the film. I agree with another commenter that you're asked to feel something for a character who dies, but you feel nothing because you really haven't been given anything to know or care about. And finally as others have stated, the plot is clichéd to the point that you're wondering if it's supposed to be a satire of some sort. But no, no satire. They're seriously trying to wrap Heat and Set it Off and Dead Presidents up in a big bow and pass it off as a new present. Just not a good thing to do.

I rate it a 5 on a 10-point scale because while it's not a great movie, it does hold your attention and as bad as some parts are, it's not the worst movie I've ever seen. So I say giving it about half credit is pretty accurate. In that vain, I won't say you should pay to see this or you shouldn't pay to see it. I say do the 50/50 thing--flip a coin. Either way, the earth won't shatter. This movie is just not that significant either way. It will probably be forgotten pretty soon.

The plot for this film does not need to be explained. It's basically a pastiche of The Italian Job, True Romance and melodramatic clichés.

The third element in the blender, mentioned above, along with a script short on genuine character development (You'll sometimes forget that Hayden Christensen and Zoe Saldana are in it) are distracting for a film which develops a serious tone, but there are positives, depending on your genre preferences.

The film moves along briskly, even as we deal with a cringe-worthy first half, and when the actual robbery gets going, the fun starts. Though the cinematography is modeled too much off of the Bourne-style shaky cam, the set pieces are still very well pulled off.

The extended car chases and shootouts contain a level of energy and suspense that really makes them standout, comparable to similar scenes in the above mentioned films, along with an on-foot chase clearly modeling itself off of the Madagascar chase in Casino Royale. Every car whizzing by, bone crunch or gunshot affects the audience due to mostly- proper use of slow motion, and great editing, both sound and film wise.

The melodrama may make some engaged viewers start laughing due to how it's put on screen, but as the stakes get higher, gels with the storyline.

The main cast, considering the material they are given, do the best they can, and their charisma is enough for us to care about them when the stakes get REALLY high, particularly in the case of Matt Dillon and Idris Elba.

It's highly unoriginal and contains several other elements worthy of nitpicking, but after evaluating how I had spent the past 107 minutes of my life, I think it got the job done.

B-

'TAKERS': Three and a Half Stars (Out of Five)

An impressive diverse cast of mid-level celebrities and some pretty stunning action scenes highlight this bank robber / obsessed cop heist film directed by newcomer John Luessenhop. The cast includes Matt Dillon, Idris Elba, Paul Walker, Hayden Christensen (who after having to deliver such awful dialog and mellow drama in the last three 'STAR WARS' films has actually done pretty well for himself career-wise, compared to like Mark Hamill or Carrie Fisher), Jay Hernandez, Zoe Saldana, Michael Ealy, Jonathon Schaech, pop singer Chris Brown and rapper T.I. (Brown and T.I. Also executive produced the film). Like 'THE EXPENDABLES' this film made the smart choice of putting all these actors together, any one or even two by themselves wouldn't have drawn much attention or cash but adding them all together made for a flashy looking film (It made $21 million in it's first weekend, that's pretty impressive for this type of film). The movie is a pretty routine cops and robbers film, sort of a second rate 'HEIST', but it's also surprisingly entertaining!

The film follows a team of five expert and professional bank robbers (Elba, Walker, Christensen, Brown and Ealy) as they team up with an ex-partner of theirs (T.I.), who was just released from prison, on a dangerous armored truck heist, worth $20 million. The movie also focuses on an obsessed cop (Dillon) hot on their trail and his seemingly more 'by the book' partner (Hernandez). Drama ensues as the 'loose canon' cop neglects his young daughter and the bank robbers feel friction and mistrust for their ex-partner. There's also a side story revolving around the crooks leader (Elba) and his drug addicted sister (played by Marianne Jean-Baptiste).

For the most part the characters are underdeveloped and what is developed isn't something we haven't seen hundreds of times before but the cast adds a lot of character and charm to their roles. Each actor is cast perfectly in his or her part (although the female parts are pretty small); Dillon and Elba are always at their best but actors like Walker and Christensen are actually given a brief chance to shine in movies like this. The action scenes are also stunning. The two heists are extremely impressive and there's a breathtaking foot chase scene! The movie is surprisingly entertaining. I went into the movie expecting to be mildly amused but I was hooked for the most part, largely due to the cast and action.

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A veteran crew of hardened thieves, led by Gordon (Idris Elba) and John (Paul Walker), runs into some turmoil when Ghost (T.I.), a former member of the group, gets out of prison and offers up a dangerous job. Against their better judgment, the group decides they owe it to their newly free comrade to pull the heist, all the while unsure of whether or not they can trust the intel. With a detective (Matt Dillon) hot on their tails and a clean lifestyle calling to some of the crew, the thieves put everything on the line for a score that will surely make or break them.

Heist movies call to me, even ones I know will be awful. There's something about a big score playing out on screen that gets my attention every time. I'm like a drug addict, really, constantly chasing the next high, with the high being "Heat" or "Italian Job." So even as I mocked the trailer for "Takers" last Fall, I knew I'd eventually give in and check it out. And now I hate myself for giving into the urge.

"Takers" is, quite simply, a mess of a movie. Terrible acting, an overly convoluted story, and a final "twist" you can see from the opening credits, "Takers" has them all. The biggest issue, however, is a severe identity crisis. "Takers" can't decide whether it wants to be "Ocean's 11", "Heat", or "Dead Presidents." The tone of the film jumps back and forth between smooth and stylish, harsh and gritty, and over-the-top ridiculousness. The filmmakers clearly couldn't decide what their target audience would be and decided to shoot for them all, only they failed to hit on ANY level. Elba, a fine actor, is seriously underused while Zoe Saldana's role in the film is completely pointless. Whatever Saldana was paid, it was stolen money because she's essentially an extra given a line here or there. And when you then consider how much time was given to Paul Walker and Hayden Christensen, both horrendous actors, you have to ask yourself what in the name of John Frankenheimer was director John Lussenhop doing?! Walker and Christensen are completely overshadowed in the "Worst Actor EVER" conversation, though, compared to rapper T.I. Never, and I mean, NEVER, have I witnessed a more miserable performance. I feel like I should start a petition to ban T.I. from appearing on screen again in the future. It is offensive how bad he is.

"Takers" also steals liberally from better heist movies and while I usually give a free pass in the "That's Already Been Done in This Other Movie" department, it's so blatant here that the characters actually reference the knock-off they are about to perform. New lows all around. The first 20-30 minutes of "Takers" is decent and some of the (early) action is entertaining but that is all that keeps this movie from completely deteriorating into near-spoof territory.

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As the tittle says, if you want a really good thieves-crew movie go for "The Town" (Ben Affleck's new adventure), or, if you missed it, "Heat" (1995). If you missed this one, wait no longer and get it NOW, its a masterpiece.

Takers is entertaining, action packed, bang bang and all those flashy things. You will be as satisfied as in a meal without dessert, you are full but you still lack something sweet.

The story in "Takers" is solid, with a few shortcuts along the way, but nothing damaging to the overall value of the movie. Acting is also very decent, nothing fancy, also a few bad apples, but mainly in the "second line" of actors.

Also, for the love story fans this has very little value, and the the little it has does not turn out too good.

Overall, my humble opinion, give this movie a chance and you will be satisfied.