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IMDbPro

El expreso del miedo

Título original: Snowpiercer
  • 2013
  • B-15
  • 2h 6min
CALIFICACIÓN DE IMDb
7.1/10
408 k
TU CALIFICACIÓN
POPULARIDAD
938
130
Ed Harris, John Hurt, Jamie Bell, Chris Evans, Song Kang-ho, Octavia Spencer, and Tilda Swinton in El expreso del miedo (2013)
In a future where a failed global-warming experiment kills off all life on the planet except for a lucky few that boarded the Snowpiercer, a train that travels around the globe, where a class system evolves.
Reproducir trailer2:10
15 videos
99+ fotos
Conspiracy ThrillerDystopian Sci-FiActionSci-FiThriller

Un fallido experimento para solucionar el problema del calentamiento global casi acabó destruyendo la vida sobre la Tierra. Los únicos supervivientes fueron los pasajeros del Snowpiercer, un... Leer todoUn fallido experimento para solucionar el problema del calentamiento global casi acabó destruyendo la vida sobre la Tierra. Los únicos supervivientes fueron los pasajeros del Snowpiercer, un tren que recorre el mundo.Un fallido experimento para solucionar el problema del calentamiento global casi acabó destruyendo la vida sobre la Tierra. Los únicos supervivientes fueron los pasajeros del Snowpiercer, un tren que recorre el mundo.

  • Dirección
    • Bong Joon Ho
  • Guionistas
    • Jacques Lob
    • Benjamin Legrand
    • Jean-Marc Rochette
  • Elenco
    • Chris Evans
    • Jamie Bell
    • Tilda Swinton
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.1/10
    408 k
    TU CALIFICACIÓN
    POPULARIDAD
    938
    130
    • Dirección
      • Bong Joon Ho
    • Guionistas
      • Jacques Lob
      • Benjamin Legrand
      • Jean-Marc Rochette
    • Elenco
      • Chris Evans
      • Jamie Bell
      • Tilda Swinton
    • 1.1KOpiniones de los usuarios
    • 489Opiniones de los críticos
    • 84Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 35 premios ganados y 108 nominaciones en total

    Videos15

    Official Trailer
    Trailer 2:10
    Official Trailer
    Red Band Teaser
    Trailer 1:54
    Red Band Teaser
    Red Band Teaser
    Trailer 1:54
    Red Band Teaser
    International Trailer
    Trailer 1:02
    International Trailer
    What to Watch If You Love "Snowpiercer"
    Clip 3:07
    What to Watch If You Love "Snowpiercer"
    Bong Joon Ho Makes Oscars History
    Clip 3:24
    Bong Joon Ho Makes Oscars History
    Bong Joon-Ho – Making the Film You Want
    Clip 1:44
    Bong Joon-Ho – Making the Film You Want

    Fotos935

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    Elenco principal47

    Editar
    Chris Evans
    Chris Evans
    • Curtis
    Jamie Bell
    Jamie Bell
    • Edgar
    Tilda Swinton
    Tilda Swinton
    • Mason
    Ed Harris
    Ed Harris
    • Wilford
    Song Kang-ho
    Song Kang-ho
    • Namgoong Minsoo
    John Hurt
    John Hurt
    • Gilliam
    Octavia Spencer
    Octavia Spencer
    • Tanya
    Ewen Bremner
    Ewen Bremner
    • Andrew
    Ko Ah-sung
    Ko Ah-sung
    • Yona
    Alison Pill
    Alison Pill
    • Teacher
    Luca Pasqualino
    Luca Pasqualino
    • Grey
    • (as Luke Pasqualino)
    Vlad Ivanov
    Vlad Ivanov
    • Franco the Elder
    Adnan Haskovic
    Adnan Haskovic
    • Franco the Younger
    Emma Levie
    • Claude
    Steve Park
    Steve Park
    • Fuyu
    • (as Stephen Park)
    Clark Middleton
    Clark Middleton
    • Painter
    Marcanthonee Reis
    Marcanthonee Reis
    • Tim
    • (as Marcanthonee Jon Reis)
    Paul Lazar
    Paul Lazar
    • Paul
    • Dirección
      • Bong Joon Ho
    • Guionistas
      • Jacques Lob
      • Benjamin Legrand
      • Jean-Marc Rochette
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios1.1K

    7.1407.8K
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    Resumen

    Reviewers say 'Snowpiercer' is a visually stunning, thought-provoking film tackling class struggle and social inequality in a post-apocalyptic setting. Praised for its unique premise, intense action, and strong performances by Chris Evans and Tilda Swinton, it captivates audiences. However, some critics note plot inconsistencies and surreal elements requiring suspension of disbelief. Others find the social commentary heavy-handed or the pacing and ending problematic. Despite these issues, 'Snowpiercer' is celebrated for its ambitious concept and compelling narrative.
    Generado por AI a partir del texto de las opiniones de los usuarios

    Opiniones destacadas

    6ptrzanetti

    Cold and derailing

    This film reminded me of many lost occasions in cinema where script themes were extremely compelling but poorly executed (think about In Time). The smart idea behind the movie (which comes from the graphic novel La Transperceniege) representing capitalism as a self fuelling train riding across a desert world where no alternative could survive is mostly shadowed by bold action sequences and cliches. This trend reaches the climax in the last 30/40 minutes, as the ending shows us the trite scene of the "final encounter with the villain" along with very predictable events. The characters are hollow, rigid and stereotypical as their dialogues are. Differently from his masterpiece Parasite, neither personal nor societal introspection is here elaborated. Unfortunately, Mr Joon-Ho had a visionary novel that he decided to transpose in an average Hollywood style action movie.
    7Tweetienator

    Refreshing

    I agree with some reviewers that there are some (unnecessary) plot holes and illogical stuff going on (food supply just one of the main issues, as there are hundreds of people on board, and if you dare to count there are more people like guards, crazies and rich people than on our poor rebels side) but that left aside, Snowpiercer got a refreshing perspective on the postapocalyptic genre/tales and provides some unique ideas and combines them with some solid acting and a pro production.

    Verdict: not brilliant and no masterpiece but a good and entertaining flick - if you like the genre and want some action on your screen.
    8estebangonzalez10

    Now that is how you make the transition from a Korean to an English language film without losing your personal stamp and style

    ¨Know your place. Accept your place. Be a shoe.¨

    I was pleasantly surprised at how well Korean director, Joon-ho Bong, made the transition to this his first English language film because the style and tone of the film still felt entirely Korean despite starring some well known Hollywood actors. I enjoyed this film so much that I ended up watching it twice and that is something I rarely do. Based on the French graphic novel, Le Transperceneige written by Jean-Marc Rochette, Snowpiercer is an ambitious dystopian sci-fi film that despite having a very absurd premise works really well thanks to Bong's direction. It has some great performances with memorable characters, several exciting action scenes mixed with bizarre comedic moments, and a thought provoking metaphor on classicism. It is a bleak film but Bong handled the material so well that it kept me engaged and interested. Unfortunately the film does suffer from a rather unconvincing final act, but for most of its running time I was so entertained that I wasn't too disappointed.

    Snowpiercer takes place in 2031 after a failed global-warming experiment has frozen all of Earth and wiped out all life. The only survivors are the passengers of a super train traveling across the globe with a perpetual-motion engine. Designed by Wilford, an engineer who knew the experiment would fail, the train has been running for 17 straight years and a social class system has developed as the passengers of the rear end live in extremely poor conditions. Here we are introduced to a young man named Curtis (Chris Evans) who is trying to come up with a plan to get past all the security guards in order to reach the front section where Wilford is presumed to be. He isn't alone on this quest as most of the passengers are upset for the abuse they've suffered and the extreme poor conditions in which they are forced to live in. A wise old man named Gilliam (John Hurt) who helped Wilford design the engine, has been helping Curtis rally the men together. Curtis's good friend, Edgar (Jamie Bell), is also awaiting the moment to begin their revolution as things begin to get worse once the guards take a few kids away from them. Tanya (Octavia Spencer) and Andrew (Ewen Bremner) are among the victims whose children have been taken away from them so they are also eager to attack. The first step of the plan involves freeing Namgoong (Song Kang-ho), a prisoner who has a special gift for unlocking the doors to each section, but the task won't be easy as the guards will do what it takes to make sure they stay at the rear section of the train.

    Bong has directed several successful Korean films like The Host and Memories of a Murder, and in his first English language film his style remains untouched. Despite having some scenes that borderline in the ridiculous he somehow manages to balance those moments really well. For example there is this huge action scene that he has set up between the rebels and the guards who are awaiting them with axes. The bloody and violent confrontation begins, only to be interrupted as the train is approaching a bridge which serves as a landmark for the New Year. The fighting stops for a few seconds as everyone begins the countdown and admires the view of the outside world from inside the train, then the violence and mayhem continue. There are several moments like this where Bong perfectly balances these gorgeously crafted choreographed scenes with moments of quirky comedy and twisted sense of humor. The best example of this type of humor comes from the two characters played by Tilda Swinton (who is unrecognizable in this film) and Alison Pill who are terrific and steal the few scenes they are in. I really loved that classroom scene that felt completely out of place with the dark tail section of the train. I think it was those goofy moments that I enjoyed the most in this film. It was a great sensory experience to get to follow these characters through each section of the train and I have to give Bong credit for his visionary style because as our heroes progress to the front of the train things begin to get more and more bizarre and you never know what to expect. The film is short of being a masterpiece because the final 30 minutes are disappointing, but as a social satire Snowpiercer worked better than other recent sci-fi films like Elysium. It is a very weird and strange film, but it is really good and I enjoyed it even more on my second viewing.
    8ThomDerd

    Yes, it's a metaphor, but it's a tense one.

    I just came across it again after-hours on TV and rewatched the whole thing, although i have seen it twice back in 2013. For the ones who'd want to check it out and dont mind a dark violent social commentary this is a treat. Good cast, good acting (Chris Evans and Tilda Swinton are a highlight), good action and relentless pace. Probably most are familiar with the story of snowpiercer, the train that holds the last of humans and keeps going around the world, while its people are split in sections in the train. That story itself constitutes a great -but not new- metaphor about society. I would keep the metaphor in the background as the backbone of the story and focus on the other exciting elements of the film, which are very rewarding. Good film, 8/10
    9iamtheslickguy

    I Didn't Think I'd Like it

    I don't like movies as art. I like movies that have rules and internal logic, and the premise of this movie is idiotic from both a scientific and common sense angle. It really works though. Like it really works. If you can just suspend disbelief and accept that a train can run forever and sustain some sort of biodome indefinitely then this movie is a masterpiece.

    I see reviews where people basically complain about how the premise impossible, or that the themes are cliche, and I'm totally with you guys there. Both of those things are true, so if you need realism then you probably won't like this movie. But if you can just accept the premise as it is then this movie is something really special. One of the better movies I've watched in a really long time

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Director Bong Joon Ho often clashed with producer Harvey Weinstein, who frequently interfered in order to demand "his" version of the film. Among the many requests, the producer insisted on having the fish scene removed in favor of more action. Bong, who considered it his favorite shot in the film, was adamant to keep it in. He told the producer that he wanted to keep the shot for a personal reason, as a tribute to his late father, who was a fisherman. Upon hearing this, Weinstein said that family is very important to him, so he granted Bong to keep the shot. In an interview, the director said "It was a fucking lie. My father was not a fisherman."
    • Errores
      Wilford congratulates Curtis for being the first human being to walk the whole length of the train; however, Claude, Wilford's assistant, is seen at the tail of the train, as well as the front. Though Claude does not travel very far into the tail section and while she has been in every car, Curtis has been to the very back of the train, making him the only person to traverse its entire length. The children taken by Claude, however, were the first people to travel along the entire length of the train.
    • Citas

      Mason: Order is the barrier that holds back the flood of death. We must all of us on this train of life remain in our allotted station. We must each of us occupy our preordained particular position. Would you wear a shoe on your head? Of course you wouldn't wear a shoe on your head. A shoe doesn't belong on your head. A shoe belongs on your foot. A hat belongs on your head. I am a hat. You are a shoe. I belong on the head. You belong on the foot. Yes? So it is. In the beginning, order was proscribed by your ticket: First Class, Economy, and freeloaders like you. Eternal order is prescribed by the sacred engine: all things flow from the sacred engine, all things in their place, all passengers in their section, all water flowing. all heat rising, pays homage to the sacred engine, in its own particular preordained position. So it is. Now, as in the beginning, I belong to the front. You belong to the tail. When the foot seeks the place of the head, the sacred line is crossed. Know your place. Keep your place. Be a shoe.

    • Créditos curiosos
      Snow is seen falling during the end credits.
    • Conexiones
      Featured in Snowpiercer: Transperceneige, From the Blank Page to the Black Screen: A Documentary by Jésus Castro- (2014)
    • Bandas sonoras
      Strange Brew
      Written by Eric Clapton (as Eric Patrick Clapton), Gail Collins, and Felix Pappalardi (as Felix A. Pappalardi)

      Performed by Cream

      Courtesy of Polydor Ltd.

      Under License from Universal Music Enterprises

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    Preguntas Frecuentes18

    • How long is Snowpiercer?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 1 de octubre de 2015 (México)
    • Países de origen
      • Corea del Sur
      • República Checa
    • Sitio oficial
      • Official site
    • Idiomas
      • Inglés
      • Coreano
      • Francés
      • Japonés
      • Checo
      • Alemán
    • También se conoce como
      • Snowpiercer
    • Locaciones de filmación
      • Hintertux, Tirol, Austria(mountain)
    • Productoras
      • SnowPiercer
      • Moho Film
      • Opus Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 39,200,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 4,563,650
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 171,187
      • 29 jun 2014
    • Total a nivel mundial
      • USD 86,758,912
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 6 minutos
    • Color
      • Color
      • Black and White
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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