Establecido más de siete años después de que el mundo se haya congelado, Snowpiercer se centra en los restos de la humanidad, que habitan en un tren gigantesco y en constante movimiento que ... Leer todoEstablecido más de siete años después de que el mundo se haya congelado, Snowpiercer se centra en los restos de la humanidad, que habitan en un tren gigantesco y en constante movimiento que da vueltas alrededor del globo.Establecido más de siete años después de que el mundo se haya congelado, Snowpiercer se centra en los restos de la humanidad, que habitan en un tren gigantesco y en constante movimiento que da vueltas alrededor del globo.
- Nominado a 1 premio Primetime Emmy
- 10 premios ganados y 34 nominaciones en total
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First of all lets make one think clear, this is a show in a sci-fi setting and Sci-fi has always been experimenting with cheesy and illogical concepts. I don't know why people forgot that. Of cource the idea of a endlessly running train isn't realistic nor would the class system of the train work in real life, but thats not the point of the show. You wouldn't say that fighting with laser swords or travelling through time in a car is very realistic, but it is definitely fun to watch. That is why (at least for me) Snowpiercer works. Is it a show that would win awards for groundbraking acting or writing? No, probably not. But the story is definitely thrilling, the set pieces are fascinating and I am extremely invested in the show.
Whoever made the decision to film season 4 with an abundance of close-ups, hand held cameras, and what looks like cell phones in the season 4 opener, really should be forced to sit on an anthill. That's what watching this show is like. The jump cuts, shaky camera work, jeez, what are they thinking. Let me guess, some "creative thinker" thought, lets give the show a claustrophobic feel with tight shots. This is what happens when someone surrounds themselves with sycophants who tell them they're geniuses. Or it's the fall back on the back of for a show that is not very interesting and is reaching for something it has lost and can't get back. It's the cinematic equivalent of jumping the shark. It reeks of desperation. This shows camera work is physically painful to watch..
Like most people, I enjoyed the movie enough to give this show a chance. Season 1 was good enough, with some glaring issues but not TOO many. Season 2 was still watchable, but a clear decline in quality. As for Season 3, it has been painful just to get through each episode, and I'm only still going because I very rarely just stop watching something mid season after I've invested many hours in it already. I truly don't even know where to begin, when explaining why the current season has been so bad. Many reviews have already stated how bad of an actor the guy who plays Layton is, but even the characters who were once interesting and often likeable are barely recognizable anymore. Also, the attempts at artistic shots and dialogue fall flat every single time; it feels like a college student wrote most of the monologs. I'm currently on episode 8 of Season 3 and will, at the very least, finish with this season... but not because it is interesting or captivating. Rather, just out of a general curiosity to see where they're going with the show and to confirm my theory that it can't get any worse (even though episode 7 proved me to be painfully wrong already). You've been warned.
For those stating that the premise of a train wrapping around the globe that has to keep running is too unrealistic - that is correct. Though it's a great metaphor for how our class based elitist society is part of a never ending circle that, given the right circumstances , could entirely collapse at any moment.
So no, train like this isn't possible. But that's not the point. Watch the story unfold and if need be pay attention to everything else and let the train part fall to the background. Either way, it's an interesting story and the acting is well done. The scenery is amazingly well thought out , and for a pilot episode they did decent job knocking it out of the park.
I wasn't the biggest fan of the film- but I'm quite interested to see how they do with this. So far, so good.
WARNING - you do need an imagination to watch this show. So if you take everything too literally you won't enjoy it.
The only unbearable part of this show is daveed Diggs- he doesn't sell the part very well at all. The show would be much better without him as a centrepiece: it's a shame they couldn't find Idris or someone a bit more captivating in their acting - Diggs is lacklustre at best and he's outshined by every other character , even the background ones.
So no, train like this isn't possible. But that's not the point. Watch the story unfold and if need be pay attention to everything else and let the train part fall to the background. Either way, it's an interesting story and the acting is well done. The scenery is amazingly well thought out , and for a pilot episode they did decent job knocking it out of the park.
I wasn't the biggest fan of the film- but I'm quite interested to see how they do with this. So far, so good.
WARNING - you do need an imagination to watch this show. So if you take everything too literally you won't enjoy it.
The only unbearable part of this show is daveed Diggs- he doesn't sell the part very well at all. The show would be much better without him as a centrepiece: it's a shame they couldn't find Idris or someone a bit more captivating in their acting - Diggs is lacklustre at best and he's outshined by every other character , even the background ones.
I find my opinion similar to most of the reviews out there. The first two seasons were definitely better than the third. Honestly, I don't enjoy the way they focus on three characters in one episode and then switch to another three in the next. Sometimes, you don't see a main character for weeks. I think this format is one reason why season 3 feels so slow and boring.
Most of the characters lack depth, which I attribute to the writing rather than the acting. Melanie is the only character I find worth watching, and Jennifer Connelly delivers a great performance, as always. I aslo think season 3 suffered a lot because she was hardly present.
I've just started season 4, which we've waited ages for, and it looks like they're sticking with the same format, showing different sides of the story in each episode instead of giving us the full picture. It's too early to tell if there will be any improvement in the character dynamics. I hope they don't continue the pattern of alternating episodes between different settings, one outside the train, the next on the train, and so on. This would be very dull. I also hope they bring everyone together again to face the main conflict, or whatever they have planned for this season. And of course, I'm hoping for more Melanie too. Let's see if things improve.
Update after 3 episodes: layton's character is as annoying as ever.. no improvement there.
Most of the characters lack depth, which I attribute to the writing rather than the acting. Melanie is the only character I find worth watching, and Jennifer Connelly delivers a great performance, as always. I aslo think season 3 suffered a lot because she was hardly present.
I've just started season 4, which we've waited ages for, and it looks like they're sticking with the same format, showing different sides of the story in each episode instead of giving us the full picture. It's too early to tell if there will be any improvement in the character dynamics. I hope they don't continue the pattern of alternating episodes between different settings, one outside the train, the next on the train, and so on. This would be very dull. I also hope they bring everyone together again to face the main conflict, or whatever they have planned for this season. And of course, I'm hoping for more Melanie too. Let's see if things improve.
Update after 3 episodes: layton's character is as annoying as ever.. no improvement there.
¿Sabías que…?
- TriviaThe train needs to be in constant motion, which happens due to its perpetual engine (as seen on the blueprints in the opening sequence) called the "Eternal Engine". If the train were to stop for more than thirteen minutes, everyone would freeze to death.
- ConexionesFeatured in Good Morning America: Episode dated 14 May 2020 (2020)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Chuyến Tàu Băng Giá
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora
- Color
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