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Look, I'm biased. When I first saw the movie in 2011 while I was still just in middle school, I was enamored. Now, 8 years later, as a film student inspired by this movie, I can honestly say that it still holds up. A lot of the love I have for this movie is purely fueled by nostalgia, but even aside from that, the thrills and heartstring tugs this movie delivers still stand up to the test of time so far. This movie is always going to mean the world to me, and I hope someone out there sees this and gives it a shot. It's so criminally underrated and under-appreciated.

Abrams has proved to be a talented cameraman. I don't mean this in a condescending manner, at least not entirely. But that's all there is with him, shape and contour. He's yet to situate himself within a worldview - so he borrows from where it is convenient to fit into. Here it's Spielberg - his world of wondrous discovery, magical escapade into comfortable menace, but where everything is wistfully made right again.

So you probably know by now how this is a pastiche built from other stuff; Close Encounters, The Host, The Goonies. The point-of-view is from the children (who are, perhaps, the only characters worth watching), the monster stalking the perimeters. The military is the faceless inhuman machine of cruel intentions.

What Abrams does is perfectly in tune with post-modernist ideas. But whereas the Coens appropriate raw essentials and even whole chunks of preconceived world but build from them their own notion of a universe, Abrams is merely an itinerant garbage collector.

It's all so derivative, so uniformly processed, it makes me wonder why anyone would take time out of their lives to make it - assuming one has creative aspirations about the art. Is Close Encounters really that old? So, like the myth of Prometheus; some artists risk to steal the fire that will renew our lives, a dangerous fire, others merely spend their time bound in the confines of earlier discovery.

It is nostalgia ridden like many other films have been this past decade, the only difference is it's not of the cynical kind.

The film's narrative FELT all over the place (probably more the plot than the narrative) - there was a certain tightness missing from this that was present in J.J. Abrams' previous film but, other than that, everything else did exactly what it's supposed to. The kids are both engaging and entertaining, the monster turns out to be quite frightening, the dialogue's great, the acting's great, visual effects, cinematography- everything's on point.

It felt like I was watching a proper film! I mean it seems too much to ask for from our blockbusters these days.

Overtly nostalgic movie about a bunch of kids stumbling on a secret weapon blunder while making a zombie flick. Yes, it is an obvious hommage to Spielberg, that much have been said.

The kids are remarkable, everyone of them. In fact, as soon as the movie moves away from them, it suffers, althought Kyle Chandler, reliable, does a good job with non-verbal acting. The one kid I liked most was the "directing" one, reacting with slight disgust at the thought that his own sister (she must have been ugly when younger) could actually be attractive to others, but all of them had their quirps that made them likeable in their own ways.

When compared with contemporary Stephen King's "It" adaptation, which is similar in many ways, it is less lurid and graphic, and adults are less of a threat, but the nostalgia factor is doubled. I especially liked the middle-class settings and realities, the small Ohio town. My favorite moment was when they actually showed the full movie the kids made ("The Case") during the end credits, which makes it the most agreable end credits I ever witnessed.

Alas, not all was perfect and the main CGI creature is somewhat of a wet petard, and some characters were less than convincing, like the stoner guy. It is however a movie with a heart. Or maybe it's me who's getting too old.

Entertaining film with funny situations , state-of-art special effects and interesting screenplay ; according to J.J. Abrams was homage to the producer of the film, Steven Spielberg, and his films of the 1970's ranging reverence from Spielberg's directorial films . This Spielberg production is a fun movie concerning a feisty bunch of underprivileged kids whose Super 8 filmmaking project is about to be destroyed by weird events . During the summer of 1979, in a small Ohio town a group of friends (film debut of Joel Courtney and Riley Griffiths) while making a super 8 Zombie movie (since the kids were making a zombie movie, there are several references to director George A. Romero , as the poster for one of his movies in Joe's bedroom) witness a catastrophic train crash and soon suspect that it was not an accident. Shortly after, unusual disappearances and inexplicable events begin to take place in town, and the local Deputy (Kyle Chandler, Jeremy Renner declined the lead role ) tries to uncover the truth - something more frightening than any of them could have thought - and investigate subsequent unexplained events in their small town. They spend one last adventure-filled Saturday Afternoon together when one of them is kidnapped (Elle Fanning , sister of Dakota Fanning who during the town hall meeting, for a brief second you can spot among the assistants) . This happens after they find a film about their teacher , that could be the solution to all their problems .

This is an amusing mess made in Spielberg style, the goal was to pay homage to the science-fiction movies of the '70s and 80s . The story results to be an emotive homage to Spielberg -as the famous bicycle from Steven Spielberg's movie E.T. can be seen as a part of metal junk that is being attached to the water tower in one of the final scenes- and to cinema of the 80s , taking parts here and there from various film as ¨E.T.¨ , ¨Close encounters of third kind¨ and specially ¨The Goonies¨ , though directed by Richard Donner was written by Spielberg . Imaginative and rousing musical score by Michael Giacchino in John Williams style . Colorful and evocative cinematography by Larry Fong . Top-notch FX , Bruce Greenwood provided the motion-capture performance of the alien , as J.J. Abrams insisted that the train station scenes were actually shot at night outside, instead of in a studio , though the train is completely computer-generated , in fact , the train crash was purposely made much more sensational than a train crash would actually be. Lavishly produced by Steven Spielberg was reportedly on set many times throughout the course of filming , Director J.J. Abrams and Spielberg have both gone on record stating that the filming of this production was some of the most fun they have ever had on set. The motion picture will appeal to Steven Spielberg and J.J. Abrams buffs . Rating : Better tan average , well worth watching .