Una chica de 17 años llamada Suzume ayuda a un misterioso joven a cerrar las puertas del exterior que están provocando desastres por todo Japón.Una chica de 17 años llamada Suzume ayuda a un misterioso joven a cerrar las puertas del exterior que están provocando desastres por todo Japón.Una chica de 17 años llamada Suzume ayuda a un misterioso joven a cerrar las puertas del exterior que están provocando desastres por todo Japón.
- Premios
- 4 premios ganados y 29 nominaciones en total
Ann Yamane
- Daijin
- (voz)
Nichole Sakura
- Suzume Iwato
- (English version)
- (voz)
Josh Keaton
- Sota Munakata
- (English version)
- (voz)
Jennifer Sun Bell
- Tamaki Iwato
- (English version)
- (voz)
Cam Clarke
- Hitsujiro Munakata
- (English version)
- (voz)
Roger Craig Smith
- Minoru Okabe
- (English version)
- (voz)
Bennett Abara
- Rumi Ninomiya
- (English version)
- (voz)
- (as Amanda Céline Miller)
Rosalie Chiang
- Chika Amabe
- (English version)
- (voz)
Allegra Clark
- Tsubame Iwato
- (English version)
- (voz)
Opiniones destacadas
Beautiful animation, brilliant even, with a lot of attention to details. It captures perfectly the nature with the shimmering of roads and the sparkling of the sea.
The story is interesting even if in some places it could have been better. The feeling of old places with memories from the past struck a cord.
Regarding the love story, I'm not sure how the infatuation "that guy looks beautiful" transformed into deep love to say "I am more afraid of a world without him".
The idea of what generates earthquakes is interesting.
As usual for japanese anime, the final "lessons" can easily bring you to tears but you are better if you remember that lesson because it's about life.
The story is interesting even if in some places it could have been better. The feeling of old places with memories from the past struck a cord.
Regarding the love story, I'm not sure how the infatuation "that guy looks beautiful" transformed into deep love to say "I am more afraid of a world without him".
The idea of what generates earthquakes is interesting.
As usual for japanese anime, the final "lessons" can easily bring you to tears but you are better if you remember that lesson because it's about life.
A love at first sight, seeking past, fifty thousand people used to live here now it's a ghost town, unlikely villain, phenomenon driven mystery, parkour, a race against time and chance, past meet future, today's sacrifice tomorrow's keep, great humor timing, strong voice acting, magical, captivating visual art animation & a music to fall in love, with nostalgia sure to hit a Makoto Shinkai's masterpiece ! When I left the theater I feel like wanting more I regretted for not having watch Kimi no Nawa and Weathering with you on cinema but not this time and I am so glad I captured this one. Ittekimasu Itterasshai.
Suzume has become one of 2023's breakout hits and for good reason; though the film may have some similarities to Your Name and Weathering With You, it's got enough different material to make this film a nicely refreshing experience at the cinema.
I don't know why some critics/audience-members have complained about the supposed similarities to Makoto Shinkai's previous films; directors have styles they refine to their heart's content, so it's an odd thing to point out here. With that said, Shinkai uses his 'magic realism' approach to tell an even more fantasy-oriented story than Your Name; there are talking cats and sentient chairs in this one instead of a 'simple' body-swap.
Of course, the story's well realised but what about the animation? It's gorgeous! Of course it's gorgeous! It's so crisp and fluid that even the few imperfections here and there do not diminish the sense of seeing a fantastical take on modern Japan that's ripe for the 'real fantasy' imagery on display here. Also, the animation has a consistently cinematic (and larger than life) flare that few recent American animated offerings seem to have. The intimate and big set pieces never feel totally out of place. Everything here just... fits nicely.
Suzume is the kind of animation that cinema was made to show off, and in THE showiest fashion possible! Makoto Shinkai has a real knack for theatrical stories.
Suzume gets 4.5/5 stars. 9/10 points. This one is certainly worth getting a ticket to see!
I don't know why some critics/audience-members have complained about the supposed similarities to Makoto Shinkai's previous films; directors have styles they refine to their heart's content, so it's an odd thing to point out here. With that said, Shinkai uses his 'magic realism' approach to tell an even more fantasy-oriented story than Your Name; there are talking cats and sentient chairs in this one instead of a 'simple' body-swap.
Of course, the story's well realised but what about the animation? It's gorgeous! Of course it's gorgeous! It's so crisp and fluid that even the few imperfections here and there do not diminish the sense of seeing a fantastical take on modern Japan that's ripe for the 'real fantasy' imagery on display here. Also, the animation has a consistently cinematic (and larger than life) flare that few recent American animated offerings seem to have. The intimate and big set pieces never feel totally out of place. Everything here just... fits nicely.
Suzume is the kind of animation that cinema was made to show off, and in THE showiest fashion possible! Makoto Shinkai has a real knack for theatrical stories.
Suzume gets 4.5/5 stars. 9/10 points. This one is certainly worth getting a ticket to see!
The premise was truly intriguing with several doors at abandoned places in need of getting closed in order to stop the gigantic worms from causing natural disasters. Ancient Gods are the keystones holding these worms back and there is a closer who has taken up this important job to keep these doors closed. Then there is Suzume, a girl raised by her aunt after she lost her mother during 2011 Tsunami. Suzume is gifted to see the ever after and her love at first sight Sota who is the closer, leads her to join him in the mission to close the doors as well as save the world.
The animation is what caught my eye and I am not that much into anime. The story remained captivating for the most part and the narrative style kept the intrigue intact. I was drawn into the world of Suzume even before the fantasy part began. Chasing Daijin while closing one door after another, relating it to a major natural disaster from the Japanese history was a nice touch. However, despite couple of jokes working, the sub plot involving Serizawa felt dragged and the introduction of Sadaijin lacked the desired impact. Overall, Suzume is still a worthy watch for it's unique premise.
The animation is what caught my eye and I am not that much into anime. The story remained captivating for the most part and the narrative style kept the intrigue intact. I was drawn into the world of Suzume even before the fantasy part began. Chasing Daijin while closing one door after another, relating it to a major natural disaster from the Japanese history was a nice touch. However, despite couple of jokes working, the sub plot involving Serizawa felt dragged and the introduction of Sadaijin lacked the desired impact. Overall, Suzume is still a worthy watch for it's unique premise.
Suzume is the latest Makoto Shinkai movie. This is the first one I was lucky enough to see in theaters, and it was well worth it. I consider myself a fan of Shinkai's work, even though I thought his last two entries were overrated. I do like Your Name, though I do think the film is overhyped. It's by no means a masterpiece, at least when it comes to the writing. But I thought the film was okay. I was not a fan of Weathering with You at all though. Ironically, I think some of his best works are his more obscure titles. 5 Centimeters Per Second is my all-time favorite of his. I really enjoy Children Who Chase Lost Voices and Garden of Words. I even like Voices of a Distant Star and The Place Promised in Our Early Days. So how does Suzume rank with all of those?
Well, like with all of Makoto Shinkai's films, the visuals and music are top tier. I don't think another anime director does background detail quite as good and real looking like Shinkai does. It looks even more impressive on the big screen. However, unlike the previous two films of his, I was much more into the story and characters here. I had no idea what this movie would be about going in, as the trailer kept everything vague and mysterious. But I found myself really liking the premise and the journey our main characters were on for the most part. I don't think there was any character in this I actively disliked either. With Your Name I found the lead characters great, but the writing and side characters were a mixed bag, especially in the third act. Other than looking and sounding amazing, like all Shinkai movies, I really liked nothing else about Weathering with You.
The main issue with the film is the romance, and by extension some of the padded scenes in the middle. I know supernatural romance stories are Shinkai's thing. Almost every film of his has a romance between the main leads. Sometimes the romance is done well like in Garden of Words and even Your Name. Here though it feels very rushed and forced because of just how many things are going on and just how many side characters introduced that Suzume interacts with. One of two things I feel needs to be changed here. Either cut down on all the subplots and side characters and focus more time on the two leads' relationship or just not have it be a romance. Like I said, I like all the side characters in this. But if Shinkai really wanted a romance between Suzume and the main male Souta, he really needed to focus more on developing that instead distracting from it with all these other B-plots. As it is, the two should have just been really good friends like the two leads in Children Who Chase Lost Voices were.
Overall, if you're a fan of Shinkai's work then this is a must watch. Even if you didn't care for his previous two films, you should still give this one a chance. It's not his best work in my opinion. I would still prefer Centimeters Per Second, Garden of Words, and Children Who Chase Lost Voices above this. Check those movies out too if you haven't. I'd give this one an 8 or 8.5 out of 10. That rating might go up or down depending on subsequent viewings. But right now, that's how I feel.
Well, like with all of Makoto Shinkai's films, the visuals and music are top tier. I don't think another anime director does background detail quite as good and real looking like Shinkai does. It looks even more impressive on the big screen. However, unlike the previous two films of his, I was much more into the story and characters here. I had no idea what this movie would be about going in, as the trailer kept everything vague and mysterious. But I found myself really liking the premise and the journey our main characters were on for the most part. I don't think there was any character in this I actively disliked either. With Your Name I found the lead characters great, but the writing and side characters were a mixed bag, especially in the third act. Other than looking and sounding amazing, like all Shinkai movies, I really liked nothing else about Weathering with You.
The main issue with the film is the romance, and by extension some of the padded scenes in the middle. I know supernatural romance stories are Shinkai's thing. Almost every film of his has a romance between the main leads. Sometimes the romance is done well like in Garden of Words and even Your Name. Here though it feels very rushed and forced because of just how many things are going on and just how many side characters introduced that Suzume interacts with. One of two things I feel needs to be changed here. Either cut down on all the subplots and side characters and focus more time on the two leads' relationship or just not have it be a romance. Like I said, I like all the side characters in this. But if Shinkai really wanted a romance between Suzume and the main male Souta, he really needed to focus more on developing that instead distracting from it with all these other B-plots. As it is, the two should have just been really good friends like the two leads in Children Who Chase Lost Voices were.
Overall, if you're a fan of Shinkai's work then this is a must watch. Even if you didn't care for his previous two films, you should still give this one a chance. It's not his best work in my opinion. I would still prefer Centimeters Per Second, Garden of Words, and Children Who Chase Lost Voices above this. Check those movies out too if you haven't. I'd give this one an 8 or 8.5 out of 10. That rating might go up or down depending on subsequent viewings. But right now, that's how I feel.
¿Sabías que…?
- TriviaWhether going to the countryside to see his parents or traveling the country to present his movies, Makoto Shinkai was seeing more and more deserted places and deserted buildings in Japan, due to the country's aging demographics. He wondered why Japanese people have prayers for groundbreaking ceremonies, but not when the buildings are abandoned, unlike what happens for people. That's why he made the movie about mourning for places.
- ErroresThe epicenter of the 2011 Touhoku earthquake was undersea, 45 miles off the East coast of Japan, so the worm couldn't possibly be responsible for it.
- Citas
Singer: How much meaning must we overcome before we reach our destination?
- Créditos curiososThe title doesn't appear until around the 13-minute mark.
- ConexionesFeatured in MsMojo: Top 10 Best Animated Movies of 2023 (2023)
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- How long is Suzume?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 10,932,037
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,001,705
- 16 abr 2023
- Total a nivel mundial
- USD 285,092,455
- Tiempo de ejecución
- 2h 2min(122 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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