Marte Um

Originally premiered at the 2022 Sundance Film Festival in the World Cinema Dramatic Competition selection.

Marte Um (Mars One) is directed by Gabriel Martins and it's the story about The Martins family who are optimistic dreamers, quietly leading their lives in the margins of a major Brazilian city following the disappointing inauguration of a far-right extremist president. A lower-middle-class Black family, they feel the strain of their new reality as the political dust settles. Originally I had no interest on seeing this one because it sounded like a basic family movie that may be cheesy. But when it premiered at the 2022 Tribeca Film Festival, I decided to give it a chance.

It surprised me honestly. There is a lot to appreciate about this movie. Director Gabriel Martins has definitely proved himself that he is talent with his movies when it comes to demonstrating family dynamics, characters and the approach on harsh reality. The camerawork is well shot throughout as it helped to display the atmosphere and environment of the movie's setting. Helps to build the character and understand them for what they are going through. All the performances are well done particular actors Carlos Francisco and Camilla Damião does an amazing job capturing the personality of their characters. The soundtrack is fitting and many moments were touching and quite satisfying at the end of the day.

Family dynamic films can be interesting and rough to watch depending how you view because every family has experience different ways of going through life and going through the hardships. But Director Martins succeeds with his family dramatic movie with heartfelt moments that may make you cry.

Wholesome.

Rating: A-

Dramatising the social upheaval among Brazil's poor while their country teeters on the edge of democracy, Mars One paints a fascinating portrait of a lower-middle-class black family feeling the strain of their new reality and delivers as a finely carved slice of everyday life that's further strengthened by sincere performances from the quartet that make the household.

Written & directed by Gabriel Martins, the story is character-driven and benefits a lot from the full-fledged personalities inhabiting the script, each bestowed with tangible identities which in turn also makes the audience want to invest in their journey. Through their personal struggle & desires, the film addresses various topics & themes prevalent in families living on the outskirts.

All four characters are given equal priority & sufficient screen time by the director and despite the tone being grim & heartbreaking, it still manages to find some wickedly hilarious scenes in the process. As with every family drama, it is the conflicts & relationships with each other that drives the narrative and the actors play their roles convincingly, both individually & as a family unit.

Overall, Mars One is competently crafted & patiently told but whether it's going to work for you or not depends a lot on how invested you are in their lives & problems. Otherwise, its slow pace & meandering plot can make it a chore to sit through. Not everything lands right, for the proper cohesiveness of all the subthreads isn't there but there is ample that viewers can connect with one way or another.

The Brazilian movies that become international rarely show a view of their middle class. We can almost see the middle class subdivision.

Brasil is a country with a very open mind and mentality were tabus almost don't exist. Exept when you are talking about football.

This movie is not just the power of dreams but the clash beetween diferent dreams were diferent but similar personalities interact. The past the present and the future that help to build that dreams showing how much the world changed in 3 generations.

In a overcrowed society the ammount of good people looks like a miracle.

Everything somehow fits perfectly on the narrative and in the end felt that, if this was a 5 hour movie I still want to watch a little bit more.

Brilliant.

This movie is a clear example of how rich Brazilians that live in other countries their whole life and barely ever go to Brazil see the country they are supposedly from. This is a ridiculous bag of political propaganda from a POV that says nothing about Brazil other than how rich and favored Brazilians love to dramatize their country from afar. And how they love to talk about realities they have no idea of. This is not a movie. This is an excuse to make political propaganda against a democratic elected President. Do not waste your time watching it.

The movie tells NOTHING about the Brazilian middle class. To begin with most of Brazilian middle class was in favor of the last president. It is ridiculous how Brazil's "intellectual elite" exploit their favored position to sell a completely fake idea of what was happening in the country. Democracy was well as strong and the country was thriving.

These "directors" were just angry because most of the public money they used to travel around the world was cut. It is a sad reality when a country has its artistic class so depended and immorally linked to a political party that they are unable to create anything independent that could ever be considered real art. Sad. That is why Brazil will never have good movies other than some few accidental works that end up making sense (usually against their original intent - such as Tropa de Elite).

Completely in love with this genre of films that mix science fiction, drama, raw reality (community, violence, brotherhood), a new aspect of national cinema, with an unparalleled identification, a faithful and generous portrait, which escapes the global Leblon... A strong film, with stupendous and natural performances (most with little or no experience in cinema) that touches us deeply, moves us and enchants us, we feel part of the family, simple, captivating, delicate and passionate... Wonderful...

A black family from the outskirts of Contagem, Minas Gerais, seeks to follow their dreams in a country that has just elected as president a far-right man, who represents the opposite of everything they are.

The film shows the daily life of a family from the outskirts, in the last months of 2018, shortly after the presidential elections. The boy Deivid, the youngest of the Martins family, dreams of being an astrophysicist and participating in a mission that will colonize the red planet in 2030. Living on the outskirts of a large urban center, there are few opportunities for this, but he still doesn't give up. He spends hours watching videos and lectures about astronomy on the internet.

His father is a doorman in an elite building and has not had a drink for a long time, a fact he proudly shares in Alcoholics Anonymous sessions. Tércia is the matriarch who, after an incident involving a TV prank, believes she is suffering from a curse. Finally, the eldest daughter is Eunice, who wants to move into an apartment with her girlfriend but doesn't have the courage to tell her parents.