Deu suay doo

Thai sensation JeeJa Yanin burst onto the martial arts movie scene in 2008 with Chocolate, wowing fight fans worldwide with her amazing performance as adorable but bad-ass autistic girl Zen (and earning her the title of 'the female Tony Jaa' in the process). Expectations were naturally high for her next film Raging Phoenix, but although Yanin once again displays incredible agility, skill, and speed, the film as a whole must be considered something of a disappointment, lacking the simplicity, charm, originality, and raw power of its predecessor.

The script flits brazenly from one nonsensical scene to the next and is irritatingly indifferent to its main gimmick, the drunken fighting style of Meyraiyuth, so carefully developed in the first half of the film yet completely ignored in the second; almost as brash are the fight scenes that vary wildly in style from bone-crunching realism to comic-book excess (with naff wire-work employed for 'cool' gravity defying moves), most of which are so highly choreographed that they are more like immaculate dance routines than amazing displays of martial arts prowess (impressive to watch, certainly, but hardly adrenaline pumping). Meanwhile, Yanin desperately struggles to create another endearing character in Deu, but thanks to far too many embarrassingly over-melodramatic moments, her street urchin with attitude comes across as more pathetic than sympathetic.

Throughout the film, there are plenty of scenes that display promise, but all ultimately fail to deliver the levels of genius that have made recent Muay Thai movies like Ong-Bak, Warrior King and Chocolate so memorable; the fact that this potential for awesomeness is so frequently and readily wasted makes Raging Phoenix an all the more frustrating experience.

An unsatisfying 5.5 out of 10, generously rounded up to 6 for IMDb.

Movie as such is pretty simple and straight forward with a twist in between which actually jinxed me. However, saying that, the only reason I watched it was JeeJa Yanin and her martial arts skills.

I was browsing through action videos in youtube and came across this movie's last action sequence which kind of so much impressed me that I was curious to watch the full movie. It went smooth and I wasn't expecting much too. But, by God, this lady had some skills and showed perfectly in martial arts. I remember watching Tom Yoom Gung earlier of Tony Jaa and that action star is the only other Thai actor which impressed me with his techniques. Bravo. JeeJa Yanin, in the same way, performed her own style and who knows, it could be taken as a reference in other action movies. Am now eager to watch her movie Chocolate. Fingers crossed.

RAGING PHOENIX, a high-kicking Thai martial arts film, marks Jeeja Yanin's follow-up to her outstanding debut, CHOCOLATE. While proving to be a mildly entertaining movie with some great fight action to recommend it, it's an inevitable disappointment to those of us weaned on the likes of ONG BAK and WARRIOR KING, as it just doesn't hold a torch to the calibre of those two movies – or, indeed, Yanin's aforementioned debut.

The problem with this movie is pretty much everything aside from the action: the characters are cardboard-thin, the plot is shallow and the script is completely stupid. By the time we're introduced to the storyline of the villains harvesting the tears of their victims, you'll be rolling your eyes and saying "oh please". In addition, the acting is strictly drama school, and that includes Yanin; none of these guys would make it in a film requiring real performances.

Good news, then, is that the action is what this film is all about, and it lifts what could have been a debacle into something pretty entertaining; no WARRIOR KING, certainly, but something to be enjoyed at least once. The dance-infused combat sees Janin and her anarchist rebel friends battling a series of nefarious villains, and it inevitably builds up into a massive battle in the bad guys' lair (a ridiculous CGI underground chamber).

At the end, Yanin finally meets her match – a hulking Amazonian fighter by the name of Roongtawan Jindasing, a real-life bodybuilder and judo expert. The resultant fight takes in multiple locations, some exquisite camera (the bridge scene in particular) and goes on for about half an hour without ever getting dull; seasoned action director Panna Rittikrai ensures he gets the maximum mayhem for his money.

Having bought this movie solely on the reason because JeeJa Yanin was in the movie, and I was amazed with her performance in "Chocolate", so I had high expectations for this movie.

I must admit that it was somewhat of a struggle for me to fully sit through this movie to the end, because it had a tendency to drag out the story in a seemingly endless spiral, and took forever to go almost nowhere. The storyline was adequate enough, women getting abducted by Thai gangs, but drained of their pheromones to make a perfume? What? Are you kidding me? The story went horrible awry when that was revealed. Up until then, the movie was actually bearable.

The fighting scenes in the movie were well choreographed and well executed. There was lots of fast-paced, adrenalin-fueled action in the movie. And Thai movie makers really got a knick for this, and this movie is another dent in the belt.

That being said, then a lot of the movie, including the fight scenes, were rudely interrupted and tainted by a horrible attempt to add comedy to the movie, in the forms of the characters Pigshit and Dogshit, pardon my French, but they were actually named this in the movie. They were dreadful to look at and worse to listen to, with horrible lines and bad comedy. The movie really suffered from this approach to film making.

If you have seen "Chocolate", do not set your expectations up after that standard, because this movie is inferior to that movie by far, and inferior to the first "Ong Bak" as well. Sure, there are nice fighting scenes, but it is far from enough to carry the movie.

And what was up with the gang members jumping around on pogo-stilts? That was really lame. Who fights with such toys strapped to their feet? Come on... And the whole feeling to the underground lair of the gang was way out of proportions. Where would such a place be found? The complexity of its built, the depth in which it was found, and how would no one know of its location? Sure it looked somewhat nice, but it was too much.

For a Thai movie, it was very mediocre. Trust me, there are far better Thai action movies available. "Raging Phoenix" (or "Deu Suay Doo") might be worth a look if you are a big fan of JeeJa Yanin, but otherwise not really worth the time unless you got nothing better to do.

I greatly value originality in any story or flick. When I see something I've seen before, I recognize it and it's somewhat off-putting. This flick has a lot of martial arts that's unique but that's not the half of it. This is a martial arts flick with amazing, unique locations. Best of all it has a unique and original story line. One of the sets appears to be an abandoned hotel at the beach that was demolished in Thailand by the tidal wave. Another set is a labyrinth of tunnels and sewers. That's not all. This movie has atmosphere to spare. The characters are also original but I will not reveal anything about the unique, original story line.