Siu nin Wong Fei Hung chi: Tit ma lau

Hong Kong film director and martial arts expert Yuen Woo-ping is absolutely outstanding. In "Iron Monkey," one scene I admire most is the poetically quiet, beautiful interaction of fluid movements in graceful progression: as Dr. Yang and Miss Orchid close shop (the clinic), a whiff of wind blows the papers (written prescriptions) up in the air, and Yang (who's actually Iron Monkey) elevates himself up into the air to catch the flying papers, while Orchid, with a few agile movements and glides, catches the balance of the flying papers. It's like a short interlude - a silent romantic song with punctuated accents - with a slight kick from Miss Orchid, a stool plops into place upside down as it should be on another neatly ends the piece. I actually relish this quiet segment much more than the awe-struck extensive finale scene, which is truly an amazing display of exquisitely choreographed martial art movements of three masters (two good forces tenaciously team up against one skillful evil monk) on multiple wooden poles with inferno-like fire a-dancing below. Fantastic performances from Donnie Yen as Wong Kei-ying, father of Wong Fei-hung, who's deftly portrayed by a young girl Tsang Sze-man, and Yu Rongguang as Dr. Yang/Iron Monkey, with Jean Wang as Miss Orchid, to the upstanding police chief, the devastating evil monk and all.

Iron Monkey is essentially a film about the legendary Shaolin kung-fu master (also known as drunken master) Wong Fei-hung when he was young. In fact, the alternate title is "Siunin Wong Fei-hung tsi titmalau," literally: Young Wong Fei-hung's iron monkey.

Follow this up with Jet Li's "Once Upon A Time In China 2" ("Wong Fei-hung ji yi: Naam yi dong ji keung" 1992, literally: Wong Fei-hung #2 - young man should be self-sufficiently strong) and the adult Wong Fei-hung portrayal will be better understood: why he's so good at his knowledge and practice of Chinese medicine, why he acted so restrained and coy with Aunt Yee, whom he very much loves but won't express so - all due to the austere teachings from his father as noted in "Iron Monkey." We also learn that he lost his mother at a tender young age - though from Jackie Chan's "The Legend of Drunken Master" (2000 USA, "Jui Kuen 2" 1994, literally: Drunken fist 2), we can see he has quite a wonderful stepmother - smart and wittily portrayed by Anita Mui! See it if you want another excitingly fun, martial arts action-packed drama about the adult Wong Fei-hung.

Films like this I can watch again and again, unlike an over inflated Hollywood blockbuster. There is a continuing trend for far eastern film makers to work in the west, like Jet Li, Tsui Hark and Yuen Woo Ping but their best work was done in Hong Kong and China. This film is a good example.

With gorgeous photography, lively martial arts and a great cast this can't help pleasing. Yu Rong Guang is relaxed and charming as Dr Yang and Jean Wang as Orchid Ho is sublime and spirited. Donnie Yen brings his usual intensity to contrast with the other two. It is that ancient story of the mysterious hero robbing the rich and giving to the poor but the plot keeps one interested while the action goes on.

My favourite scene is not a martial one but when a sheaf of papers is blown about and Dr Yang and Orchid collect the sheets up. It is a short scene but full of grace and beauty and quiet humour, a million miles away from Hollywood. Nothing in 'Matrix Reloaded' sticks in my mind like that scene.

A splendid film!

I really loved this flick. A Kung Fu Robin Hood fights corruption in officialdom whilst providing for the poor and needy. Kung Fu skills go from fancy kicks and hand work, to wok skills, balancing on poles and beating up bullies with an umbrella. Once the visiting doctor realises his mistake in wanting to defeat our hero, a dynamic team up results against the evil foes from Shaolin who misuse their art to the obligatory Kung Fu bad guys (and girls). The characters are quite good, even the little kid didn't irritate me (good skills). This movie has some padding, with the father-son routine. It worked ok, adding some plot and human interest to the movie. Even one of the corrupt officials (Master Fox) moves beyond 1D, though the Shaolin monk is truly the 1D bad guy. Well done Tsui Hark.

This is by far one of the top 10 martial art movies of all time.

This movie has beautiful scenery and atmosphere. It transport me back to a place long ago and far away where life is cruel and government officials are corrupt but all is not forsaken for heroes are out there with heart of pure goodness, body of iron armor, and spirit of courage and valor. This movie made me believe in this world where human can train their body and mind to do inhuman feats like leaping onto roof tops and shattering cement blocks two feet thick. It invoked memories of my childhood dream of becoming a martial art master able to kick butt but also the restraint and pathos for helping those less fortunate. Both Dr Yang and Wong Kei-Ying plays a martial art hero that possess these traits. They are well rounded individuals that posses other admirable skills. Dr Yang for example is a highly skilled doctor, a flashy cook, and a musician. I love one of the breath taking scenery in which he was playing this Chinese instrument out in the court yard on a golden autumn day. It's very nostalgic for me for some reason. Orchid, Dr Yang's assistant is wonderful in this movie as well. She brought beauty and depth to this movie. The young Wong Fei-hung character was great as well. These wonderful characters on top of the amazing fight sequences makes this movie transcend martial art movies and rival any movies genre ever produced in terms of sheer entertainment value. I have read review about the bad/simple plot or fake wire-fu in this movie. That's not the point, the mastery of mood and texture in this movie is sheer enjoyment. How much plot can one develop in a 90 minute martial art movie?...or any movie really...it's all about the human conditions some more complex than other often recycled over and over through the years and placed in a different setting and different context. Great movies capture the human imagination and touches a spectrum of human emotions. Great movies also flow smoothly and do not go into a lull. For me this movie did that and more. Hopefully you'll want to watch it again and again like I did.

This film has everything you'd want in a good martial arts film - characters, story, setting and of course, martial arts. The comparison to Robin Hood is apt as it centres on vigilante justice.