Marti, dupa Craciun

Given the commonplaceness of the subject of the movie, one may have thought that the director would have liked to address the question of adultery from a possibly new (moral, artistic) angle. This was my reason for watching the movie, and I had to be disappointed.

The characters had incredibly little depth, with the notable exception of the lover (the dentist) whom I found to give a very sensible performance. As far as the main character is concerned, there is very little struggle, care for other's feelings, humbleness. One may view his character as a depiction of the stereotypical "romanian man". The Romanian Man whose masculinity has to be praised, for whom it is completely normal to have both a wife and a lover, and who has to be congratulated if he decides to do anything about it. I am not sure how many such stereotypical "romanian men" are there in Romania (possibly few, but the character did ring a bell), but I would say the main character makes an interesting reflection on current society.

As has already been remarked, the conversation is *boring*, there is no spark of life, of joy, of complicity among these middle-class busy people. No love either. Is this a depiction of Romania's today middle-class marital relations? Where all the conversation revolves around work and the last things we bought, but there's no talk of the soul? Is this why the action takes place around Christmas, the pinnacle of consumerism of the year?

The reason that I am giving the movie 5 points is that the performances of the actors are, in fact, very good and the characters are natural and believable. The opening scene is truly refreshing and the scene at the doctor's carries a very palpable tension. The problem is the remaining hour...

In conclusion, I found the above movie very plain, boring, and somewhat depressing for the reasons described above. Also, it was filmed in a very factual, realistic manner with no questions raised. So, then, my question is: what is the message of this movie?

Nothing happens. ..really! Nothing happens.is there even a script?. This movie is totally pretentious. Why should they call this a movie more like a public AD for infidelity. And gratuitous nude scenes. Give me a break. I skipped the scenes so much for how boring it is. Nothing is interesting , you would expect a plot twist something, build up ...just long drawling scenes of peaople staring into each other. Long pauses. I heard so many good opinons about this. This movie should be called Totally overrated. I want my 95 min back. Total and utter nonsense. They should be ashamed.. 10.min scene of someone trying on clothes.

A Romanian man must choose between his wife and his lover. The pacing is very deliberate. Scenes are filmed in long takes and little happens in terms of plot or action. However, the leisurely approach allows the viewer to get to know the characters, who are all very real. The characters and situations are so real that one can empathize with their plight. The acting is excellent all around. Branescu is not able to shine in the unsympathetic role of the man in the love triangle. However, Oprisor as the wife and Popistasu as the lover both turn in wonderfully natural performances. Muntean is a talented writer-director, someone to keep an eye on.

In Bucharest, banker Paul Hanganu is happily married to Adriana with kids. Only, he's having an affair with his daughter's young beautiful dentist.

It's a naturalistic film. There are some compelling scenes. One is especially devastating. It's a compelling Romanian film riding a new wave of cinema coming from that country.

Although the movie appears to be a modern day cliché in film making just by reading the plot summary, it is anything but. Yes it's a story about a much used concept of love triangles, yes it's a story about heartbreaks and infidelity, but seldom does one see a movie taking out the time to delicately develop the situational markers, the palpitating tension and the deep-rooted feeling of guilt and remorse. This movie paints an unadulterated picture of love, disloyalty and heartbreak. Where other movies include this concept as a plot enhancement or twist, director Radu Muntean sketches a brilliant exposé on a man's struggle between his love and his guilt amidst the delicate balance of family.