Great performance from Jonathan Rhys Meyers, but only an average film overall
When two newly acquainted neighbours decide to go out for a drink together their lives change for ever when they knock a cyclist down on a quiet road on the way back from the club killing her instantly. Rather than do the right thing both men flee the scene. Worse is to follow when journalist David (the driver responsible) is assigned with the task of investigating his own crime, but he also starts seeing the victim's sister Vanessa whom is unaware of David's true identity...
There is quite a quirky dynamic between Robert and David which, at times, does make the film interesting. You can sense early on that Robert is a ticking time bomb whom it seems does not take rejection particularly well. On the other hand, David seems more of an average Joe who doesn't seem to possess any strange character traits; his only flaw perhaps is that he can be easily lead which is what puts him in the mess he ultimately ends up in.
Whilst it's clearly pivotal to the plot I have to admit to being less impressed with the film when Vanessa arrives on the scene. The bulk of the film revolves around her blossoming relationship with David; in all honesty David and Vanessa are both a tad bland and I would have preferred it if more focus would have been shifted on to both Robert (due to his more interesting persona) and the investigation surrounding the collision (which seems under-utilised). The only mildly intriguing aspect of their relationship is finding out when/if/how Vanessa discovers the truth, but for me it's not a good enough hook to keep me fully involved.
Thank goodness then for Jonathan Rhys Meyers whose creepy unhinged performance here is the highlight of the film. I did miss him when he wasn't on the screen as every other aspect of the story was a tad mundane. He transforms a rather unremarkable film in to something that is semi-watchable which is quite commendable.
The Good Neighbour is worth a look if there's nothing else on, but it's not something I would recommend making a big point of seeing.
There is quite a quirky dynamic between Robert and David which, at times, does make the film interesting. You can sense early on that Robert is a ticking time bomb whom it seems does not take rejection particularly well. On the other hand, David seems more of an average Joe who doesn't seem to possess any strange character traits; his only flaw perhaps is that he can be easily lead which is what puts him in the mess he ultimately ends up in.
Whilst it's clearly pivotal to the plot I have to admit to being less impressed with the film when Vanessa arrives on the scene. The bulk of the film revolves around her blossoming relationship with David; in all honesty David and Vanessa are both a tad bland and I would have preferred it if more focus would have been shifted on to both Robert (due to his more interesting persona) and the investigation surrounding the collision (which seems under-utilised). The only mildly intriguing aspect of their relationship is finding out when/if/how Vanessa discovers the truth, but for me it's not a good enough hook to keep me fully involved.
Thank goodness then for Jonathan Rhys Meyers whose creepy unhinged performance here is the highlight of the film. I did miss him when he wasn't on the screen as every other aspect of the story was a tad mundane. He transforms a rather unremarkable film in to something that is semi-watchable which is quite commendable.
The Good Neighbour is worth a look if there's nothing else on, but it's not something I would recommend making a big point of seeing.
- jimbo-53-186511
- 12 ago 2022