En una ciudad violenta y futurista, donde la policía tiene autoridad para actuar como juez, jurado y verdugo, un policía se une a un aprendiz para acabar con una banda que vende la droga que... Leer todoEn una ciudad violenta y futurista, donde la policía tiene autoridad para actuar como juez, jurado y verdugo, un policía se une a un aprendiz para acabar con una banda que vende la droga que altera la realidad, SLO-MO.En una ciudad violenta y futurista, donde la policía tiene autoridad para actuar como juez, jurado y verdugo, un policía se une a un aprendiz para acabar con una banda que vende la droga que altera la realidad, SLO-MO.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 14 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
After the debacle that was Stallone's Judge Dredd (1995), the makers of this movie have clearly made their prime directive to please hardcore Dredd fans, and it shows: the screenplay, by Alex Garland, remains very faithful to the spirit of the comic, and in Karl Urban, we now have the perfect Dredd-all raspy voice and humourless grimace, it looks as though the character has jumped straight onto the screen from the pages of 2000AD (helmet intact). Similarly, it would be hard to imagine anyone more suitable than Olivia Thirlby as rookie Psi-Judge Anderson (and believe me, I've tried!).
Is Dredd 3D my 'ideal' Dredd movie? Not quite... made for a comparatively meagre budget of $45million, it would be hard pushed to live up to my impossibly high expectations (just realising the Mega-City One of my dreams would require way more money than it cost to make this entire film). That said, it is definitely a massive step in the right direction, and if it is the financial success that it genuinely deserves to be, who knows what treats await us in the future: The Cursed Earth, Judge Cal, Judge Death, The Apocalypse War.... I'm salivating like a Klegg just thinking about it.
** EDIT - 5th April 2021 ** Just watched Dredd again, this time without the benefit of 3D, and found it less impressive than I remembered. I was struck more than before by how poorly Mega City One is presented, with vehicles that look like they're from now instead the end of the 21st century. Little effort was spent in making the environment appear futuristic - things like computer keyboards and electric fans are still as they are today. Budget was clearly an issue, and it shows.
Also, the whole 'Wait' conversation doesn't work for me. The bad judge would've plugged Dredd in the head instead of allowing him to buy time.
I still love Urban's portrayal, and the violence is cool, but I really hope that if there is a next time, they make the film look more like the comics.
Old rating: 8/10 New rating: 6.5/10, rounded up to 7. It's still good, just not great.
The previous version of Judge Dredd (1995) starring Sly is a campy affair. Consider that it had Rob Schneider in it. 'nuff said. This one brings us into the comics once again but this time, they drop the camp. It is well written probably because they had Alex Garland who also wrote 28 Days Later... and Sunshine among others. Karl Urban is not as imposing as Sly but he does a solid job. Most importantly, he's not impersonating Sly. Olivia Thirlby is great as a foil or conscience to Dredd. Their relationship is the heart of the movie. Lena Headey does a good job as the baddie. It's an interesting unusual choice. It's certainly not your average muscle bound villain.
I did have 2 problems. First, Slo-Mo happens too many times. The first couple of times are interesting. I'm sure it's cool 3D fun, but even that would get tiresome. It's a balancing act between pace and cool and the climax needs pace more than cool. Second problem is the ending. The final fight with Lena Headey is not as climatic as needed. It's a bit of a letdown. Overall, this is super-fun despite the minor problems.
Karl Urban, long since a favourite of mine (since his excellent turn as the Russian assassin in THE BOURNE SUPREMACY) headlines as Dredd, never taking his helmet off throughout the film. Thus he's reduced to acting via his chin and gravely voice, and the surprise is that it works, to a degree. The helmet serves to distance the viewer from warming to the character, but then that's the point. I did like him though, and enjoyed his totalitarian attitude towards keeping crime off the streets.
Many reviewers have commented on the movie's similarity in plot to the Indonesian action epic THE RAID, and it's clear the two films share plenty. However, I think there's space for both of them in the market; DREDD is an unashamed shoot-em-up while THE RAID is an unashamed martial arts movie. They cater to different markets, and both are equally good.
DREDD's grim, claustrophobic setting is a strong one (bringing to mind the likes of '80s nihilist cinema like TENEMENT and DEATH WISH 3) and the action never lets up from start to finish. The scene with the huge guns is the stand-out, of course, but there's plenty of good minor stuff along the way, where encounters between Dredd and various bad guys are well directed and choreographed. Lena Headey's villain is utterly imposing and my only disappointment was with the ultra-slow-motion sequences, which are a bit pretentious and overused; thankfully they virtually disappear once the novelty wears off. I watched the 3D version of this movie, and while it's not the most visually impressive 3D film I've seen, it does make the film feel more immersive as a whole.
I really hope that everyone goes out to see the movie, because how often do we really get an extremely violent, faithful, intelligent science fiction movie in cinemas nowadays. I also want them to make more sequels. There is so much potential for sequels, as this movie has set up the character and the scenario, and we can really get into the more epic storytelling. The story in 'Dredd' is very confined, 85% of the film takes place in one of the huge tower blocks, and I kinda wanted to see more of the city and more of Dredd's world. But for what it is, 'Dredd' is a very good movie. There are also lots of nice character moments in between all the action, and some truly breathtaking slow-motion sequences, that almost makes the extra price of the 3D worthwhile.
Dredd is such a great character. He is a challenging anti-hero and an uncompromising bad-ass. And don't worry, the film does not glamorise violence, or justify Mega City One's judicial system. People often compare Dredd to 'Dirty Harry', but I would argue that Dredd is a more heroic character, because he would never break the rules, like Dirty Harry does. He isn't a hero because he executes bad guys, but because he is incorruptible, and will always fight for what he believes is right, despite the danger of doing it. If it is right or not, the movie leaves to the audience.
Its such an enjoyable movie that deserves success. Now go watch 'Dredd'. Creep!!
¿Sabías que…?
- TriviaKarl Urban insisted on riding the Lawmaster motorcycle himself.
- ErroresWhen Dredd throws Kay across the room, he rolls over a desk and his arms come apart even though he is handcuffed.
- Citas
Anderson: [reads Kay's mind] Sir, he's thinking about going for your gun.
Judge Dredd: Yeah.
Anderson: [reads it again] He just changed his mind.
Judge Dredd: Yeah.
- ConexionesEdited into 5 Second Movies: Dredd 3D (2014)
- Bandas sonorasJubilee (Don't Let Nobody Turn You Around)
Written by Bobby Womack, Harold Payne, Damon Albarn and Richard Russell
Published by ABKCO Music, Inc. (BMI), Chrysalis Music Ltd, Copyright Control
Performed by Bobby Womack
Licensed courtesy of XL Recordings Ltd.
By arrangement with Beggars Group Media Ltd.
(p) 2012 XL Recordings Ltd.
Selecciones populares
- How long is Dredd?Con tecnología de Alexa
- In Kay's imagined rape scene of Anderson was a body double used for Olivia Thirlby?
- Is this a remake of 'Judge Dredd'?
- Why is Dredd's face never seen?
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Hội Thẩm Phán
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 50,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 13,414,714
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,278,491
- 23 sep 2012
- Total a nivel mundial
- USD 41,037,742
- Tiempo de ejecución1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1