Robocop, el defensor del futuro

Paul Verhoeven's career in recent years has been wildly uneven, but back in the 1980s he rocked! His movies 'Spetters', 'The Fourth Man' and 'Flesh & Blood' are all brilliant and worth tracking down. His next movie, his first Hollywood one, could have been a complete disaster. Verhoeven initially passed on it without reading the script and wasn't experienced in working with special effects or a fan of science fiction. Thankfully his wife insisted he make the picture and the end result was a triumph. Apparently this was a very tough shoot for all concerned but the bottom line is what is on screen, and it really works. Few movies if any have managed to juggle SF, action and grim satire in such an entertaining and original fashion. Verhoeven was blessed with an excellent script, a well chosen bunch of actors, and a great behind the scenes team, and added to his own vision 'RoboCop' turned out to be one of the best movies of the 1980s, whatever the genre. Peter Weller ('Buckaroo Banzai') pulls off a difficult job - making the audience care about a guy in a monster suit. Probably the best performance of its kind since Boris Karloff in James Whale's 'Frankenstein' back in the 1930s. Nancy Allen ('Dressed To Kill'), Kurtwood Smith ('12.01 PM'), Ronny Cox ('Deliverance'), Miguel Ferrer ('Twin Peaks'), and the rest of the supporting cast are all first rate, and everything about this movie is perfect. Verhoeven stumbled with his next movie 'Total Recall', and apart from 'Starship Troopers' has pretty much failed to fulfill his potential, but 'RoboCop' remains a classic SF/action movie and a fantastic way to end a great decade of work.

My favorite Paul Verhoeven feature by a mile. It's a decent film if you like action but everything around it makes Robocop a different film in the genre. It's a movie that's blatant and upfront about its story but depending on who you are you can interpret it in different ways. It could be about public funding, gentrification, humanism, or just a dude who goes around shooting drug dealers. But what I really like about it is even though it's a movie that might seem fascistic on the surface it surprisingly doesn't punch down, at least not like films of the era that were just military propaganda. I know not everything I'm mentioning is an intentional decision on the writer's part, and to be honest I never thought the action was that great (except during the end), but my main point is this movie deserves more thought IF you're a fan of the genre.

"RoboCop" is a surprisingly impressive action film about a young cop (Peter Weller) who is killed by a gang of cruel criminals and is brought back to life with both human and robotic characteristics. Now he is cleaning up the city of Detroit and going after those who brutally murdered him when he was 100% human. This film is ultra-violent in every sense of the word. Anyone under the age of 17 should be strongly cautioned before seeing this film. However, the violence makes the film realistic and more exciting. Paul Verhoeven does some of his best work as a director. The screenplay is very smart for an action film and all the actors give bravura performances. Peter Weller will always be remembered as the original "RoboCop". Ronny Cox, Nancy Allen, Miguel Ferrer, and an incredibly evil Kurtwood Smith all do the best work of their careers. An impressive film from the action genre. 4 stars out of 5.

When I look at the modern day West, and the 2008 financial crisis, I often see parallels with images from RoboCop: protests, mind-numbing commercials, crime as the result of huge poverty, profit as the main goal of life, no matter at what (or whose) expense. There is not one OCP today, but dozens of OCPs, huge modern mega-corporations that influence every aspect of the society and drain it of its wealth. Just like in RoboCop, the middle class is almost gone and we only have the poor and the rich.

RoboCop started out as a pure B-movie, but unlike Cyborg (1989) or The Six Million Dolar Man (1974), it kept its relevance, satire and sharpness precisely because it is so close to today that it hurts. Even as a kid, I somehow got that one of the messages of the film was how the power was slowly shifting from the government to the OCP. Let's be fair, though, Verhoeven sometimes directs a scene in a heavy, clumsy manner, and some cheap ideas slightly reduce my enjoyment whenever I re-watch this. Overall, this is still a strong film, and I stand behind what I say. Kurtwood Smith is one of the most fiendish villains of the 80s, and one of the most unorthodox ones, too, with those glasses, but we must also mention Peter Weller who is often overlooked under that armor, yet his stoic presence tells us everything we need to know. His Murphy is a character designed by the corporations, a being that is a product, not a being anymore. The way he finds his humanity, nonetheless, is still powerful. He defies the system, he defies the cold exploitation - and he becomes worthy to become recognized. And the ED-something-something robot is still cool as ever, too.

Detroit is under siege by a corrupt CEO in the police department...also by rapists, robbers, and the group of thugs who murdered Officer Murphy. Murphy (flawlessly played by Peter Weller) was a family man with a big heart whose body is eventually 'saved' by tech-geniuses, transforming him into a robot-cop (with a big heart, natch). The violence in the film is incredibly brutal in the manner of "Death Wish", yet it can almost be overlooked--even deemed necessary--in the context of the plot. Weller exudes sensitivity (not easy to do under that coat of armor), and he's matched very well by Ronny Cox (delightfully sinister and sniveling) and spunky Nancy Allen (in her best performance). A bleak vision of the future, though one which offers hope underneath its chestplate of destruction. Followed by "RoboCop 2" in 1990, "RoboCop 3" in 1993, and a television series in 1994. ***1/2 from ****