Casting Kill

An expertly written and tightly woven thriller. An amazing music score drives this film through a series of tense and chilling encounters. There is a traditional feel to this movie where the emphasis in on the story telling rather than cgi distractions. No half hearted mumbling here ....the performances are delivered with conviction and clarity. In classic hitchcock style there are some truly memorable jaw dropping moments of horror. There are some twists and turns at the end which will satisfy fans of the psychological thriller genre. Let's hope this is the big one for Raya films as they go from strength to strength.

I knew to expect horror; I did not expect such wit and humour as well! The unexpected one-liners and situational comedy were such a delight amidst all the creepiness. This was just an excellent black comedy, and every piece came together to fuel its success: from the near cinematography to the haunting score.

The script is particularly fresh and irreverent. It takes a common genre of horror and violence against women but avoids the misogynistic pitfalls and cliches that plague similar works. It somehow keeps you engaged, surprised, contemplative, and freshly horrified throughout-like when one seemingly disturbing act turns out to "just" be homicide, the clearly psychopathic mummy issues underlying the character's misogyny, the worst popcorn ever, and of course the unexpected ending that shows the different depths of depravity within all of us. The context of an acting casting call both creates a heightened reality of over the top theatrics while being brutally honest about the very real nightmares within the industry. Overall, the script is witty, provocative, cogent, and all too relevant.

Of course, it comes to life with stellar acting, most notably from the lead Rob Laird as Arthur Capstone. The script demands a lot of him, and he meets the challenge heroically: treading the tightrope between deadpan and camp with Olympic precision to create a character who feels uncomfortably real, like a living nightmare. I particularly loved scenes with him and Jack Forsyth-Noble as Domenic; they fed off each other's energy so beautifully and hilariously that you almost lost sight as to who was the true antagonist.

Overall, it's a must-watch for wide ranges of audiences: anyone who loves horror, comedy, black comedy, social commentary, and honestly just well-done art.

This is such a good film. James and Caroline made such a superb suspenseful thriller that takes place in the British film industry and takes Harvey Weinstein's audition process to a whole new level. The acting was really good and well conveyed throughout the entire thing. Probably the only let down was perhaps the soundtrack. Might have been a little over the top at times. The camerawork is really good and got Hitchcock vibes to it. Take the time and watch this original horror flick and I mean horror lightly as there's no jump scares or actual horrific moments. Minor gore and blood to don't worry!

I have seen this twice now. Dark horror comedy at its best. Well shot great actors and great script.

The writers and Directors of this film are at the top of their game, as are the actors. Think twice before you go to an audition.

A dubious casting director lures unsuspecting actors to audition for a big part in a top film. Set in Londonin a basement flat, it is atmospheric and creepy, yet laughs are to be had at just the right moments. British Independent filming at its best, you could be forgiven into thinking it had a sizeable budget. Well worth a watch.

Gives a new meaning to The Casting Couch.

How many actors would gather at a slightly dingy casting suite for a shot at a role in a Hollywood movie? Plenty, it would seem - and without doing the necessary checks to see whether the opportunity is quite what is advertised.

Caroline Spence's darkly witty script and James Smith's taut direction deliver a thriller that does more than hint at the horrors within the story, yet we don't see much in the way of blood and gore.

I saw this film at its London premiere where an appreciative audience gasped and laughed together. The impressive score by Shaun Finnegan is more than the icing on the cake - it is a main ingredient in the recipe and a vitally important part of the overall feel of the film.

There were strong performances from all the lead actors with John Laird as Arthur Capstone giving a portrayal of a deeply (oh-so-deeply) disturbed man hidden not very far beneath the swaggering exterior. He gets away with arrogant and controlling behaviour almost entirely unchallenged because of the status he claims and the supposed potential rewards he offers (ring any bells anyone?). However he comes up against the determined Domenic (a tremendous performance from Jack Forsyth-Noble) who is like a public-schoolboy, self-interested version of Columbo who simply won't give up. Notable performances too from Rachel Chima, Gareth Tidball, Ian Renshaw and from Andrew Elias as the disconcertingly pragmatic caretaker.

It's hard to believe that this was shot in just 6 days and it is testament to the hard work of everyone involved in the production that Raya Films has delivered such a great looking film in such a short time.