Por Ella

So, what would YOU do if your spouse is convicted on a murder charge and sentenced to 20 years in jail? The film explores to what lengths someone might go, and it takes the viewer on a journey that is anything but expected. And it does it in convincing style and fashion and has you glued to your seat from beginning to end.

OK, Julien enters a world that makes him do things that we should by rights not find acceptable. And yet, one can do nothing but root for him to succeed, regardless of his methods.

I absolutely loved the power and speed of this film. It's action-packed, but also has a lot of depth.

A superb thriller throughout!

Julien (Vincent Lindon) is an unprepossessing French teacher, happily married to Lisa (Diane Kruger), a wife he deeply loves. Their idyllic suburban life is rudely interrupted, however, when the police shockingly crash their home and arrest Lisa on suspicion of the brutal murder of her boss. With Lisa's fingerprints on the weapon, and the victim's blood on her jacket, she is found guilty and sentenced to twenty years in prison. If you like your suspense powerful and unnerving, do not hesitate to seek out Anything For Her (Pour Elle), the debut effort of French director Fred Cavayé, an enormously entertaining thriller that delivers a high level of satisfaction.

Imprisoned for a crime she probably did not commit (the director offers two possible scenarios but it is clear which one is the more likely), Lisa, still proclaiming her innocence, faces long, dark days ahead without her husband and their young son Oscar (Lancelot Roch). Overwhelmed with sadness, Julien becomes single-minded in his drive to reunite the family. After three years, when his attorney tells him that Lisa stands no chance before the Appeals Court and Lisa becomes suicidal, refusing to take her insulin shots, Julien knows that he must take matters into his own hands and will stop at nothing to accomplish his goal.

Locating an ex-con who has written books about his attempts to break out of jail, Julien convinces him to tutor him on the do's and don'ts of prison escape, telling the ex-con that he wants to teach the author's experience to his students. His ultimate plan, though, is not revealed either to Lisa, Julien's parents (Liliane Rovere and Olivier Perrier), or to the audience, which serves to greatly enhance the suspense. To save the woman he loves from certain death in prison, however, Julien must transform himself from laid-back school teacher to action hero, pushing himself far beyond the limits of what is reasonable. While attempting to obtain false papers and new identities, he comes into contact with some very unpleasant local criminal types and finds himself no longer reluctant to use violence to accomplish his ends.

Supported by an excellent script by the director, outstanding cinematography by Alain Duplaintier, and a moody score by Klaus Badelt, Anything For Her is entertaining, riveting, and ultimately a very moving love story. None of it would be very convincing, however, if not for the outstanding performances of Lindon and Kruger, especially Lindon whose sudden personality change requires great skill to pull off. Lindon's eyes convey powerful emotion that is not desperation but a strong and unyielding determination that serves as a catalyst for the events that build to the film's heart pounding climax. Although Anything For Her has been criticized for being "implausible", when an individual's every act is consumed with passion and overwhelming intention, then the implausible will most certainly become the expected.

This is a terrific film ,and does exactly what cinema should do - it makes you think, and is very entertaining. You can't just slump in front of a film like this, shovelling popcorn down your front. You have to join in. What would YOU do if someone you loved so passionately was wronged by the law? This takes it to the full extent; taking the law into your own hands - its spaghetti era Eastwood - type storytelling, told with passion, humour and guile. Cinematically, its great - how come the French so seldom make bad looking films? The acting is fantastic, with both leads acquitting themselves with great style. Like most good thriller films, it goes close to stretching credibility at times, but never veers into the ridiculous or implausible. Also weaved into the film is a vein of good fortune which drives the story along and seems in the end to be their just dessert. One small criticism; it seemed set up for a sequel - surely film makers of such taste would not lead down that road? No sequel thanks -it stands as a great piece of work as it is.Leave well alone.

With his wife(17 years younger, hotter and less brooding) stuck in jail facing 20 years for a murder she clearly did not commit(and all the evidence against her is circumstantial... do French police suck this hard? In general, they are painted in a rather negative light in this, quite unnecessarily), Julien(the swimming teacher from Welcome) seeks to free her so that they can be reunited and spend the rest of their lives together, and with their son(who, other than badly needing to wear a cowbell, doesn't contribute much to this other than being "cute" and a single running theme overly easily solved... and it's not the only thing this sets up that doesn't lead to anything). High hopes aside, he's only a schoolteacher... could he really pull it off? The gradual pace leaves this feeling longer than the 96 minute running time, though it is quite tense and fairly gripping. You care about these people, and you definitely *feel* the impact of every blow dealt. The exciting third act has you so consistently on the edge of your seat, you're liable to fall off. Throughout, this is filmed and edited well. All of the performances are excellent... including the six-year-old(no, really). Part of the way, this is realistic, and it certainly does surprise you. The writing is mostly solid. There is a little brutal, bloody violence in this. I recommend it to fans of crime-thrillers. 7/10

I was pleasantly surprised by this movie.

Of course the whole idea of the plot is not very believable, an ordinary man trying to get his ordinary wife to escape from prison. That is the downpoint of the film.

However, through the great performances by both actors Vincent Lindon and Diane Kruger, and the wonderful chemistry between them, you actually care for them, and understand the psychological motivation of the husband. Add to that the perfectly paced development of the story, and you end up with a solid, entertaining thriller with real emotions.

In my opinion, you forget the unrealistic aspect of a film when the performance(s) of the actor(s) are deep and the emotions strong. So for me, even though this film provides nothing new, it is a brilliantly executed thriller.